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  • #1
    Osamu Dazai
    “Now I have neither happiness nor unhappiness.

    Everything passes.

    That is the one and only thing that I have thought resembled a truth in the society of human beings where I have dwelled up to now as in a burning hell.

    Everything passes.”
    Osamu Dazai, No Longer Human

  • #2
    Natasha Pulley
    “The clockwork octopus came out. It extended a tentacle with a clicking of metal joints. Around it was looped the chain of his watch. He hesitated, but took it. The chain skittered over the metal tentacle with a high, thin pitch like incoming sea. It was quite a coincidence for a mechanical sea creature and he was speculating whether it could possibly have been done on purpose when Katsu stole his other sock and flopped on to the floor with an unbiological bang, whereupon it octopused out of the open door and slid down the banister. He exclaimed at it, was ignored, and then went after it just in time to see it disappear into the parlour. It was climbing up the leg of the piano stool when he caught up. The watchmaker confiscated the sock and threw it over his shoulder to Thaniel, who caught it with the tips of his fingers. The octopus settled in his lap. ‘Thank you for finding him,’ he said. Against the piano keys, his hands were too warmly coloured for the watery morning. ‘I was looking for him earlier. He plays hide and seek.”
    Natasha Pulley, The Watchmaker of Filigree Street

  • #3
    Donna Tartt
    “Beauty is terror. Whatever we call beautiful, we quiver before it.”
    Donna Tartt, The Secret History

  • #4
    Natasha Pulley
    “Thaniel listened for a while longer, because the silence was so deep and clear that he could hear ghosts of the thirty-six of thirty-seven possible worlds in which Grace had not won at the roulette, and not stepped backward into him. He wished then that he could go back and that the ball had landed on another number. He would be none the wiser and he would be staying at Filigree Street, probably for years, still happy, and he wouldn't have stolen those years from a lonely man who was too decent to mention that they were missing.”
    Natasha Pulley, The Watchmaker of Filigree Street

  • #5
    Osamu Dazai
    “As for love . . . no, having once written that word I can write nothing more.”
    Osamu Dazai, The Setting Sun
    tags: love

  • #6
    Osamu Dazai
    “This I want to believe implicitly: Man was born for love and revolution.”
    Osamu Dazai, The Setting Sun

  • #7
    Osamu Dazai
    “I am convinced that human life is filled with many pure, happy, serene examples of insincerity, truly splendid of their kind-of people deceiving one another without (strangely enough) any wounds being inflicted, of people who seem unaware even that they are deceiving one another.”
    Osamu Dazai, No Longer Human

  • #8
    Yukio Mishima
    “He found himself in the strange predicament all sailors share: essentially he belonged neither to the land nor to the sea. Possibly a man who hates the land should dwell on shore forever. Alienation and the long voyages at sea will compel him once again to dream of it, torment him with the absurdity of longing for something that he loathes.”
    Yukio Mishima, The Sailor Who Fell from Grace With the Sea

  • #9
    Katie Kitamura
    “I thought—I want to go home. I want to be in a place that feels like home. Where that was, I did not know.”
    Katie Kitamura, Intimacies
    tags: home

  • #10
    Ryūnosuke Akutagawa
    “At thirty-five, he was walking through a pinewood with the spring sun beating down on it. He was recalling, too, the words he had written a few years earlier: “It is unfortunate for the gods that, unlike us, they cannot commit suicide.”
    Ryūnosuke Akutagawa, Rashomon and Seventeen Other Stories



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