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The Sun is a Comp...
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Born a Crime: Sto...
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Book cover for The Beautiful and Damned
Beautiful things grow to a certain height and then they fail and fade off, breathing out memories as they decay.
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Ray Bradbury
“Do you know why books such as this are so important? Because they have quality. And what does the word quality mean? To me it means texture. This book has pores. It has features. This book can go under the microscope. You’d find life under the glass, streaming past in infinite profusion. The more pores, the more truthfully recorded details of life per square inch you can get on a sheet of paper, the more ‘literary’ you are. That’s my definition anyway. Telling detail. Fresh detail. The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies. So now you see why books are hated and feared? They show the pores in the face of life.”
Ray Bradbury, Fahrenheit 451

Alice Walker
“What will people say, you running off to Memphis like you don't have a house to look after?
Shug say, Albert. Try to think like you got some sense. Why any woman give a shit what people think is a mystery to me.
Well, say Grady, trying to bring light. A woman can't git a man if peoples talk.
Shug look at me and us giggle. Then us sure nuff. Then Squeak start to laugh. Then Sofia. All us laugh and laugh.”
Alice Walker, The Color Purple

Alice Walker
“She thought of how precious it was to be able to know another person over many years. There was incomparable richness in it.”
Alice Walker

Sylvia Plath
“I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life. And I am horribly limited.”
Sylvia Plath, The Unabridged Journals of Sylvia Plath

Tara Westover
“I carried the books to my room and read through the night. I loved the fiery pages of Mary Wollstonecraft, but there was a single line written by John Stuart Mill that, when I read it, moved the world: “It is a subject on which nothing final can be known.” The subject Mill had in mind was the nature of women. Mill claimed that women have been coaxed, cajoled, shoved and squashed into a series of feminine contortions for so many centuries, that it is now quite impossible to define their natural abilities or aspirations.”
Tara Westover, Educated

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