“...Don't rupture another's illusion unless you're positive the alternative you offer is more worthwhile than that from which you're wrenching them. Interrogate your solipsism: Does it offer any better a home than the delusions you're reaching to shatter?”
― Chronic City
― Chronic City
“Will you just look at that!" She trailed a black crepe sleeve across the west. " Like those sunsets when I was a kid."
"I remember. Volcano blew up, out there in the East Indies someplace, dust and ashes stayed aloft, all the colors changed, went on for years." ... "I thought sunsets were just always supposed to look like that. Every kid I knew. We all believed it for a while till they started getting back to ordinary again, then we figured it was our fault, something to do with growing up, maybe everything else was supposed to fade down that way, too...”
― Against the Day
"I remember. Volcano blew up, out there in the East Indies someplace, dust and ashes stayed aloft, all the colors changed, went on for years." ... "I thought sunsets were just always supposed to look like that. Every kid I knew. We all believed it for a while till they started getting back to ordinary again, then we figured it was our fault, something to do with growing up, maybe everything else was supposed to fade down that way, too...”
― Against the Day
“For it was now like walking among matrices of a great digital computer, the zeroes and ones twinned above, hanging like balanced mobiles right and left, ahead, thick, maybe endless. Behind the hieroglyphic streets there would either be a transcendent meaning, or only the earth”
― The Crying of Lot 49
― The Crying of Lot 49
“Beneath the rubbernecking Chums of Chance wheeled streets and alleyways in a Cartesian grid, sketched in sepia, mile on mile. "The Great Bovine City of the World," breathed Lindsey in wonder. Indeed, the backs of cattle far outnumbered the tops of human hats. From this height it was as if the Chums, who, out on adventures past, had often witnessed the vast herds of cattle adrift in everchanging cloudlike patterns across the Western plains, here saw that unshaped freedom being rationalized into movement only in straight lines and at right angles and a progressive reduction of choices, until the final turn through the final gate that led to the killingfloor.”
― Against the Day
― Against the Day
“and isn't it the curse of the drifter, the desolation of heart we feel each evening at sundown, with the slow loop of the river out there just for a half a minute, catching the last light, pregnant with the city in all its density and wonder, the possibilities never to be counted, much less lived into, by the likes of us, don't you see, for we're only passing through, we're already ghosts.”
― Against the Day
― Against the Day
Andrew’s 2024 Year in Books
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