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“History didn’t greet us with triumphal fanfares: —it flung dirty sand into our eyes. Ahead of us lay long roads leading nowhere, poisoned wells and bitter bread.”
― Wisława Szymborska, Map: Collected and Last Poems

“My apologies to chance for calling it necessity.
My apologies to necessity if I'm mistaken, after all.
Please, don't be angry, happiness, that I take you as
my due.
May my dead be patient with the way my memories
fade.
My apologies to time for all the world I overlook each second.”
― Wislawa Szymborska

“Historically, women have either been excluded from the process of creating the definitions of what is considered art or allowed to participate only if we accept and work within existing mainstream designations. If women have no real role as women in the process of defining art, then we are essentially prevented from helping to shape cultural symbols.”
― Judy Chicago, Beyond the Flower: The Autobiography of a Feminist Artist

“We call it a grain of sand,
but it calls itself neither grain nor sand.
It does just fine, without a name,
whether general, particular,
permanent, passing,
incorrect, or apt.

Our glance, our touch means nothing to it.
It doesn’t feel itself seen and touched.
And that it fell on the windowsill
is only our experience, not its.
For it, it is not different from falling on anything else
with no assurance that it has finished falling
or that it is falling still.

The window has a wonderful view of a lake,
but the view doesn’t view itself.
It exists in this world
colorless, shapeless,
soundless, odorless, and painless.

The lake’s floor exists floorlessly,
and its shore exists shorelessly.
The water feels itself neither wet nor dry
and its waves to themselves are neither singular nor plural.
They splash deaf to their own noise
on pebbles neither large nor small.

And all this beheath a sky by nature skyless
in which the sun sets without setting at all
and hides without hiding behind an unminding cloud.
The wind ruffles it, its only reason being
that it blows.

A second passes.
A second second.
A third.
But they’re three seconds only for us.

Time has passed like courier with urgent news.
But that’s just our simile.
The character is inverted, his hasts is make believe,
his news inhuman.”
― Wisława Szymborska, View with a Grain of Sand: Selected Poems