136 books
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43 voters
“Let us say plainly: the unredeemed state of the world consists precisely in the failure to understand the meaning of creation, in the failure to recognize truth; as a result, the rule of pragmatism is imposed, by which the strong arm of the powerful becomes the god of this world.”
― Jesus of Nazareth, Part Two: Holy Week: From the Entrance into Jerusalem to the Resurrection
― Jesus of Nazareth, Part Two: Holy Week: From the Entrance into Jerusalem to the Resurrection
“The moment of confession is not merely when one hears another pronounce the words: God forgives you, or 'in God's name I absolve you.' Rather it is that point at which the sinner unfeignedly experiences himself as truly judged and pardoned by God.”
― Corrective Love: The Power of Communion Discipline
― Corrective Love: The Power of Communion Discipline
“There is however, one reason why the arts so rarely accept a mission that IS within the power of the Church to alter. In the past, the densest or richest location of baptised art has been the Liturgy. The sacred use of the arts in the liturgical setting has provided inspiration for artists engaged in producing artworks for contexts outside the Liturgy, for consumption beyond the limits of the visible Church. In the modern West, the Muses have largely fled the liturgical amphitheatre, which instead is given over to banal language, poor quality popular music, and, in new and re-designed churches, a nugatory or sometimes totally absent visual art. This deprives the wider Christian mission of the arts of essential nourishment. Where would the poetry of Paul Claudel be without the Latin Liturgy? Or John Tavener's music without the Orthodox Liturgy? Where would be the entire tradition of representational art in the West without the liturgical art of which until the seventeenth century at least remained at its heart? We need today to summon back the Muses to the sacred foyer of the Church, to be at home again at that hearth.”
― Redeeming Beauty: Soundings in Sacral Aesthetics
― Redeeming Beauty: Soundings in Sacral Aesthetics
“What is truth? Pilate was not alone in dismissing this question as unanswerable and irrelevant for his purposes. Today too, in political argument and in discussion of the foundations of law, it is generally experienced as disturbing. Yet if man lives without truth, life passes him by; ultimately he surrenders the field to whoever is the stronger. "Redemption" in the fullest sense can only consist in the truth becoming recognizable. And it becomes recognizable when God becomes recognizable. He becomes recognizable in Jesus Christ. In Christ, God entered the world and set up the criterion of truth in the midst of history. Truth is outwardly powerless in the world, just as Christ is powerless by the world's standards: he has no legions; he is crucified. Yet in his very powerlessness, he is powerful: only thus, again and again, does truth become power.”
― Jesus of Nazareth, Part Two: Holy Week: From the Entrance into Jerusalem to the Resurrection
― Jesus of Nazareth, Part Two: Holy Week: From the Entrance into Jerusalem to the Resurrection
“Christ is, then, the perfect art work in the sense of that reality in whom is realised those goals that all artistic making has as its explicit or implicit ends. Because he is infinite meaning, life and being perfectly synthesised with finite form, the cave painters at Lascaux, or Hesiod penning his hymns, or Beethoven working on his last quartets, were all gesturing towards him though they realised it not.”
― Redeeming Beauty
― Redeeming Beauty
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