Melon109

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Jhumpa Lahiri
“Nor was her love for Udayan recognizable or intact. Anger was always mounted to it, zigzagging through her like some helplessly mating pair of insects. Anger at him for dying when he might have lived. For bringing her happiness, and then taking it away. For trusting her, only to betray her. For believing in sacrifice, only to be so selfish in the end.”
Jhumpa Lahiri, The Lowland

Karen Thompson Walker
“I've become a collector of stories about unlikely returns: the sudden reappearance of the long-lost son, the father found, the lovers reunited after forty years. Once in awhile, a letter does fall behind a post office desk and lie there for years before it's finally discovered and delivered to the rightful address. The seemingly brain-dead sometimes wake up and start talking. I'm always on the lookout for proof that what is done can sometimes be undone.”
Karen Thompson Walker, The Age of Miracles

Jhumpa Lahiri
“War will bring the revolution; revolution will stop the war,”
Jhumpa Lahiri, The Lowland

Jhumpa Lahiri
“She learned that an act intended to express love could have nothing to do with it. That her heart and her body were different things.”
Jhumpa Lahiri, The Lowland

Jhumpa Lahiri
“The best sentences orient us, like stars in the sky, like landmarks on a trail. They remain the test, whether or not to read something. The most compelling narrative, expressed in sentences with which I have no chemical reaction, or an adverse one, leaves me cold. In fiction, plenty do the job of conveying information, rousing suspense, painting characters, enabling them to speak. But only certain sentences breathe and shift about, like live matter in soil. The first sentence of a book is a handshake, perhaps an embrace. Style and personality are irrelevant. They can be formal or casual. They can be tall or short or fat or thin. They can obey the rules or break them. But they need to contain a charge. A live current, which shocks and illuminates.”
Jhumpa Lahiri

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