Joel

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Ask the Dust
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Not After Midnigh...
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Lands of Memory
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Werner Herzog
“It is only through writing that I become myself”
Werner Herzog, Conquest of the Useless: Reflections from the Making of Fitzcarraldo

Viktor E. Frankl
“This uniqueness and singleness which distinguishes each individual and gives a meaning to his existence has a bearing on creative work as much as it does on human love… A man who becomes conscious of the responsibility he bears toward a human being who affectionately waits for him, or to an unfinished work, will never be able to throw away his life. He knows the “why” for his existence, and will be able to bear almost any “how.”
Viktor Frankl

Charles Baudelaire
“Meanwhile, in the expansiveness of her joy, the Moon filled all of the room like a phosphoric atmosphere, like a luminous poison; and all of that living light thought and said: “You will be eternally subject to the influence of my kiss. You will be beautiful in my manner. You will love what I love and who loves me: water, the clouds, silence, and the night; the immense, green sea; formless and multiform water; the place where you will not be; the lover you will not know; monstrous flowers; perfumes that make you delirious; cats who swoon on pianos, and who moan like women, with a hoarse, gentle voice!”
Charles Baudelaire

Anna Kavan
“How intimately I experience in my heart just what he must have felt in all of those unknown rooms, some of them poor, perhaps, and some splendid, but all opposing him with the cold fearful indifference of other people’s belongings, against which he has to defend himself as best he can with his poor lonely trunk and his case of books.”
Anna Kavan, I Am Lazarus: Stories

Natsume Sōseki
“When I think of it as happening to somebody else, it seems that the idea of me soaked to the skin, surrounded by countless driving streaks of silver, and moving through when I completely forget my material existence, and view myself from a purely objective standpoint, can I, as a figure in a painting, blend into the beautiful harmony of my natural surroundings. The moment, however, I feel annoyed because of the rain, or miserable because my legs are weary because of the rain, or miserable because my legs are weary with walking, then I have already ceased to be a character in a poem, or a figure in a painting, and I revert to the uncomprehending, insensitive man in the street I was before. I am then even blind to the elegance of the fleeting clouds; unable even to feel any bond of sympathy with a falling petal or the cry of a bird, much less appreciate the great beauty in the image of myself, completely alone, walking through the mountains in spring.”
Sōseki Natsume, The Three-Cornered World

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