Ca
https://www.goodreads.com/mynameisca
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"Dạo này hơi nhiều việc nên không biết khi nào mới đọc tiếp được, xin phép bookmark lên đây để tiện quay lại sau." — Jan 18, 2022 11:31PM
"Dạo này hơi nhiều việc nên không biết khi nào mới đọc tiếp được, xin phép bookmark lên đây để tiện quay lại sau." — Jan 18, 2022 11:31PM
“I am the most tired woman in the world. I am tired when I get up. Life requires an effort I cannot make. Please give me that heavy book. I need to put something heavy like that on top of my head. I have to place my feet under the pillows always, so as to be able to stay on earth. Otherwise I feel myself going away, going away at a tremendous speed, on account of my lightness. I know that I am dead. As soon as I utter a phrase my sincerity dies, becomes a lie whose coldness chills me. Don't say anything, because I see that you understand me, and I am afraid of your understanding. I have such a fear of finding another like myself, and such a desire to find one! I am so utterly lonely, but I also have such a fear that my isolation be broken through, and I no longer be the head and ruler of my universe. I am in great terror of your understanding by which you penetrate into my world; and then I stand revealed and I have to share my kingdom with you.”
―
―
“I am not a lady
I live in an elevator
in a big department store America.
“Your floor, lady?”
“I don't have a floor,
I live in the elevator.”
“You can't just live in an elevator.”
They all say that
except for the man from Time magazine
who acted very cool.
We stop and let people into
dresses, better dresses, beauty,
and on the top floor,
home furnishings and then
the credit office, suddenly stark
and no nonsense this is it.
At each floor I look out
at the ladies quietly becoming
ladies and I say “huh”
reflectively.
My hair is long and wild
full of little twigs and cockleburrs.
I visit the floors only for water.
I make my own food
from the berries and frightened rabbits—
I pray forgive me brother as I eat—
that grow wild in the elevator.
Once every three months,
solstice and equinox,
a cop comes and clubs me a little.
The man from Time says
I articulate my generation something
wobble squeegy squiggle pop pop
Yesterday pausing at childrens
I saw another lady
take off all her clothes
and go to live in #7.
We are waiting to fill
all thirteen.”
― Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement
I live in an elevator
in a big department store America.
“Your floor, lady?”
“I don't have a floor,
I live in the elevator.”
“You can't just live in an elevator.”
They all say that
except for the man from Time magazine
who acted very cool.
We stop and let people into
dresses, better dresses, beauty,
and on the top floor,
home furnishings and then
the credit office, suddenly stark
and no nonsense this is it.
At each floor I look out
at the ladies quietly becoming
ladies and I say “huh”
reflectively.
My hair is long and wild
full of little twigs and cockleburrs.
I visit the floors only for water.
I make my own food
from the berries and frightened rabbits—
I pray forgive me brother as I eat—
that grow wild in the elevator.
Once every three months,
solstice and equinox,
a cop comes and clubs me a little.
The man from Time says
I articulate my generation something
wobble squeegy squiggle pop pop
Yesterday pausing at childrens
I saw another lady
take off all her clothes
and go to live in #7.
We are waiting to fill
all thirteen.”
― Sisterhood Is Powerful: An Anthology of Writings from the Women's Liberation Movement
“There are many causes for a suicide, and generally the most obvious ones were not the most powerful. Rarely is suicide committed (yet the hypothesis is not excluded) through reflection. What sets off the crisis is almost always unverifiable. Newspapers often speak of "personal sorrows" or of "incurable illness." These explanations are plausible. But one would have to know whether a friend of the desperate man had not that very day addressed him indifferently. He is the guilty one. For that is enough to precipitate all the rancors and all the boredom still in suspension. But if it is hard to fix the precise instant, the subtle step when the mind opted for death, it is easier to deduce from the act itself the consequences it implies. In a sense, and as in melodrama, killing yourself amounts to confessing. It is confessing that life is too much for you or that you do not understand it. Let's not go too far in such analogies, however, but rather return to everyday words. It is merely confessing that that "is not worth the trouble." Living, naturally, is never easy. You continue making the gestures commanded by existence for many reasons, the first of which is habit. Dying voluntarily implies that you have recognized, even instinctively, the ridiculous character of that habit, the absence of any profound reason for living, the insane character of that daily agitation, and the uselessness of suffering. What, then, is that incalculable feeling that deprives the mind of the sleep necessary to life? A world that can be explained even with bad reasons is a familiar world. But, on the other hand, in a universe suddenly divested of illusions and lights, man feels an alien, a stranger. His exile is without remedy since he is deprived of the memory of a lost home or the hope of a promised land. This divorce between man and his life, the actor and his setting, is properly the feeling of absurdity.”
―
―
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