Eric Hinkle

“I realized that it was not Ko-san, now safely ditched for ever, but Ko-san's mother who stood in need of pity and consideration. She must still live on in this hard unpitying world, but he, once he had jumped [in battle], had jumped beyond such things. The case could well have been different, had he never jumped; but he did jump; and that, as they say, is that. Whether this world's weather turns out fine or cloudy no more worries him; but it matters to his mother. It rains, so she sits alone indoors thinking about Ko-san. And now it's fine, so she potters out and meets a friend of Ko-san's. She hangs out the national flag to welcome the returned soliders, but her joy is made querulous with wishing that Ko-san were alive. At the public bath-house, some young girl of marriageable age helps her to carry a bucket of hot water: but her pleasure from that kindness is soured as she thinks if only I had a daughter-in-law like this girl. To live under such conditions is to live in agonies. Had she lost one out of many children, there would be consolation and comfort in the mere fact of the survivors. But when loss halves a family of just one parent and one child, the damage is as irreparable as when a gourd is broken clean across its middle. There's nothing left to hang on to. Like the sergeant's mother, she too had waited for her son's return, counting on shriveled fingers the passing of the days and nights before that special day when she would be able once more to hang on him. But Ko-san with the flag jumped resolutely down into the ditch and still has not climbed back.”
― Sōseki Natsume, Ten Nights of Dream, Hearing Things, The Heredity of Taste

“Yesterday on the street I passed the 100% perfect girl,' I tell someone.
'Yeah?' he says. 'Good-looking?'
'Not really.'
'Your favorite type, then?'
'I don't know. I can't seem to remember anything about her - the shape of her eyes or the size of her breasts.'
'Strange.'
'Yeah, strange.'
'So anyhow,' he says, already bored, 'what did you do? Talk to her? Follow her?'
'Nah. Just passed her on the street.'
She's walking east to west, and I west to east. [...] How can I approach her? What should I say?
'Good morning, miss. Do you think you could spare half an hour for a little conversation?' Ridiculous. I'd sound like an insurance salesman. 'Pardon me, but would you happen to know if there is an all-night cleaners in the neighborhood?' No, this is just as ridiculous. I'm not carrying any laundry, for one thing. Who's going to buy a line like that? Maybe the simple truth would do. 'Good morning. You are the 100% perfect girl for me.' No, she wouldn't believe it. Or even if she did, she might not want to talk to me. Sorry, she could say, I might be the 100% perfect girl for you, but you're not the 100% perfect boy for me. It could happen. And if I found myself in that situation, I'd probably go to pieces. I'd never recover from the shock. I'm thirty-two, and that's what growing older is all about.”
― Haruki Murakami, The Elephant Vanishes

“Tucker is on a roll. It usually takes two beers for him to like himself but tonight he only needs half a can.”
― Peter Hedges, What's Eating Gilbert Grape

“It's strange, isn't it?' the woman said in a pensive voice. 'Everything is blowing up around us, but there are still those who care about a broken lock, and others who are dutiful enough to try to fix it... But maybe that's the way it should be. Maybe working on the little things as dutifully and honestly as we can is how we stay sane when the world is falling apart.”
― Haruki Murakami, Hombres sin mujeres