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“There were murmurs of a curse, of unholy magic. Whispers carried on the wind like seeds, germinating wherever they landed.
The witch still lived.”
― Rapunzel: A Fairy Tale Retelling
The witch still lived.”
― Rapunzel: A Fairy Tale Retelling
“Grace saw Susan’s restaurant meal as one consumed out of duty: a family brought together on the condition of convenience and ease; the time-frame predetermined by the restaurant’s hours or next bookings; the menu at someone else’s discretion, their tastes, their preferences. Not a beating heart anywhere, Grace thought. And no blue ribbon moments, except the opening a wallet.”
― Grace's Table
― Grace's Table
“The on-screen depiction of oral sex performed on women has consistently earned movies an NC-17 rating – Blue Valentine, Boys Don’t Cry, and Charlie Countryman are a few that come to mind. The same standard has certainly not been applied to on-screen blow jobs. I often think of 2013s Lovelace, a biopic about the star of the 1972 porn film Deep Throat. This was an entire movie dedicated to fellatio, and to extreme sexual violence, and even that was given a mild R. Sure, let the kids watch a porn star get repeatedly raped, but female desire? No, no, no.”
― Wordslut: A Feminist Guide to Taking Back the English Language
― Wordslut: A Feminist Guide to Taking Back the English Language
“White as snow, red as blood, black as ebony! And now dead as a doornail!”
― Philip Pullman's Grimm Tales
― Philip Pullman's Grimm Tales
“Overall it’s really clear that the way we talk about genitals is a super concentrated representation of how we thing about sex and gender,” he [Lal Zimman] tells me. “The research that people have done on heteronormative gender naming really shows that our worst cultural values are reflected in the ways we talk about genitals. Like penises are always weapons that exist for penetrating, sex is always violence, and women and vaginas are passive and absence, just a place to put a penis.”
― Wordslut: A Feminist Guide to Taking Back the English Language
― Wordslut: A Feminist Guide to Taking Back the English Language
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Adelaide’s 2025 Year in Books
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