An Armenian Sketchbook Quotes
An Armenian Sketchbook
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Vasily Grossman1,239 ratings, 4.04 average rating, 195 reviews
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An Armenian Sketchbook Quotes
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“The true champions of a nation's freedom are those who reject the limitations of stereotypes and affirm the rich diversity of human nature to be found.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“A mountain had died, its skeleton had been scattered over the ground. Time had aged the mountain; time had killed the mountain-and here lay the mountain's bones.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“The longer a nation's history, the more wars, invasions, wanderings, and periods of captivity it has seen-the greater the diversity of its faces.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“The nationalism of a small nation can, with treacherous ease, become detached from its roots in what is noble and human. It then become pitiful, making the nation appear smaller rather than greater. It is the same with nations as with individuals; while trying to draw attention to the inadequacies of others, people all too often reveal their own.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“In spite of everything, life would go on, the life of a nation making its way through a land of stone.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“Astra is a beauty. (...) Astra is so beautiful that I have no wish to describe her beauty. I will say only that her beauty is the expression of her soul. Her beauty lives in her quiet walk, in her shy movements, in her always-lowered eyelids, in her barely perceptible smile, in the soft outline of her girlish shoulders, in the chastity of her poor, almost beggarly clothing, in her thoughtful grey eyes. She is a white water lily in a pond shadowed by the branches of trees, born amid still, contemplative water. (...) The world of modest female beauty finds its expression in Astra. As for what may lie hidden in the depths of these waters, no-one can say unless he breaks the water's smooth surface, walks barefoot through the cutting sedge and treads the silty, sucking mud — now cold, now strangely warm. But I only stand on the shore, admiring the lily from a distance”
― An Armenian Sketchbook
― An Armenian Sketchbook
“We should call on the Creator to show more modesty. He created the world in a frenzy of excitement. Instead of revising his rough drafts, he had his work printed straightaway. What a lot of contradictions there are in it. What a log of typing errors, inconsistencies in the plot, passages that are too long and wordy, characters that are entirely superfluous. But it is painful and difficult to cut and trim the living cloth of a book written and published in too much of a hurry”
― An Armenian Sketchbook
― An Armenian Sketchbook
“Communication between people of different nationalities enriches human society and makes it more colourful.. Imagine our Russian intellectuals, the kind, merry, perceptive old women in our villages, our elderly workers, our young lads, our little girls being free to enter the melting pot of ordinary human intercourse with the people of North and South America, of China, France, India, Britain and the Congo. What a rich variety of customs, fashion, cuisine and labour would then be revealed! what a wonderful human community would then come into being, emerging out of so many peculiarities of national characters and ways of life. And the beggarliness, blindness and inhumanity of narrow nationalism and hostility between states would be clearly demonstrated.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“What constitutes the character of a nation is the character of many individual human beings; every national character is in essence, simply human nature. All the worlds nations, therefore, have a great deal in common with one another. The foundation of any national character is human nature. The foundation of national character is simply a particular colouring taken on by human nature, a particular crystallisation of it.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“Your first minutes on the streets of an unfamiliar city are always special: what happens in later months or years can never supplant them. These minutes are filled with the visual equivalent of nuclear energy, a kind of nuclear power of attention. With penetrating insight and an all-pervading excitement, you absorb a huge universe – houses, trees, faces of passersby, signs, squares, smells, dust, cats and dogs, the color of the sky. During these minutes, like an omnipresent God, you bring a new world into being: you create, you build inside yourself a whole city with all its streets and squares, with its courtyards and patios, with its sparrows, with its thousands of years of history, with its food shops and its shops for manufactured goods, with its opera house and its canteens. This city that suddenly arises from nonbeing is a special city; it differs from the city that exists in reality – it is the city of a particular person.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“I had sat at table with an old, semiliterate man in a dirty jacket and canvas boots and felt in my heart an excitement I had seldom known. By then Armenia and Russia no longer seemed to matter. I was no longer thinking about the nature of greatness or the characteristics of a particular nation. There was only the human soul, the soul that did not lose faith as it suffered anguish and torment among the scree and vineyards of Palestine, the soul that remains equally human and good in a little village near Penza, under the sky of India, and in a northern yurt—because there is good in people everywhere, simply because they are human beings.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“For a particular scene to enter into a person and become a part of their soul, it is evidently not enough that the scene be beautiful. The person also has to have something clear and beautiful present inside them.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“Reactionaries seek to excise and destroy the deepest and most essentially human aspects of a nation’s character; they promulgate its most inhuman and superficial aspects. They prefer the husk to the kernel. When they promulgate nationalism, reactionaries try to destroy what people share at a deep level; they recognize only what people share at the most superficial level.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“it has become more important than ever to look at the question of nationalism—of nationalistic contempt and nationalistic arrogance.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“They were weeping not because a young man was marrying and leaving his mother but because of the incalculable loss and suffering that Armenians have endured, because they couldn’t not weep for relatives of theirs who had perished during the massacres of 1915, because no joy in the world could make them forget their nation’s grief and their homeland on the other side of Mount Ararat.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“What matters is the need to move from the rigidity of national stereotypes towards something more truly human; what matters is to discover the riches of human hearts and souls; what matters is the human content of poetry and science, the universal charm and beauty of architecture; what matters is the magnanimity of a nation's leaders and historical figures. only by exalting what is truly human, only by fusing the national with what is universally human, can try dignity - and true freedom - be achieved.
It is the struggle for freedom of thought and expression, the struggle for a peasant's freedom to sow what he wants to sow, for everyone's freedom to enjoy the fruits of their own work - this is the true struggle for national dignity.
The only real triumph of national freedom is one that brings about the triumph of all human freedom.
For small nations and large nations alike, this is the only way forward.
And it goes without saying that the Russians too - as well as Armenians, Georgians, Kazakhs, Kalmyks and Uzbeks - must understand that it is precisely through renouncing the idea of their own national superiority that they can truly affirm the grandeur and dignity of their own people, of their own literature and science.”
― An Armenian Sketchbook
It is the struggle for freedom of thought and expression, the struggle for a peasant's freedom to sow what he wants to sow, for everyone's freedom to enjoy the fruits of their own work - this is the true struggle for national dignity.
The only real triumph of national freedom is one that brings about the triumph of all human freedom.
For small nations and large nations alike, this is the only way forward.
And it goes without saying that the Russians too - as well as Armenians, Georgians, Kazakhs, Kalmyks and Uzbeks - must understand that it is precisely through renouncing the idea of their own national superiority that they can truly affirm the grandeur and dignity of their own people, of their own literature and science.”
― An Armenian Sketchbook
“This absolute lack of objectivity might be said to resemble nothing so much as the lack of objectivity these same people had shown during Stalin's life, when they had been so supremely worshipful of his mind and strength of will, of his foresight and genius. Their hysterical worship of Stalin and their total and unconditional rejection of him sprang from the same soil.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“Your first minutes on the streets of an unfamiliar city are always special; what happens in later months or years can never supplant them. These minutes are filled with the visual equivalent of nuclear energy”
― An Armenian Sketchbook
― An Armenian Sketchbook
“Gustavo Solivellas dice: "Me he dado cuenta de que la esperanza casi nunca va ligada a la razón; está privada de sensatez, creo que nace del instinto" (Vasili Grossman)”
― An Armenian Sketchbook
― An Armenian Sketchbook
