Paul  Kirsch

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Paul Kirsch

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Born
in Los Angeles, The United States
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March 2014

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Paul Kirsch is a Nebula Award-winning writer and Narrative Designer in the video game industry. He's written for Avowed, The Outer Worlds, Pillars of Eternity, Tyranny, and published two books with Obsidian Entertainment. Other projects are currently in development. ​He lives and works in California. ...more

Average rating: 3.99 · 203 ratings · 11 reviews · 5 distinct worksSimilar authors
Pillars of Eternity Guidebo...

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4.15 avg rating — 110 ratings — published 2015 — 4 editions
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Pillars of Eternity Guidebo...

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4.19 avg rating — 36 ratings2 editions
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Blood Register

3.42 avg rating — 38 ratings
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Tyranny: Short Story Collec...

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3.92 avg rating — 25 ratings
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Almanac of the Eastern Reac...

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3.67 avg rating — 3 ratings
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The Tatami Galaxy...
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Simulacron 3 by Daniel F. Galouye
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Nightfall and Other Stories by Isaac Asimov
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Susan         Hill
“However, toward the end of it, and on hearing some slight rustle behind me, I half-turned, discreetly, and caught a glimpse of another mourner, a woman, who must have slipped into the church after we of the funeral party had taken our places and who stood several rows behind and quite alone, very erect and still, and not holding a prayer book. She was dressed in deepest black, in the style of full mourning that had rather gone out of fashion except, I imagined, in court circles on the most formal of occasions. Indeed, it had clearly been dug out of some old trunk or wardrobe, for its blackness was a little rusty looking. A bonnet-type hat covered her head and shaded her face, but, although I did not stare, even the swift glance I took of the woman showed me enough to recognize that she was suffering from some terrible wasting disease, for not only was she extremely pale, even more than a contrast with the blackness of her garments could account for, but the skin and, it seemed, only the thinnest layer of flesh was tautly stretched and strained across her bones, so that it gleamed with a curious, blue-white sheen, and her eyes seemed sunken back into her head. Her hands that rested on the pew before her were in a similar state, as though she had been a victim of starvation. Though not any medical expert, I had heard of certain conditions which caused such terrible wasting, such ravages of the flesh, and knew that they were generally regarded as incurable, and it seemed poignant that a woman, who was perhaps only a short time away from her own death, should drag herself to the funeral of another. Nor did she look old. The effect of the illness made her age hard to guess, but she was quite possibly no more than thirty. Before I turned back, I vowed to speak to her and see if I could be of any assistance after the funeral was over, but just as we were making ready to move away, following the parson and the coffin out of the church, I heard the slight rustle of clothing once more and realized that the unknown woman had already slipped quickly away, and gone out to the waiting, open grave, though to stand some yards back, beside another headstone, that was overgrown with moss and upon which she leaned slightly. Her appearance, even in the limpid sunshine and comparative warmth and brightness outdoors, was so pathetically wasted, so pale and gaunt with disease, that it would not have been a kindness to gaze upon her; for there was still some faint trace on her features, some lingering hint, of a not inconsiderable former beauty, which must make her feel her present condition all the more keenly, as would the victim of a smallpox, or of some dreadful disfigurement of burning.”
Susan Hill, The Woman in Black

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