Nathan

“Everything depends on what is being enacted. Enactment itself, since it is almost synonymous with ceremony, is, as we have seen, part of the very fabric of our human life. We do enact things. We will enact things. No on can stop us from enacting things. The most gaunt anti-ceremonialist may refuse to take off his hat in a shrine, whereupon he has given the whole game away. He agrees with the priests at the shrine that hats on or hats off are significant, and to register his dissociation from their cult, he keeps his on. It is a ceremonial enactment of what he believes. A church wishes to stress the table aspect of the Eucharist, so it instructs its people to remain seated as they eat the bread and drink the cup. This is a ceremonial enactment of something important to them. They agree with the Christians who kneel that posture is immensely significant. The external act matters; stay seated.”
― Thomas Howard, Evangelical Is Not Enough: Worship of God in Liturgy and Sacrament

“And above all, what a strange attitude that actually is, when we no longer find Christian service worthwhile if the denarius of salvation may be obtained even without it! It seems as if we want to be rewarded, not just with our own salvation, but most especially with other people's damnation - just like the workers hired in the first hour. That is very human, but the Lord's parable is particularly meant to make us quite aware of how profoundly un-Christian it is at the same time. Anyone who looks on the loss of salvation for others as the condition, as it were, on which he serves Christ will in the end only be able to turn away grumbling, because THAT kind of reward is contrary to the loving-kindness of God.

-What It Means To Be A Christian”
― Joseph Ratzinger (Benedict XVI)

“I can hardly conceive of any educated man believing in God at all without believing that God contains in Himself every perfection including eternal joy; and does not require the solar system to entertain Him like a circus.”
― G.K. Chesterton, Saint Thomas Aquinas

“Whether it is Bach or Mozart that we hear in church, we have a sense in either case of what gloria Dei, the glory of God, means. The mystery of infinite beauty is there and enables us to experience the presence of God more truly and vividly than in many sermons. But there are already signs of danger to come. Subjective experience and passion are still held in check by the order of the musical universe, reflecting as it does the order of the divine creation itself. But there is already the threat of invasion by the virtuoso mentality, the vanity of technique, which is no longer the servant of the whole but wants to push itself to the fore. During the nineteenth century, the century of self-emancipating subjectivity, this led in many places to the obscuring of the sacred by the operatic. The dangers that had forced the Council of Trent to intervene were back again. In similar fashion, Pope Pius X tried to remove the operatic element from the liturgy and declared Gregorian chant and the great polyphony of the age of the Catholic Reformation (of which Palestrina was the outstanding representative) to be the standard for liturgical music. A clear distinction was made between liturgical music and religious music in general, just as visual art in the liturgy has to conform to different standards from those employed in religious art in general. Art in the liturgy has a very specific responsibility, and precisely as such does it serve as a wellspring of culture, which in the final analysis owes its existence to cult.”
― Pope Benedict XVI, The Spirit of the Liturgy