Lori > Lori's Quotes

Showing 1-21 of 21
sort by

  • #1
    Dante Alighieri
    “Through me the way into the grieving city,
    Through me the way into eternal sorrow,
    Through me the way among the lost people.
    Justice moved my high maker;
    Divine power made me,
    Highest wisdom and primal love.
    Before me were no things created
    Except eternal ones, and I endure eternal.
    Abandon every hope, you who enter.”
    Dante Alighieri, Inferno

  • #2
    Jáchym Topol
    “…my loved one was a bee and a butterfly and knew how to cut with her claws and her tongue, and I tried too … we learned from each other what was good for the other, and that made both of us stronger … running, and the earth turned beneath us, running by graves and leaping across them, avoiding the bones and glassy stares and empty eyesockets … of wolf skulls … and steering clear of traps and snares, we had experience … with falling stakes and poisoned meat … we made it without harm through the red pack's territory … and met the last of the white wolves, they were wracked with disease … and the big black wolves chased us, but we escaped … we, the gray wolves of the Carpathians, had an age-old war with them, they were surprised we fled, their jaws snapping shut on empty air, they had a hunch it was their turn next, the helicopters were on the way … we ran side by side, our bodies touching … running over the earth as it turned, with the wind whistling in our ears like a lament for every dead pack … and the clicking of our claws made the earth's motion accelerate … we ran over the earth, a mass grave, running away …”
    Jáchym Topol, City Sister Silver

  • #3
    T.S. Eliot
    “You gave me hyacinths first a year ago;
    They called me the hyacinth girl.'
    —Yet when we came back, late, from the Hyacinth garden,
    Your arms full, and your hair wet, I could not
    Speak, and my eyes failed, I was neither
    Living nor dead, and I knew nothing,
    Looking into the heart of light, the silence.
    Od' und leer das Meer.”
    T. S. Eliot, The Waste Land and Other Writings

  • #4
    Wallace Stevens
    “Sunday Morning

    I

    Complacencies of the peignoir, and late
    Coffee and oranges in a sunny chair,
    And the green freedom of a cockatoo
    Upon a rug mingle to dissipate
    The holy hush of ancient sacrifice.
    She dreams a little, and she feels the dark
    Encroachment of that old catastrophe,
    As a calm darkens among water-lights.
    The pungent oranges and bright, green wings
    Seem things in some procession of the dead,
    Winding across wide water, without sound.
    The day is like wide water, without sound,
    Stilled for the passing of her dreaming feet
    Over the seas, to silent Palestine,
    Dominion of the blood and sepulchre.

    II

    Why should she give her bounty to the dead?
    What is divinity if it can come
    Only in silent shadows and in dreams?
    Shall she not find in comforts of the sun,
    In pungent fruit and bright, green wings, or else
    In any balm or beauty of the earth,
    Things to be cherished like the thought of heaven?
    Divinity must live within herself:
    Passions of rain, or moods in falling snow;
    Grievings in loneliness, or unsubdued
    Elations when the forest blooms; gusty
    Emotions on wet roads on autumn nights;
    All pleasures and all pains, remembering
    The bough of summer and the winter branch.
    These are the measures destined for her soul.

    III

    Jove in the clouds had his inhuman birth.
    No mother suckled him, no sweet land gave
    Large-mannered motions to his mythy mind
    He moved among us, as a muttering king,
    Magnificent, would move among his hinds,
    Until our blood, commingling, virginal,
    With heaven, brought such requital to desire
    The very hinds discerned it, in a star.
    Shall our blood fail? Or shall it come to be
    The blood of paradise? And shall the earth
    Seem all of paradise that we shall know?
    The sky will be much friendlier then than now,
    A part of labor and a part of pain,
    And next in glory to enduring love,
    Not this dividing and indifferent blue.

    IV

    She says, "I am content when wakened birds,
    Before they fly, test the reality
    Of misty fields, by their sweet questionings;
    But when the birds are gone, and their warm fields
    Return no more, where, then, is paradise?"
    There is not any haunt of prophecy,
    Nor any old chimera of the grave,
    Neither the golden underground, nor isle
    Melodious, where spirits gat them home,
    Nor visionary south, nor cloudy palm
    Remote on heaven's hill, that has endured
    As April's green endures; or will endure
    Like her remembrance of awakened birds,
    Or her desire for June and evening, tipped
    By the consummation of the swallow's wings”
    Wallace Stevens

  • #5
    Sylvia Plath
    “LADY LAZARUS

    I have done it again.
    One year in every ten
    I manage it--

    A sort of walking miracle, my skin
    Bright as a Nazi lampshade,
    My right foot

    A paperweight,
    My face a featureless, fine
    Jew linen.

    Peel off the napkin
    O my enemy.
    Do I terrify?--

    The nose, the eye pits, the full set of teeth?
    The sour breath
    Will vanish in a day.

    Soon, soon the flesh
    The grave cave ate will be
    At home on me

    And I a smiling woman.
    I am only thirty.
    And like the cat I have nine times to die.

    This is Number Three.
    What a trash
    To annihilate each decade.

    What a million filaments.
    The peanut-crunching crowd
    Shoves in to see

    Them unwrap me hand and foot--
    The big strip tease.
    Gentlemen, ladies

    These are my hands
    My knees.
    I may be skin and bone,

    Nevertheless, I am the same, identical woman.
    The first time it happened I was ten.
    It was an accident.

    The second time I meant
    To last it out and not come back at all.
    I rocked shut

    As a seashell.
    They had to call and call
    And pick the worms off me like sticky pearls.

    Dying
    Is an art, like everything else.
    I do it exceptionally well.

    I do it so it feels like hell.
    I do it so it feels real.
    I guess you could say I've a call.

    It's easy enough to do it in a cell.
    It's easy enough to do it and stay put.
    It's the theatrical

    Comeback in broad day
    To the same place, the same face, the same brute
    Amused shout:

    'A miracle!'
    That knocks me out.
    There is a charge

    For the eyeing of my scars, there is a charge
    For the hearing of my heart--
    It really goes.

    And there is a charge, a very large charge
    For a word or a touch
    Or a bit of blood

    Or a piece of my hair or my clothes.
    So, so, Herr Doktor.
    So, Herr Enemy.

    I am your opus,
    I am your valuable,
    The pure gold baby

    That melts to a shriek.
    I turn and burn.
    Do not think I underestimate your great concern.

    Ash, ash--
    You poke and stir.
    Flesh, bone, there is nothing there--

    A cake of soap,
    A wedding ring,
    A gold filling.

    Herr God, Herr Lucifer
    Beware
    Beware.

    Out of the ash
    I rise with my red hair
    And I eat men like air.

    -- written 23-29 October 1962”
    Sylvia Plath, Ariel

  • #6
    “[They] had geared themselves for wealth, excitement, and violent combat, so they fought and played feverishly in the enervating heat, exploited the labor of white servants and black slaves, risked sudden death from mysterious diseases or the annihilation of their profits in smashing storms and buccaneering raids. The expectations the English brought with them and the physical conditions they encountered in the islands produced a hectic mode of life that had no counterpart at home or elsewhere in English experience. This is what it meant to live beyond the line.”
    Richard Dunn

  • #7
    “Structure permits rupture.”
    Council of Human Hybrid-Attractors, Incessance: Incesancia

  • #8
    “Human beings are locally perceptual and globally metaphysical.”
    Council of Human Hybrid-Attractors, Incessance: Incesancia

  • #9
    Sigizmund Krzhizhanovsky
    “THIS WHOLE story would have remained hidden under the starched cuff and sleeve of a jacket, if not for the Weekly Review. The Weekly Review came up with a questionnaire (Your favorite writer? Your average weekly earnings? Your goal in life?) and sent it out to all subscribers. Among the thousands of completed forms (the Review had a huge circulation), the sorters found one, Form No. 11111, which, wander as it would from sorter to sorter, could not be sorted: On Form No. 11111, opposite “Average Earnings,” the respondent had written “0,” and opposite “Goal in Life,” in clear round letters, “To bite my elbow.”
    Sigizmund Krzhizhanovsky, Autobiography of a Corpse

  • #10
    Nicholas D. Kristof
    “One paradox is that on matters of sex and family, working-class Americans tend to believe in traditional values even as they don’t necessarily adhere to them. Frustrated and overwhelmed by difficulties, they sometimes don’t show the discipline that they believe in. In contrast, educated liberals are less judgmental and say in polls that they accept premarital sex and various living arrangements, but they have relatively few lifetime sexual partners and are less likely to divorce. In short, while the educated don’t profess traditional values, they are more likely to live them and to try to get their children to live them. Bradford Wilcox, a sociology professor at the University of Virginia who runs the National Marriage Project, calls this “talking left, walking right.” In contrast, young working-class conservatives disapprove of hookups even as they engage in them. Effectively, they talk right and walk left.”
    Nicholas D. Kristof, Tightrope: Americans Reaching for Hope

  • #11
    “Now, by all accounts, you have the perfect life: you have the high-earning husband, the rosy-cheeked children, and the Buick in the driveway. But something isn’t right. Household tasks don’t seem to hold your attention; you snarl at your children instead of blanketing them with smiles. You fret about how little you resemble those glossy women in the magazines, the ones who clean counters and bake cakes and radiate delight. (Looking at those ads, a housewife and freelance writer named Betty Friedan “thought there was something wrong with me because I didn’t have an orgasm waxing the kitchen floor.”) Everything and everyone confirm that it’s just as you suspected: the problem is you. You’re oversexed, you’re undersexed, you’re overeducated, you’re unintelligent. You need to have your head shrunk; you need to take more sleeping pills. You ought to become a better cook—all those fancy new kitchen appliances!—and in the meantime be content and grateful with what you have. The cultural pressure of the 1950s was so intense that some women, in order to survive, killed off the parts of themselves that couldn’t conform.”
    Maggie Doherty, The Equivalents: A Story of Art, Female Friendship, and Liberation in the 1960s

  • #12
    b. binaohan
    “Show me just *one* group that has won its freedom with facts, ‘reasoned’ arguments, thoughtful ideas, and loud debates. Just one.”
    b. binaohan, i just want freedom

  • #13
    Frances Hodgson Burnett
    “A large house left deserted by those who have filled its rooms with emotions and life, expresses a silence, a quality all its own. A house unfurnished and empty seems less impressively silent. The fact of its devoidness of sound is upon the whole more natural. But carpets accustomed to the pressure of constantly passing feet, chairs and sofas which have held human warmth, draperies used to the touch of hands drawing them aside to let in daylight, pictures which have smiled back at thinking eyes, mirrors which have reflected faces passing hourly in changing moods, elate or dark or longing, walls which have echoed back voices—all these things when left alone seem to be held in strange arrest, as if by some spell intensifying the effect of the pause in their existence.”
    Frances Hodgson Burnett, In the Closed Room

  • #14
    W.H. Pugmire
    “Dykes, kikes, spics, micks, fags, drags, gooks, spooks . . . more of us are outsiders than aren’t; and that’s what the dear young ones too often fail to understand. They think they’ve learned it all by age fifteen. Perhaps they have. But they’re not the only ones who’ve learned it.”
    W.H. Pugmire, An Imp of Aether

  • #15
    Mikki Kendall
    “However, “the enemy of my enemy is my friend” only works as clichéd shorthand; in reality the enemy of my enemy may be my enemy as well. Being caught between groups that hate you for different aspects of your identity means none of you are safe.”
    Mikki Kendall, Hood Feminism: Notes from the Women That a Movement Forgot

  • #16
    Mikki Kendall
    “Ignoring the treatment of the most marginalized women doesn’t set a standard that can protect any women. Instead it sets up arbitrary respectability-centered goalposts against which all women are supposed to measure their behavior. That’s not freedom; that’s just a more elaborate series of cages that will never be comfortable or safe. Any system that makes basic human rights contingent on a narrow standard of behavior pits potential victims against each other and only benefits those who would prey on them.”
    Mikki Kendall, Hood Feminism: Notes from the Women That a Movement Forgot

  • #17
    Gemma Files
    “If men knew how often women are filled with white-hot rage when we cry, they would be staggered, I remember someone saying the other day, through the groaning static of my house's ancient intercom system. We self-objectify and lose the ability to even recognize the physiological changes that indicate anger. Mainly, though, we get sick. And oh, how true that is: We sicken, we are consumed, laughing wild amidst severest woe. We flourish with illnesses that have no cure and a thousand different names. Hysteria, the lung, wandering womb syndrome. Our own immune systems turn against us, fight us as if we ourselves were diseases, infestations. We wither, we swell, miscarry, grow phantom pregnancies, ingest our babies and turn them to stone. Our wounds fester, turn inside-out. Our equipment rusts and degenerates from over-use or lack of use or potential for use alike, decays within us, sliming blackly over the rest of our pulsing, stuttering interiors. Things get lost inside us: penises, forceps, scalpels. No maps to the interior. And every once in a while, we simply flush our systems without adequate warning, drooling blood in clots from inconvenient areas, dropping squalling flesh-lumps everywhere—in trash-cans, in bathrooms, shoved under beds and swaddled in bloodied plastic, buried shallowly, immured behind walls that bulge with black mould-stains, pumping out flies.”
    Gemma Files, Hymns of Abomination

  • #18
    Blake Butler
    “Not dying when everybody else did die is like dying harder than everybody else.”
    Blake Butler, Three Hundred Million

  • #19
    Michel Tournier
    “That which is outside exists. That which is within does not. My thoughts, images, and dreams do not exist. If Speranza [this island] is no more than a sensation, or a bundle of sensations, then she does not exist. And I myself exist only insofar as I escape from myself to join with others.

    What complicates the position is that the thing which does not exist does its utmost to persuade us of the contrary. There is a great and universal urge toward existence among the non-existent. Something like a centrifugal force seeks to spread outward everything that moves within me, images, dreams, projects, fantasies, desires, obsessions. That which does not ex-sist in-sists. It insists upon existing. All the small world contained within me is knocking at the door of the great, the real world. And it is others, those who are outside, who hold the key. In the past, when I tossed in my sleep, my wife would shake me by the shoulders to wake me and dispel the insistence of the nightmare. But now . . . But why do I keep returning to this subject?”
    Michel Tournier, Friday, or, The Other Island

  • #20
    H.W. Brands
    “When an acquaintance commiserated upon hearing of the loss of America’s capital, Franklin replied, “You mistake the matter. Instead of Howe taking Philadelphia, Philadelphia has taken Howe.”
    H.W. Brands, The First American: The Life and Times of Benjamin Franklin

  • #21
    “Ronald is a very shrewd, crazy, and determined killer who is not from Delaware where there are few thinkers but too many fools who had the inability to mind their own business. They both bemoaned this fact about Delaware.”
    Ronald Limberry



Rss