Nathan

“Nothing is more beautiful than to know all.”
― Athanasius Kircher

“They [the critics] deal with Schoenberg’s early works and all their wealth by classifying them, with the music-historical cliché, as late romantic post-Wagnerian. One might just as well dispose of Beethoven as a late-classicist post-Haydnerian.”
― Theodor W. Adorno, Essays on Music

“For mile after mile the same melodic phrase rose up in my memory. I simply couldn’t get free of it. Each time it had a new fascination for me. Initially imprecise in outline, it seemed to become more and more intricately woven, as if to conceal from the listener how eventually it would end. This weaving and re-weaving became so complicated that one wondered how it could possibly be unravelled; and then suddenly one note would resolve the whole problem, and the solution would seem yet more audacious than the procedures which had preceded, called for, and made possible its arrival; when it was heard, all that had gone before took on a new meaning, and the quest, which had seemed arbitrary, was seen to have prepared the way for this undreamed-of solution.”
― Claude Lévi-Strauss, Tristes Tropiques

“I was heading for the city in the south, of which they used to say in our village:
‘There are people for you! Just think—they never go to sleep!’
‘And why don’t they?’
‘Because they’re fools.’
‘Don’t fools get tired, then?’
‘How could fools get tired?”
― Franz Kafka, The Complete Stories