Lori

“…my loved one was a bee and a butterfly and knew how to cut with her claws and her tongue, and I tried too … we learned from each other what was good for the other, and that made both of us stronger … running, and the earth turned beneath us, running by graves and leaping across them, avoiding the bones and glassy stares and empty eyesockets … of wolf skulls … and steering clear of traps and snares, we had experience … with falling stakes and poisoned meat … we made it without harm through the red pack's territory … and met the last of the white wolves, they were wracked with disease … and the big black wolves chased us, but we escaped … we, the gray wolves of the Carpathians, had an age-old war with them, they were surprised we fled, their jaws snapping shut on empty air, they had a hunch it was their turn next, the helicopters were on the way … we ran side by side, our bodies touching … running over the earth as it turned, with the wind whistling in our ears like a lament for every dead pack … and the clicking of our claws made the earth's motion accelerate … we ran over the earth, a mass grave, running away …”
― Jáchym Topol, City Sister Silver

“LADY LAZARUS

I have done it again.
One year in every ten
I manage it--

A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot

A paperweight,
My face a featureless, fine
Jew linen.

Peel off the napkin
O my enemy.
Do I terrify?--

The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be
At home on me

And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.

This is Number Three.
What a trash
To annihilate each decade.

What a million filaments.
The peanut-crunching crowd
Shoves in to see

Them unwrap me hand and foot--
The big strip tease.
Gentlemen, ladies

These are my hands
My knees.
I may be skin and bone,

Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.

The second time I meant
To last it out and not come back at all.
I rocked shut

As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.

Dying
Is an art, like everything else.
I do it exceptionally well.

I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.

It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical

Comeback in broad day
To the same place, the same face, the same brute
Amused shout:

'A miracle!'
That knocks me out.
There is a charge

For the eyeing of my scars, there is a charge
For the hearing of my heart--
It really goes.

And there is a charge, a very large charge
For a word or a touch
Or a bit of blood

Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.

I am your opus,
I am your valuable,
The pure gold baby

That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.

Ash, ash--
You poke and stir.
Flesh, bone, there is nothing there--

A cake of soap,
A wedding ring,
A gold filling.

Herr God, Herr Lucifer
Beware
Beware.

Out of the ash
I rise with my red hair
And I eat men like air.

-- written 23-29 October 1962”
― Sylvia Plath, Ariel

“[They] had geared themselves for wealth, excitement, and violent combat, so they fought and played feverishly in the enervating heat, exploited the labor of white servants and black slaves, risked sudden death from mysterious diseases or the annihilation of their profits in smashing storms and buccaneering raids. The expectations the English brought with them and the physical conditions they encountered in the islands produced a hectic mode of life that had no counterpart at home or elsewhere in English experience. This is what it meant to live beyond the line.”
― Richard Dunn

“That which is outside exists. That which is within does not. My thoughts, images, and dreams do not exist. If Speranza [this island] is no more than a sensation, or a bundle of sensations, then she does not exist. And I myself exist only insofar as I escape from myself to join with others.

What complicates the position is that the thing which does not exist does its utmost to persuade us of the contrary. There is a great and universal urge toward existence among the non-existent. Something like a centrifugal force seeks to spread outward everything that moves within me, images, dreams, projects, fantasies, desires, obsessions. That which does not ex-sist in-sists. It insists upon existing. All the small world contained within me is knocking at the door of the great, the real world. And it is others, those who are outside, who hold the key. In the past, when I tossed in my sleep, my wife would shake me by the shoulders to wake me and dispel the insistence of the nightmare. But now . . . But why do I keep returning to this subject?”
― Michel Tournier, Friday, or, The Other Island