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Strong Ground: Th...
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Omar El Akkad
“Alongside the ledger of atrocity, I keep another. The Palestinian doctor who would not abandon his patients, even as the bombs closed in. The Icelandic writer who raised money to get the displaced out of Gaza. The American doctors and nurses who risked their lives to go treat the wounded in the middle of a killing field. The puppet-maker who, injured and driven from his home, kept making dolls to entertain the children. The congresswoman who stood her ground in the face of censure, of constant vitriol, of her own colleagues’ indifference. The protesters, the ones who gave up their privilege, their jobs, who risked something, to speak out. The people who filmed and photographed and documented all this, even as it happened to them, even as they buried their dead.
It is not so hard to believe, even during the worst of things, that courage is the more potent contagion. That there are more invested in solidarity than annihilation. That just as it has always been possible to look away, it is always possible to stop looking away. None of this evil was ever necessary. Some carriages are gilded and others lacquered in blood, but the same engine pulls us all. We dismantle it now, build another thing entirely, or we hurtle toward the cliff, safe in the certainty that, when the time comes, we’ll learn to lay tracks on air.”
Omar El Akkad, One Day, Everyone Will Have Always Been Against This

Hisham Matar
“Perhaps it was a weakness,” I said, “or, as Leo Tolstoy says somewhere, the lack of a necessary weakness.”
Hisham Matar, My Friends

Hisham Matar
“How strange, she thought, that there is no word in English for "injustice," for example, that a state of injustice is, to that language, merely the opposite or absence of justice. Whereas the Arabic thulm, which shares its root with thalam, or "darkness," is far more profound. I agreed. And, she went on, there is no word for fu'aad either. The dictionary has it as "heart." But fu'aad is not heart, but an in-between space, the correspondence or communication between the heart, the spirit, and the mind, and therefore it relates not to human anatomy but rather to metaphysics. How the English language can do without such a word, she said, is unfathomable. She also found that the genderless nature of English renders the nouns "antiseptic," that was the word she used, dispossessing inanimate objects of character. When I disagreed, she said, "I would be lost if the moon and sun had no gender.”
Hisham Matar, My Friends

Hisham Matar
“My ideal man," Malak said ponderingly. "I'm not sure what that means. I don't want the ideal. I want complexity. I want passion. I want imperfection.

"My ideal man is not ideal. But," she said, leaning forward, "I'll tell you about him."

"I want him to have lunch at home. I want him to help me with my own mind. I want him to be bookish, wise, cunning, and exemplary. I want him to be a good storyteller, and always on my side."

"Yes, I want him to be near me. A good conversationalist, proud, not afraid of the lofty heights."

"I want him to be a singer, one who knows and loves a good song, can play an instrument, the oud or the ney, and preferably both. I want him to be a good mourner, know how to attend to the pain of others, a consoler who could assuage the grief I have for all those I loved and befriended and who are no longer here. I want him to be a healer, an expert in all that troubles me. I want him to be a fire that annihilates all danger that lies ahead and behind me and that which I have, somehow, without his help, found a way to avoid. I want him to be faithful---"

"Incapable of deception. I want him to be constant__"

"Constant in his love and in his prayers and, when those prayers are not answered, I want him to change reality with his own hands. I want him to be my lord-"

"For all the world to see. I want him to make me proud, to make vanish old and fresh longings, new and unremembered regrets. I want him to be vigilant-"

"To protect me from sorrows even once their great heights have passed. I want him to know how to deal with the past. I want him to be occasionally gripped by fear-"

"The fear of losing me. I want him to be patient, to help me to endure the injustices visited upon the houses of those I love. But I also want him to be impatient-"

"To lose all reason and hurry off, forgetting his shoes and hat, and ride-"

"His horse flanked by wings of angry dust, galloping, if need be, all night to find the traitorous, to change my fortunes and avenge me."

"And then I want him to return to me, to prosper by my side. I want to take him to the clearest stream, one only I know the way to, and there quench his thirst. I want him to look at me sometimes as if he does not know who I am. But I want to be forever recognized by him, come what may, to point me out in a crowd when, after the passage, we are reunited."


"I want him to see me when I cannot see myself.”
Hisham Matar, My Friends

Omar El Akkad
“To orient oneself in relation to this kind of equivocation as it exists in the West—where a genocide is a conflict of equals, and really who’s to say what a sufficient number of dead civilians is, and it’s all so complicated anyway—is to temporarily forget that most of the world sees this for what it is right now. This mandatory waiting period, in which the rest of the planet politely pleads with the West’s power centers to bridge the gap between its lofty ideals and its bloodstained reality, to do anything at all, is not some natural phenomenon, but the defining feature of neoliberalism. What purer expression of power than to say: I know. I know but will do nothing so long as this benefits me. Only later, when it ceases to benefit me, will I proclaim in great heaving sobs my grief that such a thing was ever allowed to happen. And you, all of you, even the dead in their graves, will indulge my obliviousness now and my repentance later because what affords me both is in the end not some finely honed argument of logic or moral primacy but the blunt barrel of a gun.”
Omar El Akkad, One Day, Everyone Will Have Always Been Against This

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