Jack

“I suppose it’s a cliché to say you’re glad to be alive, that life is short, but to say you’re glad to be not dead requires a specific intimacy with loss that comes only with age or deep experience. One has to know not simply what dying is like, but to know death itself, in all its absoluteness. After all, there are many ways to die—peacefully, violently, suddenly, slowly, happily, unhappily, too soon. But to be dead—one either is or isn’t. The same cannot be said of aliveness, of which there are countless degrees. One can be alive but half-asleep or half-noticing as the years fly, no matter how fully oxygenated the blood and brain or how steadily the heart beats. Fortunately, this is a reversible condition. One can learn to be alert to the extraordinary and press pause—to memorize moments of the everyday.”
― Bill Hayes, Insomniac City: New York, Oliver, and Me

“But if pressed, I’d have to say that what I love most about the subways of New York is what they do not do. One may spend a lifetime looking back—whether regretfully or wistfully, with shame or fondness or sorrow—and thinking how, given the chance, things might have been done differently. But when you enter a subway car and the doors close, you have no choice but to give yourself over to where it is headed. The subway only goes one way: forward.”
― Bill Hayes, Insomniac City: New York, Oliver, and Me

“One can be alive but half-asleep or half-noticing as the years fly, no matter how fully oxygenated the blood and brain or how steadily the heart beats. Fortunately, this is a reversible condition. One can learn to be alert to the extraordinary and press pause—to memorize moments of the everyday.”
― Bill Hayes, Insomniac City: New York, Oliver, and Me

“10-16-13
I, soaking in the bath, O on the toilet, talking, talking about what he's been thinking and writing- short personal pieces, a memoir perhaps. He had brought with him two pillows to sit on and a very large red apple. He opens his mouth wide and takes a gigantic bite. I watch him chewing for quite a while. After he finishes, 'Bite me off a piece', I say. He does so, dislodges the apple from his mouth, and puts the piece in my mouth. We keep talking. I add more hot water. Every other bite, he gives to me.
There is a quiet moment, and then, seemingly apropos of nothing, O says: 'I am glad to be on planet Earth with you. It would be so much lonelier otherwise.'
I reach for his hand and hold it,
'I, too,' I say.”
― Bill Hayes, Insomniac City: New York, Oliver, and Me