Fully Empowered Quotes
Fully Empowered
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Pablo Neruda527 ratings, 4.28 average rating, 63 reviews
Fully Empowered Quotes
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“Goodbye, goodbye, to one place or another,
to every mouth, to every sorrow,
to the insolent moon, to weeks
which wound in the days and disappeared,
goodbye to this voice and that one stained
with amaranth, and goodbye
to the usual bed and plate,
to the twilit setting of all goddbyes,
to the chair that is part of the same twilight,
to the way made by my shoes.
I spread myself, no question;
I turned over whole lives,
changed skin, lamps, and hates,
it was something I had to do,
not by law or whim,
more of a chain reaction;
each new journey enchained me;
I took pleasure in places, in all places.
And, newly arrived, I promptly said goodbye
with still newborn tenderness
as if the bread were to open and suddenly
flee from the world of the table.
So I left behind all languages,
repeated goodbyes like an old door,
changed cinemas, reasons, and tombs,
left everywhere for somewhere else;
I went on being, and being always
half undone with joy,
a bridegroom among sadnesses,
never knowing how or when,
ready to return, never returning.
It’s well known that he who returns never left,
so I traced and retraced my life,
changing clothes and planets,
growing used to the company,
to the great whirl of exile,
to the great solitude of bells tolling."
-"Goodbyes”
― Fully Empowered
to every mouth, to every sorrow,
to the insolent moon, to weeks
which wound in the days and disappeared,
goodbye to this voice and that one stained
with amaranth, and goodbye
to the usual bed and plate,
to the twilit setting of all goddbyes,
to the chair that is part of the same twilight,
to the way made by my shoes.
I spread myself, no question;
I turned over whole lives,
changed skin, lamps, and hates,
it was something I had to do,
not by law or whim,
more of a chain reaction;
each new journey enchained me;
I took pleasure in places, in all places.
And, newly arrived, I promptly said goodbye
with still newborn tenderness
as if the bread were to open and suddenly
flee from the world of the table.
So I left behind all languages,
repeated goodbyes like an old door,
changed cinemas, reasons, and tombs,
left everywhere for somewhere else;
I went on being, and being always
half undone with joy,
a bridegroom among sadnesses,
never knowing how or when,
ready to return, never returning.
It’s well known that he who returns never left,
so I traced and retraced my life,
changing clothes and planets,
growing used to the company,
to the great whirl of exile,
to the great solitude of bells tolling."
-"Goodbyes”
― Fully Empowered
“We will never have any memory of dying.
We were so patient
about our being,
noting down
numbers, days,
years and months,
hair, and the mouths we kiss,
and that moment of dying
we let pass without a note -
we leave it to others as memory,
or we leave it simply to water,
to water, to air, to time.
Nor do we even keep
the memory of being born,
although to come into being was tumultuous and new;
and now you don’t remember a single detail
and haven’t kept even a trace
of your first light.
It’s well known that we are born.
It’s well known that in the room
or in the wood
or in the shelter in the fishermen’s quarter
or in the rustling canefields
there is a quite unusual silence,
a grave and wooden moment as
a woman prepares to give birth.
It’s well known that we were all born.
But if that abrupt translation
from not being to existing, to having hands,
to seeing, to having eyes,
to eating and weeping and overflowing
and loving and loving and suffering and suffering,
of that transition, that quivering
of an electric presence, raising up
one body more, like a living cup,
and of that woman left empty,
the mother who is left there in her blood
and her lacerated fullness,
and its end and its beginning, and disorder
tumbling the pulse, the floor, the covers
till everything comes together and adds
one knot more to the thread of life,
nothing, nothing remains in your memory
of the savage sea which summoned up a wave
and plucked a shrouded apple from the tree.
The only thing you remember is your life."
-"Births”
― Fully Empowered
We were so patient
about our being,
noting down
numbers, days,
years and months,
hair, and the mouths we kiss,
and that moment of dying
we let pass without a note -
we leave it to others as memory,
or we leave it simply to water,
to water, to air, to time.
Nor do we even keep
the memory of being born,
although to come into being was tumultuous and new;
and now you don’t remember a single detail
and haven’t kept even a trace
of your first light.
It’s well known that we are born.
It’s well known that in the room
or in the wood
or in the shelter in the fishermen’s quarter
or in the rustling canefields
there is a quite unusual silence,
a grave and wooden moment as
a woman prepares to give birth.
It’s well known that we were all born.
But if that abrupt translation
from not being to existing, to having hands,
to seeing, to having eyes,
to eating and weeping and overflowing
and loving and loving and suffering and suffering,
of that transition, that quivering
of an electric presence, raising up
one body more, like a living cup,
and of that woman left empty,
the mother who is left there in her blood
and her lacerated fullness,
and its end and its beginning, and disorder
tumbling the pulse, the floor, the covers
till everything comes together and adds
one knot more to the thread of life,
nothing, nothing remains in your memory
of the savage sea which summoned up a wave
and plucked a shrouded apple from the tree.
The only thing you remember is your life."
-"Births”
― Fully Empowered
“We have to discard the past
and, as one builds
floor by floor, window by window,
and the building rises,
so do we keep shedding --
first, broken tiles,
then proud doors,
until, from the past,
dust falls
as if it would crash
against the floor,
smoke rises
as if it were on fire,
and each new day
gleams
like an empty
plate.
There is nothing, there was always nothing.
It all has to be filled
with a new, expanding
fruitfulness;
then, down
falls yesterday
as in a well
falls yesterday's water,
into the cistern
of all that is now without a voice, without fire.
It is difficult
to get bones used
to disappearing,
to teach eyes
to close,
but
we do it
unwittingly.
Everything was alive,
alive, alive,alive
like a scarlet fish,
but time
passed with cloth and darkness
and kept wiping away
the flash of the fish.
Water water water,
the past goes on falling
although it keeps a grip
on thorns
and on roots.
It went, it went, and now
memories mean nothing.
Now the heavy eyelid
shut out the light of the eye
and what was once alive
is now no longer living;
what we were, we are not.
And with words, although the letters
still have transparency and sound,
they change, and the mouth changes;
the same mouth is now another mouth;
they change, lips, skin, circulation;
another soul took on our skeleton;
what once was in us now is not.
It left, but if they call, we reply
"I am here," and we realize we are not,
that what was once, was and is lost,
lost in the past, and now does not come back."
-"Past”
― Fully Empowered
and, as one builds
floor by floor, window by window,
and the building rises,
so do we keep shedding --
first, broken tiles,
then proud doors,
until, from the past,
dust falls
as if it would crash
against the floor,
smoke rises
as if it were on fire,
and each new day
gleams
like an empty
plate.
There is nothing, there was always nothing.
It all has to be filled
with a new, expanding
fruitfulness;
then, down
falls yesterday
as in a well
falls yesterday's water,
into the cistern
of all that is now without a voice, without fire.
It is difficult
to get bones used
to disappearing,
to teach eyes
to close,
but
we do it
unwittingly.
Everything was alive,
alive, alive,alive
like a scarlet fish,
but time
passed with cloth and darkness
and kept wiping away
the flash of the fish.
Water water water,
the past goes on falling
although it keeps a grip
on thorns
and on roots.
It went, it went, and now
memories mean nothing.
Now the heavy eyelid
shut out the light of the eye
and what was once alive
is now no longer living;
what we were, we are not.
And with words, although the letters
still have transparency and sound,
they change, and the mouth changes;
the same mouth is now another mouth;
they change, lips, skin, circulation;
another soul took on our skeleton;
what once was in us now is not.
It left, but if they call, we reply
"I am here," and we realize we are not,
that what was once, was and is lost,
lost in the past, and now does not come back."
-"Past”
― Fully Empowered
“It's hard to tell
if we close our eyes or if night
opens in us other starred eyes,
if it burrows into the wall of our dream
till some other door opens.
But the dream
is only the flitting costume of one moment,
is spent in one beat
of the darkness,
and falls at our feet, cast off
as the day stirs and sails away with us."
-from "In the Tower”
― Fully Empowered
if we close our eyes or if night
opens in us other starred eyes,
if it burrows into the wall of our dream
till some other door opens.
But the dream
is only the flitting costume of one moment,
is spent in one beat
of the darkness,
and falls at our feet, cast off
as the day stirs and sails away with us."
-from "In the Tower”
― Fully Empowered
“I asked of every thing
if it had
something more,
something more than shape and form,
and I learned that way that nothing is empty--
everything is a box, a train, a boat
loaded with implications,
every foot that walked along a path
left a telegram written in the stone,
and clothes in the washing water
dripped out their whole existence."
-from "Investigations”
― Fully Empowered
if it had
something more,
something more than shape and form,
and I learned that way that nothing is empty--
everything is a box, a train, a boat
loaded with implications,
every foot that walked along a path
left a telegram written in the stone,
and clothes in the washing water
dripped out their whole existence."
-from "Investigations”
― Fully Empowered
“The street heaves and winds,
burns and bumps,
but behind the glass
the locksmith,
the old curator of timepieces,
stands motionless
with a single protruding eye,
one amazing eye
which peers into the mystery,
the secret hearts of clocks,
and looks deeply in
until the elusive butterfly
of time in its measure
is trapped in his forehead
and the wings of the watch beat."
-from "To Don Asterio Alarcón, Clocksmith of Valparaíso”
― Fully Empowered
burns and bumps,
but behind the glass
the locksmith,
the old curator of timepieces,
stands motionless
with a single protruding eye,
one amazing eye
which peers into the mystery,
the secret hearts of clocks,
and looks deeply in
until the elusive butterfly
of time in its measure
is trapped in his forehead
and the wings of the watch beat."
-from "To Don Asterio Alarcón, Clocksmith of Valparaíso”
― Fully Empowered
