Ja Weigart

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Catherine Marshall
“I might have felt unimportant pitted against the awesome might of the mountains. I did not. Rather, on that mountain top I found something important that I had never known before: an awareness of a vital connection between me and the Authority behind all this beauty. I remembered my conversation with Dr. MacNeill that afternoon in my schoolroom. He had said that he believed in some “starter-force” but that he could not credit a loving God with concern for individuals. But the “starter-force” behind the magnificence displayed before my wondering eyes had an authority behind it that could be no abstraction, for it had immediacy—known and felt. Now I knew how to answer the doctor’s question. Call this what you might—“starter-force,” “God,” “Father”—it was personal all right. It thrust deep into me. It pulled. And it insisted that life was precious—all of life—Fairlight and I, and every bird and every squirrel and every tree reaching through its forest cover for the light. It cried that all effort was worthwhile; that doubt and fear and discouragement were a desecration of beauty, that hope was always right. It insisted that small achievement was not enough; that hopes and dreams must be large enough to stand up beside those soaring summits and not once bow their heads in shame.”
Catherine Marshall, Christy

Émile Zola
“Ne dis pas ces choses, répétait-elle, car je n'aurais plus la force de te quitter, je resterais là... Donne moi du courage plutôt; dis-moi que nous nous verrons encore...”
Émile Zola

Diane Merrill Wigginton
“Let me ask you another question, if I may,” Jake says. “Have you ever been in love?”

“Yes. Sure, I have,” she answered defensively.

“No. I mean really in love. The kind of love that makes you abandon all reason and throw caution to the wind. The kind of love that makes you trade logic for passion?”
Diane Merrill Wigginton, A Compromising Position

Sara Pascoe
“I have decided it's my mind that's woman. It's my narrator. It's my relationship to myself, and oddly, nothing at all to do with my body.”
Sara Pascoe

Max Nowaz
“Where’s my uncle?” she asked.
“I don’t know who your uncle is, but if it as the guy who owned this place before I bought it, then he’s pushing up daisies.”
“But it can’t be, he’s still young.”
Max Nowaz, The Three Witches and the Master

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