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East of Eden
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C.L.R. James
“In a revolution, when the ceaseless slow accumulation of centuries bursts into volcanic eruption, the meteoric flares and flights above are a meaningless chaos and lend themselves to infinite caprice and romanticism unless the observer sees them always as projections of the sub-soil from which they came.”
C.L.R. James, The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution

Malcolm   Harris
“How can you know what you want or feel or think—who you are—if you don't know which way history's marionette strings are tugging? [...] People aren't puppets, and to pull a person is to create the conditions for rebellion. Maybe we're more like butterflies, pinned live and wriggling onto history's collage.

If, as I have been convinced, the point of life and the meaning of freedom is to make something with what the world makes of you, then it's necessary to locate those places where history reaches through your self and sticks you to the board.”
Malcolm Harris, Palo Alto: A History of California, Capitalism, and the World

Friedrich Nietzsche
“If the value of a drama lies merely in its final and main thought, then the drama itself would be a very long, crooked and laborious way to its goal; and so I hope that history may not see its significance in general thoughts as a kind of bloom and fruit: rather that its value is just this, to describe with insight a known, perhaps common theme, an everyday melody, to elevate it, raise to a comprehensive symbol and so let a whole world of depth of meaning, power and beauty be guessed in it.”
Friedrich Nietzsche, On the Advantage and Disadvantage of History for Life

James Salter
“He wants his children to have an old life and a new life, a life that is indivisible from all lives past, that grows from them, exceeds them, and another that is original, pure, free, that is beyond the prejudice which protects us, the habit which gives us shape. He wants them to know both degradation and sainthood, the one without humiliation, the other without ignorance.”
James Salter

Sarah Ruhl
“There are jokes about breast surgeons.
You know-- something like-- I've seen more breasts in this city than--
I don't know the punch line.
There must be a punch line.

I'm not a man who falls in love easily. I've been faithful to my
wife. We fell in love when we were twenty-two. We had plans. There
was justice in the world. There was justice in love. If a person was
good enough, an equally good person would fall in love with that
person. And then I met-- Ana. Justice had nothing to do with it.

There once was a very great American surgeon named Halsted. He was
married to a nurse. He loved her-- immeasurably. One day Halsted
noticed that his wife's hands were chapped and red when she came back
from surgery. And so he invented rubber gloves. For her. It is
one of the great love stories in medicine. The difference between
inspired medicine and uninspired medicine is love.

When I met Ana, I knew:
I loved her to the point of invention.”
Sarah Ruhl, The Clean House and Other Plays

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