Stephen Yoder
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"Freud looking for the reproductive organs of male eels and failing. History and ichthyology are both so fun." — Mar 15, 2025 07:00AM
"Freud looking for the reproductive organs of male eels and failing. History and ichthyology are both so fun." — Mar 15, 2025 07:00AM
“Nobody these days holds the written word in such high esteem as police states do,' Arkadian Porpirych says. 'What statistic allows one to identify the nations where literature enjoys true consideration better than the sums appropriated for controlling it and suppressing it? Where it is the object of such attentions, literature gains an extraordinary authority, inconceivable in countries where it is allowed to vegetate as an innocuous pastime, without risks.”
― If on a Winter's Night a Traveler
― If on a Winter's Night a Traveler
“I realize that some of you may have come in hopes of hearing tips on how to
become a professional writer. I say to you, "If you really want to hurt your
parents, and you don't have the nerve to be a homosexual, the least you can
do is go into the arts. But do not use semicolons. They are transvestite
hermaphrodites, standing for absolutely nothing. All they do is show you've
been to college.”
―
become a professional writer. I say to you, "If you really want to hurt your
parents, and you don't have the nerve to be a homosexual, the least you can
do is go into the arts. But do not use semicolons. They are transvestite
hermaphrodites, standing for absolutely nothing. All they do is show you've
been to college.”
―
“If one wanted to depict the whole thing graphically, every episode, with its climax, would require a three-dimensional, or, rather, no model: every experience is unrepeatable. What makes lovemaking and reading resemble each other most is that within both of them times and spaces open, different from measurable time and space.”
― If on a Winter's Night a Traveler
― If on a Winter's Night a Traveler
“Lovers' reading of each other's bodies (of that concentrate of mind and body which lovers use to go to bed together) differs from the reading of written pages in that it is not linear. It starts at any point, skips, repeat itself, goes backward, insists, ramifies in simultaneous and divergent messages, converges again, has moments of irritation, turns the page, finds its place, gets lost. A direction can be recognized in it, a route to an end, since it tends toward a climax, and with this end in view it arranges rhythmic phases, metrical scansions, recurrence of motives. But is the climax really the end? Or is the race toward that end opposed by another drive which works in the opposite direction, swimming against moments, recovering time?”
― If on a Winter's Night a Traveler
― If on a Winter's Night a Traveler
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