Aurorarama Quotes

“Clusters of distant lights was the view of Mankind that he liked the best. The lights had the archaic charm of little fires on a plain, and the frailty about them, if it did not excuse anything, at least explained a lot of Man's stubborn ruthlessness. Mankind had not started the mess that was life, after all. And on the whole, it had been an interesting species to be a part of, the girls especially, as long as you remembered to watch your back.”
― Jean-Christophe Valtat, Aurorarama

“The blizzard seemed to be dying down, and it was now possible to enjoy the sight of the buildings and embankments and bridges smothered in the diamond-dusted whiteness. There's always something soothing in the snow, thought Gabriel, a promise of happiness and absolution, of a new start on a clean sheet. Snow redesigned the streets with hints of another architecture, even more magnificent, more fanciful than it already was, all spires and pinnacles on pale palaces of pearl and opal. All that New Venice should have been reappeared through its partial disappearance. It was as if the city were dreaming about itself and crystallizing both that dream and the ethereal unreality of it. He wallowed in the impression, badly needing it right now, knowing it would not last as he hobbled nearer to his destination.”
― Jean-Christophe Valtat, Aurorarama

“I heard there was a riot.'

'There was a demonstration, which I think is different. It was peaceful until it was interrupted.'

Mason seemed to be thinking hard about it.

'What sort of demonstration?'

'Hmm... A new kind. It looked poetical at first but then became rather poletical.”
― Jean-Christophe Valtat, Aurorarama

“A body is not unlike a pet -- stupid and dirty as it is, one becomes attached to it.”
― Jean-Christophe Valtat, Aurorarama

“They were working hard at their own myth.”
― jean-christophe valtat, Aurorarama

“The entrance archway opened onto the vast rotunda of Hyperboree Hall. Its floor was a circular map of the polar regions, where the Arctic seas were made of white marble and the islands were cut-out slabs of polished granite decorated with little figures in minute mosaics, drawn, if Brentford remembered correctly, from the Olaus Magnus and Nicolo Zeno depictions of the North. It mixed almost accurate cartography with phantom islands, mythological monsters, and imaginary people, among whom New Venetians were prone and proud to count themselves.”
― Jean-Christophe Valtat, Aurorarama

“Books knew more than you did, as a rule.”
― Jean-Christophe Valtat, Aurorarama