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“I know," she said. "You have a stone in your heart, and some days it's so heavy there is nothing to be done. But you don't have to be alone for it. You should have come to me. I understand.”
― The Wise Man's Fear
― The Wise Man's Fear
“They stood there for a while, not saying anything. Then Eli said: 'Do you want to come in?'
Oskar didn't reply. Eli pulled on her T-shirt, lifted her hands, let them fall.
'I'm never going to hurt you.'
'I know that.'
'What are you thinking about?'
'That T-shirt. Is it from the trash room?'
'...yes.'
'Have you washed it?'
Eli didn't answer.
'You're a little gross, you know that?'
'I can change, if you like.'
'Good. Do that.”
― Let the Right One In
Oskar didn't reply. Eli pulled on her T-shirt, lifted her hands, let them fall.
'I'm never going to hurt you.'
'I know that.'
'What are you thinking about?'
'That T-shirt. Is it from the trash room?'
'...yes.'
'Have you washed it?'
Eli didn't answer.
'You're a little gross, you know that?'
'I can change, if you like.'
'Good. Do that.”
― Let the Right One In
“Go out in the early days of winter, after the first cold snap of the season. Find a pool of water with a sheet of ice across the top, still fresh and new and clear as glass. Near the shore the ice will hold you. Slide out farther. Farther. Eventually you'll find the place where the surface just barely bears your weight. There you will feel what I felt. The ice splinters under your feet. Look down and you can see the white cracks darting through the ice like mad, elaborate spiderwebs. It is perfectly silent, but you can feel the sudden sharp vibrations through the bottoms of your feet.
That is what happened when Denna smiled at me.”
― The Name of the Wind
That is what happened when Denna smiled at me.”
― The Name of the Wind
“No respect for beauty – that was characteristic of today’s society. The works of the great masters were at most employed as ironic references, or used in advertising. Michelangelo’s ‘The Creation of Adam’, where you see a pair of jeans in place of the spark.
The whole point of the picture, at least as he saw it, was that these two monumental bodies each came to an end in two index fingers that almost, but not quite, touched. There was a space between them a millimetre or so wide. And in this space – life. The sculptural size and richness of detail of this picture was simply a frame, a backdrop, to emphasise the crucial void in its centre. The point of emptiness that contained everything.
And in its place a person had superimposed a pair of jeans.”
― Let the Right One In
The whole point of the picture, at least as he saw it, was that these two monumental bodies each came to an end in two index fingers that almost, but not quite, touched. There was a space between them a millimetre or so wide. And in this space – life. The sculptural size and richness of detail of this picture was simply a frame, a backdrop, to emphasise the crucial void in its centre. The point of emptiness that contained everything.
And in its place a person had superimposed a pair of jeans.”
― Let the Right One In
Срба’s 2025 Year in Books
Take a look at Срба’s Year in Books, including some fun facts about their reading.
249 books
|
159 friends
33 books
|
4 friends
38 books
|
27 friends
2 books
|
33 friends
1 book
|
9 friends
1 book
|
9 friends
1 book
|
21 friends
2 books
|
36 friends
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