emi

“The clockwork octopus came out. It extended a tentacle with a clicking of metal joints. Around it was looped the chain of his watch. He hesitated, but took it. The chain skittered over the metal tentacle with a high, thin pitch like incoming sea. It was quite a coincidence for a mechanical sea creature and he was speculating whether it could possibly have been done on purpose when Katsu stole his other sock and flopped on to the floor with an unbiological bang, whereupon it octopused out of the open door and slid down the banister. He exclaimed at it, was ignored, and then went after it just in time to see it disappear into the parlour. It was climbing up the leg of the piano stool when he caught up. The watchmaker confiscated the sock and threw it over his shoulder to Thaniel, who caught it with the tips of his fingers. The octopus settled in his lap. ‘Thank you for finding him,’ he said. Against the piano keys, his hands were too warmly coloured for the watery morning. ‘I was looking for him earlier. He plays hide and seek.”
― Natasha Pulley, The Watchmaker of Filigree Street

“As for love . . . no, having once written that word I can write nothing more.”
― Osamu Dazai, The Setting Sun

“At thirty-five, he was walking through a pinewood with the spring sun beating down on it. He was recalling, too, the words he had written a few years earlier: “It is unfortunate for the gods that, unlike us, they cannot commit suicide.”
― Ryūnosuke Akutagawa, Rashomon and Seventeen Other Stories

“This I want to believe implicitly: Man was born for love and revolution.”
― Osamu Dazai, The Setting Sun