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“Just a quick example: if the United Kingdom’s gross domestic product (GDP) continues on its current path of an average decline of 0.5 percent annually as it has from 2010 to 2021, the British economy will fall behind many of its European neighbors, including Poland by 2030 and Romania and Hungary by 2040.”
― Omid Scobie, Endgame: Inside the Royal Family and the Monarchy's Fight for Survival—A Gripping Investigative Report with a Personal Touch, Witness the Turmoil of the British Monarchy

“Meghan came in and did the work, but she wasn’t in awe of her surroundings. It was like taking on a new job, one that came as a prerequisite with her marriage to the person she was in love with,” said a close friend of the duchess. “She took it seriously, but the fact she wasn’t saying, ‘Wow, this is the greatest thing on earth’ made people feel like she wasn’t grateful, that she didn’t deserve what she had.” To some at the Palace, here was a woman of color who was allowed into an entitled, exceedingly white space, so how dare she not show an abundance of gratitude. The fact that later she would choose to step away from it, essentially rejecting the hallowed space she was “lucky” enough to have entered, emerged as the sore point for many.”
― Omid Scobie, Endgame: Inside the Royal Family and the Monarchy's Fight for Survival

“Compared to other royals, mainstream coverage of Kate in the British papers is overwhelmingly positive, often bordering on infantilizing the princess, with articles marveling at her ability to perform the simplest of tasks (think enthusiastic reporting about kicking a soccer ball or flipping a pancake, or how amazing it is that she can assume the perfect “princess pose” in photographs).”
― Omid Scobie

“I saw Kate becoming a jointed doll on which certain rags are hung,” Mantel wrote, adding that the duchess appeared like a “shop-window mannequin, with no personality of her own, entirely defined by what she wore.” A harsh observation to be sure, but also a truth most find hard to swallow. Like Diana, Kate became a sparkling showpiece for the Firm, a symbol of refined beauty and those white, English Rose genetics the British newspapers love so much. Freya in an Emilia Wickstead coat dress.”
― Omid Scobie, Endgame: Inside the Royal Family and the Monarchy's Fight for Survival