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The substance of my being has been informed by the books I learned to care for. They accompany me every minute of every day of my life,
“On the day of the universe's Last Judgment, two humans and a robot belonging to the Earth and Trisolaran civilizations embraced each other in ecstasy.”
― Death's End
― Death's End
“Finally, if you attempt to read this without working through a significant number of exercises (see §0.0.1), I will come to your house and pummel you with [Gr-EGA] until you beg for mercy. It is important to not just have a vague sense of what is true, but to be able to actually get your hands dirty. As Mark Kisin has said, “You can wave your hands all you want, but it still won’t make you fly.”
― Foundations of Algebraic Geometry
― Foundations of Algebraic Geometry
“Sixteen is an intensely troublesome age. You worry about little things, can’t pinpoint where you are in any objective way, become really proficient at strange, pointless skills, and are held in thrall by inexplicable complexes. As you get older, though, through trial and error you learn to get what you need, and throw out what should be discarded. And you start to recognize (or be resigned to the fact) that since your faults and deficiencies are well nigh infinite, you’d best figure out your good points and learn to get by with what you have.”
― What I Talk About When I Talk About Running
― What I Talk About When I Talk About Running
“And so all great books are written in dead languages. The passage of time erodes them, tests them, filters them until what limited them to their times have been striped away, leaving behind only what is eternal, universal, lasting: Humanity expressed in a single voice, Life embodied in a single soul. That core is self-translating, self-generating, self-renewing.”
―
―
“Cheng Xin now recalled the strange feeling she had experienced each time she had looked at Van Gogh’s painting. Everything else in the painting—the trees that seemed to be on fire, and the village and mountains at night—showed perspective and depth, but the starry sky above had no three-dimensionality at all, like a painting hanging in space. Because the starry night was two-dimensional. How could Van Gogh have painted such a thing in 1889? Did he, having suffered a second breakdown, truly leap across five centuries”
― Death's End
― Death's End
The Feminist Orchestra Bookclub
— 4576 members
— last activity Oct 17, 2025 06:48PM
Discover and recommend more feminist reads here: https://www.goodreads.com/list/show/96419.The_Feminist_Orchestra_Potential_Reading_List We're also o ...more
Stanford Book Club
— 180 members
— last activity Jun 15, 2019 08:41AM
A place for students and alumni of Stanford to discuss literature.
LT’s 2025 Year in Books
Take a look at LT’s Year in Books, including some fun facts about their reading.
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