“The flowers that I left in the ground,
that I did not gather for you,
today I bring them all back,
to let them grow forever,
not in poems or marble,
but where they fell and rotted.
And the ships in their great stalls,
huge and transitory as heroes,
ships I could not captain,
today I bring them back
to let them sail forever,
not in model or ballad,
but where they were wrecked and scuttled.
And the child on whose shoulders I stand,
whose longing I purged
with public, kingly discipline,
today I bring him back
to languish forever,
not in confession or biography,
but where he flourished,
growing sly and hairy.
It is not malice that draws me away,
draws me to renunciation, betrayal:
it is weariness, I go for weariness of thee,
Gold, ivory, flesh, love, God, blood, moon-
I have become the expert of the catalogue.
My body once so familiar with glory,
My body has become a museum:
this part remembered because of someone's mouth,
this because of a hand,
this of wetness, this of heat.
Who owns anything he has not made?
With your beauty I am as uninvolved
as with horses' manes and waterfalls.
This is my last catalogue.
I breathe the breathless
I love you, I love you -
and let you move forever.”
― Selected Poems, 1956-1968
that I did not gather for you,
today I bring them all back,
to let them grow forever,
not in poems or marble,
but where they fell and rotted.
And the ships in their great stalls,
huge and transitory as heroes,
ships I could not captain,
today I bring them back
to let them sail forever,
not in model or ballad,
but where they were wrecked and scuttled.
And the child on whose shoulders I stand,
whose longing I purged
with public, kingly discipline,
today I bring him back
to languish forever,
not in confession or biography,
but where he flourished,
growing sly and hairy.
It is not malice that draws me away,
draws me to renunciation, betrayal:
it is weariness, I go for weariness of thee,
Gold, ivory, flesh, love, God, blood, moon-
I have become the expert of the catalogue.
My body once so familiar with glory,
My body has become a museum:
this part remembered because of someone's mouth,
this because of a hand,
this of wetness, this of heat.
Who owns anything he has not made?
With your beauty I am as uninvolved
as with horses' manes and waterfalls.
This is my last catalogue.
I breathe the breathless
I love you, I love you -
and let you move forever.”
― Selected Poems, 1956-1968
“Мне всегда казалось: случилось, значит, случилось. Какая, к черту, разница, почему небо в очередной раз рухнуло мне на голову? Оно рухнуло, следовательно, надо выстоять”
―
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Miha’s 2025 Year in Books
Take a look at Miha’s Year in Books, including some fun facts about their reading.
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