Mara Shaw

“We believe the one who has power. He is the one who gets to write the story. So when you study history, you must ask yourself, Whose story am I missing? Whose voice was suppressed so that this voice could come forth? Once you have figured that out, you must find that story too. From there you get a clearer, yet still imperfect, picture.”
― Yaa Gyasi, Homegoing

“MOBIUS: Neon, you’ve been living in the Nonprofit Matrix, a world controlled by wealthy individuals and corporations, who created a sector to delude people from seeing how they’re hoarding money, avoiding taxes, and furthering inequity while convincing people they are the solutions to the problems they cause.

NEON: What are you talking about? I’m a good person. My nonprofit helps a lot of people.

EQUITY: That’s true, it does. But remember that improv workshop you took once, where you learned about “Yes and”?

NEO: Yes. And?

EQUITY: You are helping people AND you are helping capitalism uphold itself by charity-washing its most egregious offenses. You see, by setting up foundations and donating to nonprofits, the extremely wealthy get to feel good about themselves while the masses are tricked into believing excessively wealthy people are good. This is how wealth disparity maintains itself.”
― Vu Le

“Originally, he'd wanted to focus his work on the convict leasing system that had stolen years off of his great-grandpa H's life, but the deeper into the research he got, the bigger the project got. How could he talk about Great-Grandpa H's story without also talking about his grandma Willie and the millions of other black people who had migrated north, fleeing Jim Crow? And if he mentioned the Great Migration, he'd have to talk about the cities that took that flock in. He'd have to talk about Harlem, And how could he talk about Harlem without mentioning his father's heroin addiction - the stints in prison, the criminal record? And if he was going to talk about heroin in Harlem in the '60s, wouldn't he also have to talk about crack everywhere in the '80s? And if he wrote about crack, he'd inevitably be writing, to, about the "war on drugs." And if he started talking about the war on drugs, he'd be talking about how nearly half of the black men he grew up with were on their way either into or out of what had become the harshest prison system in the world. And if he talked about why friends from his hood were doing five-year bids for possession of marijuana when nearly all the white people he'd gone to college with smoked it openly every day, he'd get so angry that he'd slam the research book on the table of the beautiful but deadly silent Lane Reading Room of Green Library of Stanford University. And if he slammed the book down, then everyone in the room would stare and all they would see would be his skin and his anger, and they'd think they knew something about him, and it would be the same something that had justified putting his great-grandpa H in prison, only it would be different too, less obvious than it once was.”
― Yaa Gyasi, Homegoing

“No one forgets that they were once captive, even if they are now free.”
― Yaa Gyasi, Homegoing