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The Beauty of the...
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This Is How You L...
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by Amal El-Mohtar (Goodreads Author)
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Alcestis/Hippolyt...
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Danilo Kiš
“I assigned myself the role of Lot’s wife, because her behavior seemed the most human, the most sinful, and therefore closest to mine. Consumed by curiosity, I was drawn to the magnificent, horrible sight of fire and disaster as houses collapsed and towers folded like dominoes amidst human wailing that rose to the sky. My curiosity, brought to an explosive point by the divine warning, was suddenly transformed into my sole trait, overwhelming reason and the feeling of fear, turning me into a weakling of a woman, unable to resist my inquisitiveness, and I would turn around abruptly with my whole body as if rotated by the centrifugal force of my curiosity, which had passed through me like a sword.”
Danilo Kiš, Garden, Ashes

Brian Eno
“Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.”
Brian Eno, A Year With Swollen Appendices

Arundhati Roy
“The way her body existed only where he touched her. The rest of her was smoke.”
Arundhati Roy, The God of Small Things

Danilo Kiš
“I would have liked to catch hold of sleep at least once, just as I had been resolved to catch hold of death one day, to catch hold of the wings of the angel of sleep when it came for me, to grab it with two fingers like a butterfly after sneaking up on it from behind. [...] My sleep game was practice for the grand struggle with death.”
Danilo Kiš, Garden, Ashes

Arundhati Roy
“When she looked at herself in her wedding photographs, Ammu felt the woman that looked back at her was someone else. A foolish jewelled bride. Her silk sunset-coloured sari shot with gold. Rings on every finger. White dots of sandalwood paste over her arched eye-brows. Looking at herself like this, Ammu's soft mouth would twist into a small, bitter smile at the memory - not of the wedding itself so much as the fact that she had permitted herself to be so painstakingly decorated before being led to the gallows. It seemed so absurd. So futile.
Like polishing firewood.”
Arundhati Roy, The God of Small Things

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