Flying Changes Quotes

“Alec is sitting deep in the saddle, holding the mare firmly between hand and leg, not letting her get away from him. After a couple of quick circles, she steadies her stride and gets into a proper rhythm, moving with ease and grace across the turf, turning easily and responding to Alec’s light aids. There’s not much muscle on her light frame, her neck is thin and held high, giving a slightly giraffe-like impression, and her unease shows in the slight roll of her eye. But I can see now, so easily, the pony she could be. I can imagine myself cantering her into the ring, her copper coat glistening in the sun and neatly pulled mane ruffling in the light breeze, her slender legs dancing across the grassy turf. I can feel my own legs against her sides, the thickness of rubber reins taut between my fingers. I hear the sound of the jostling crowd and know that all eyes are on us as we canter around the ring. We hold their attention and admiration as they watch us jump easily over the highest obstacles. In my mind, the chestnut pony’s neck is arched, tail proudly aloft, her dark eyes bright and full of life and enthusiasm.”
― Kate Lattey, Flying Changes

“Everything around me goes suddenly silent, even the cicadas in the trees pausing in their incessant whirring, momentarily stunned into stillness. For a long moment I hear nothing at all, but stand frozen in a silent grey world.”
― Kate Lattey, Flying Changes

“Dad diagnoses me as having a stomach bug, claiming that there’s a nasty one going around, but I’m fairly certain it’s the chicken he cooked last night, which was a bit squishy and pink in places. I’d barely eaten any and Dad had scoffed a whole plate of it down, which is why he says it can’t have been the cause, but he has a cast iron stomach, probably from years of inadvertently poisoning himself.”
― Kate Lattey, Flying Changes

“While their drive is to get a clear round, to jump the highest, turn the tightest, beat the clock and win the class, it’s their horses who are the real stars. They have to be quick and clever and able to get themselves out of trouble, so that if they come in on the wrong stride and scramble over a fence nearly unseated, or if their horse knocks the back rail and it bounces in the cups but doesn’t hit the ground, they can still win. The excitement, the gasping of the crowd, the exhilaration of knowing that anything can happen on the day because every horse is only as good as the round they’ve just jumped. There’s no biased judging here, they either jump clean or they don’t. And nothing beats the exhilaration of a clear round in the jump-off. Riding against the clock, turning as tight as they possibly can around the course without knocking a single fence, then racing for the flags, urging their horses on, nosing through the finish, knowing that every moment counts. They bring the horse slowly back to a walk, straining their ears to hear the announcer tell everyone that theirs is now the time to beat, and then wait through the impossibly long minutes as the rest of the class jumps. Friends become the opposition, and they watch them go, desperately hoping they will take out a rail or miss their striding, anything that will ensure that they take home the win today. I want to join their ranks, to become part of that world. I just need the pony to take me there.”
― Kate Lattey, Flying Changes

“It’s the show jumpers that I find the most interesting to watch. Small kids being taken around low courses by calm, professional ponies. Teenage riders on fit ponies with their show jackets slung over the front of their saddles and their feet dangling out of their stirrups, who call out greetings to Tabby as they ride past. All different shapes and sizes of horses, because all that really matters in show jumping is their ability to clear a jump. Thoroughbreds with weedy necks and tight martingales, clunky Roman-nosed horses that look like they’ll never be able to lift themselves off the ground, big Warmbloods being held back in gag bits, their shoulders slick with sweat.”
― Kate Lattey, Flying Changes

“He’s probably never ridden a horse in his life. He’s likely never experienced that moment of euphoria when you and an animal move completely as one, the indescribable sensation of grace and power running through your bones and settling forever in your heart. He probably won’t have felt a pony’s warm breath on his neck on a cold winter’s morning, or run his hand proudly across the soft sheen of a well-groomed coat. And he’s surely never rested his head against a pony’s warm neck, wrapped his arms around it and closed his eyes, and held on tightly to the one thing in his life that would stay solid and constant and true. So he couldn’t understand, not really, but I did.”
― Kate Lattey, Flying Changes

“I clung to the dream like a lifeline, the only thing worth keeping going for. That was why I had agreed to come here. I'd always said I would sell my soul for a pony of my own.”
― Kate Lattey, Flying Changes

“The fleabitten grey mare's short legs are slightly over at the knee, she has a Roman nose and a neck of solid muscle well-practiced at pulling her rider out of the saddle. Her head is up and a layer of sweat darkens her pale shoulders, but Alec’s holding his reins tight and he’s maintaining control. All the riders who have gone before on beautifully turned out, well-schooled ponies were merely passengers as their ponies jumped. Alec has harnessed the raw talent of his mare, her power barely held in check as the bell rings and he canters her around towards the first jump. Jess strains against the martingale as she charges towards the first fence and with one strong push off her hocks, flies over the jump with her knees tucked into her chest.”
― Kate Lattey, Flying Changes

“It’s a beautiful morning that’s promising to be stinking hot by the afternoon. We ride the ponies down to the warm-up ring, surrounded by horses and ponies of all shapes and sizes, Alec calling out greetings to people he knows. I love everything about the atmosphere of a horse show. The smell of crushed grass, the drum of hoofbeats across the ground, the clatter of the poles coming down, the scattered applause from spectators.”
― Kate Lattey, Flying Changes

“The pony is mad. She can go from a relaxed walk to a flat out gallop in seconds if something spooks her, and she won’t stop until she practically crashes into something. I’ve seen her buck, rear and spin around in circles. She’s completely unpredictable and I don’t even trust her on the ground. As far as I’m concerned, Alec’s welcome to her, and he relishes the challenge. For some reason, he loves that pony most of all. Perhaps it’s because no-one else would give her a chance, that they’d written her off as crazy, mean, dangerous. Alec admires her independent spirit, I think, and maybe he likes that she still has that strength of spirit, that she still challenges him every time he rides her. He can’t completely dominate her, and he doesn’t try. He wants a partnership with her. And slowly, slowly, his father is taking that away from him, bullying the mare and his son at the same time, seeking to fit them into the same mould, the only one he knows. The strong succeed while the weak fall behind.”
― Kate Lattey, Flying Changes

“Dawn is breaking, sending pale fingers of cold light across the hills that surround the Harrisons’ farmyard. Jess is being difficult, rearing and trying to bolt away from the truck, and we’ve been at it for some time when Liam comes out of the house and sees our predicament. He marches across the yard, picks up a piece of cut-off hosepipe and walks up behind the pony. I see the look on Alec’s face as his dad approaches, and he’s not happy. Liam tells his son to “walk her up” and then cracks the mare around the rump with the piece of pipe when she plants her feet. The sound of the pipe hitting the pony echoes across the hills and rings in my ears. Jess starts to rear but earns another whack around the backside, so scrambles up the ramp and stands trembling in the truck. Alec quickly ties her up, his expression unreadable.”
― Kate Lattey, Flying Changes