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  • #1
    C.L.R. James
    “In a revolution, when the ceaseless slow accumulation of centuries bursts into volcanic eruption, the meteoric flares and flights above are a meaningless chaos and lend themselves to infinite caprice and romanticism unless the observer sees them always as projections of the sub-soil from which they came.”
    C.L.R. James, The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution

  • #2
    Thomas Bernhard
    “Art altogether is nothing but a survival skill, we should never lose sight of this fact, it is, time and again, just an attempt -- an attempt that seems touching even to our intellect -- to cope with this world and its revolting aspects, which, as we know, is invariably possible only by resorting to lies and falsehoods, to hyprocrisy and self-deception, Reger said. These pictures are full of lies and falsehoods and full of hypocrisy and self-deception, there is nothing else in them if we disregard their often inspired artistry. All these pictures, moreover, are an expression of man's absolute helplessness in coping with himself and with what surrounds him all his life. That is what all these pictures express, this helplessness which, on the one hand, embarasses the intellect and, on the other hand, bewilders the same intellect and moves it to tears, Reger said.”
    Thomas Bernhard, Old Masters: A Comedy

  • #3
    James Salter
    “He wants his children to have an old life and a new life, a life that is indivisible from all lives past, that grows from them, exceeds them, and another that is original, pure, free, that is beyond the prejudice which protects us, the habit which gives us shape. He wants them to know both degradation and sainthood, the one without humiliation, the other without ignorance.”
    James Salter

  • #4
    Sarah Ruhl
    “There are jokes about breast surgeons.
    You know-- something like-- I've seen more breasts in this city than--
    I don't know the punch line.
    There must be a punch line.

    I'm not a man who falls in love easily. I've been faithful to my
    wife. We fell in love when we were twenty-two. We had plans. There
    was justice in the world. There was justice in love. If a person was
    good enough, an equally good person would fall in love with that
    person. And then I met-- Ana. Justice had nothing to do with it.

    There once was a very great American surgeon named Halsted. He was
    married to a nurse. He loved her-- immeasurably. One day Halsted
    noticed that his wife's hands were chapped and red when she came back
    from surgery. And so he invented rubber gloves. For her. It is
    one of the great love stories in medicine. The difference between
    inspired medicine and uninspired medicine is love.

    When I met Ana, I knew:
    I loved her to the point of invention.”
    Sarah Ruhl, The Clean House and Other Plays

  • #5
    Virginia Woolf
    “for it was not knowledge but unity that she desired, not inscriptions on tablets, nothing that could be written in any language known to men, but intimacy itself, which is knowledge”
    Virginia Woolf, To the Lighthouse

  • #6
    Malcolm   Harris
    “How can you know what you want or feel or think—who you are—if you don't know which way history's marionette strings are tugging? [...] People aren't puppets, and to pull a person is to create the conditions for rebellion. Maybe we're more like butterflies, pinned live and wriggling onto history's collage.

    If, as I have been convinced, the point of life and the meaning of freedom is to make something with what the world makes of you, then it's necessary to locate those places where history reaches through your self and sticks you to the board.”
    Malcolm Harris, Palo Alto: A History of California, Capitalism, and the World

  • #7
    Friedrich Nietzsche
    “If the value of a drama lies merely in its final and main thought, then the drama itself would be a very long, crooked and laborious way to its goal; and so I hope that history may not see its significance in general thoughts as a kind of bloom and fruit: rather that its value is just this, to describe with insight a known, perhaps common theme, an everyday melody, to elevate it, raise to a comprehensive symbol and so let a whole world of depth of meaning, power and beauty be guessed in it.”
    Friedrich Nietzsche, On the Advantage and Disadvantage of History for Life



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