LT > LT's Quotes

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  • #1
    Ken Liu
    “And so all great books are written in dead languages. The passage of time erodes them, tests them, filters them until what limited them to their times have been striped away, leaving behind only what is eternal, universal, lasting: Humanity expressed in a single voice, Life embodied in a single soul. That core is self-translating, self-generating, self-renewing.”
    Ken Liu

  • #2
    John Milton
    “Ah, why should all mankind
    For one man's fault, be condemned,
    If guiltless?”
    John Milton, Paradise Lost

  • #3
    Virgil
    “Death's brother, sleep.”
    Virgil, The Aeneid

  • #4
    Virgil
    “A shifty, fickle object is woman, always. (Varium et mutabile semper femina.)”
    Virgil, The Aeneid

  • #5
    Liu Cixin
    “No, emptiness is not nothingness. Emptiness is a type of existence. You must use this existential emptiness to fill yourself.”
    Liu Cixin, The Three-Body Problem

  • #6
    Virgil
    “Forsan et haec olim meminisse iuvabit - Perhaps even these things will be good to remember one day”
    Virgil, Aeneid I

  • #7
    Liu Cixin
    “On the day of the universe's Last Judgment, two humans and a robot belonging to the Earth and Trisolaran civilizations embraced each other in ecstasy.”
    Liu Cixin, Death's End

  • #8
    Liu Cixin
    “Cheng Xin now recalled the strange feeling she had experienced each time she had looked at Van Gogh’s painting. Everything else in the painting—the trees that seemed to be on fire, and the village and mountains at night—showed perspective and depth, but the starry sky above had no three-dimensionality at all, like a painting hanging in space. Because the starry night was two-dimensional. How could Van Gogh have painted such a thing in 1889? Did he, having suffered a second breakdown, truly leap across five centuries”
    Liu Cixin, Death's End

  • #9
    Anna Quindlen
    “Books are the plane, and the train, and the road. They are the destination, and the journey. They are home.”
    Anna Quindlen, How Reading Changed My Life

  • #10
    Milan Kundera
    “Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.”
    Milan Kundera, The Unbearable Lightness of Being

  • #11
    Sylvia Plath
    “I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life. And I am horribly limited.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #12
    Virgil
    “Do the gods light this fire in our hearts or does each man's mad desire become his god?”
    Virgil, The Aeneid

  • #13
    Sigrid Nunez
    “The wish to please, to charm—the desire to provoke desire—runs deep in me and seems to have been there from the beginning.”
    Sigrid Nunez, A Feather on the Breath of God

  • #14
    Sigrid Nunez
    “The sound of a pen scratching in the night is a holy sound.”
    Sigrid Nunez, A Feather on the Breath of God

  • #15
    Liu Cixin
    “The universe is a dark forest. Every civilization is an armed hunter stalking through the trees like a ghost, gently pushing aside branches that block the path and trying to tread without sound. Even breathing is done with care. The hunter has to be careful, because everywhere in the forest are stealthy hunters like him. If he finds other life—another hunter, an angel or a demon, a delicate infant or a tottering old man, a fairy or a demigod—there’s only one thing he can do: open fire and eliminate them. In this forest, hell is other people. An eternal threat that any life that exposes its own existence will be swiftly wiped out. This is the picture of cosmic civilization. It’s the explanation for the Fermi Paradox.”
    Liu Cixin, The Dark Forest

  • #16
    Hannah Arendt
    “The ideal subject of totalitarian rule is not the convinced Nazi or the convinced Communist, but people for whom the distinction between fact and fiction (i.e., the reality of experience) and the distinction between true and false (i.e., the standards of thought) no longer exist.”
    Hannah Arendt, The Origins of Totalitarianism

  • #17
    “Finally, if you attempt to read this without working through a significant number of exercises (see §0.0.1), I will come to your house and pummel you with [Gr-EGA] until you beg for mercy. It is important to not just have a vague sense of what is true, but to be able to actually get your hands dirty. As Mark Kisin has said, “You can wave your hands all you want, but it still won’t make you fly.”
    Ravi Vakil, Foundations of Algebraic Geometry

  • #18
    C.S. Lewis
    “To love at all is to be vulnerable. Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements. Lock it up safe in the casket or coffin of your selfishness. But in that casket, safe, dark, motionless, airless, it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. To love is to be vulnerable.”
    C.S. Lewis, The Four Loves

  • #19
    C.S. Lewis
    “There is indeed a peculiar charm, both in friendship and in Eros, about those moments when Appreciative love lies, as it were, curled up asleep, and the mere ease and ordinariness of the relationship (free as solitude, yet neither is alone) wraps us round. No need to talk. No need to make love. No needs at all except perhaps to stir the fire.”
    C.S. Lewis, The Four Loves

  • #20
    Anaïs Nin
    “We write to heighten our own awareness of life. We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment and in retrospection. We write, like Proust, to render all of it eternal, and to persuade ourselves that it is eternal. We write to be able to transcend our life, to reach beyond it. We write to teach ourselves to speak with others, to record the journey into the labyrinth. We write to expand our world when we feel strangled, or constricted, or lonely...When I don’t write, I feel my world shrinking. I feel I am in prison. I feel I lose my fire and my color. It should be a necessity, as the sea needs to heave, and I call it breathing.”
    Anaïs Nin

  • #21
    Ken Liu
    “Who can say if the thoughts you have in your mind as you read these words are the same thoughts I had in my mind as I typed them? We are different, you and I, and the qualia of our consciousnesses are as divergent as two stars at the ends of the universe.

    And yet, whatever has been lost in translation in the long journey of my thoughts through the maze of civilization to your mind, I think you do understand me, and you think you do understand me. Our minds managed to touch, if but briefly and imperfectly.

    Does that thought not make the universe seem just a bit kinder, a bit brighter, a bit warmer and more human?

    We live for such miracles.”
    Ken Liu, The Paper Menagerie and Other Stories

  • #22
    J.K. Rowling
    “Then you should,” said Dumbledore. He drew a deep breath.

    “You know the secret of my sister’s ill health, what those Muggles did, what she became. You know how my poor father sought revenge, and paid the price, died in Azkaban. You know how my mother gave up her own life to care for Ariana. I resented it, Harry.”

    Dumbledore stated it baldly, coldly. He was looking now over the top of Harry’s head, into the distance.

    “I was gifted, I was brilliant. I wanted to escape. I wanted to shine. I wanted glory."

    “Do not misunderstand me,” he said, and pain crossed the face so that he looked ancient again. “I loved them. I loved my parents, I loved my brother and my sister, but I was selfish, Harry, more selfish than you, who are a remarkably selfless person, could possibly imagine.”
    J.K. Rowling, Harry Potter Series Box Set

  • #23
    Haruki Murakami
    “Sixteen is an intensely troublesome age. You worry about little things, can’t pinpoint where you are in any objective way, become really proficient at strange, pointless skills, and are held in thrall by inexplicable complexes. As you get older, though, through trial and error you learn to get what you need, and throw out what should be discarded. And you start to recognize (or be resigned to the fact) that since your faults and deficiencies are well nigh infinite, you’d best figure out your good points and learn to get by with what you have.”
    Haruki Murakami, What I Talk About When I Talk About Running



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