Ian Scuffling’s Reviews > The Making of Incarnation: A novel > Status Update

A young boy's caroming glove-ball in the Tate, motion capture technology and how bodies move in space and in their own bodies, Lillian Gilbreth's time-and-motion studies, drones, even some pop culture references. Oh, also a space opera in production with a dictum of rules by which space epics should follow to be scientifically accurate(ish).