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What do you as a reader, feel like you get out of reading a mystery , crime, or thriller book?
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Theresa
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Dec 27, 2012 10:20PM

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I like the thrill of trying to figure out the killers or what it is they have in mind to do next. I prefer less predictable books because of this.


The psychology aspect to me is fascinating. I like whodunnits too, but finding out why they did it is so much more interesting to me. It's why I went into psychology in the first place, and also why I then started writing fiction!


With mysteries, I'm a very curious being. I love solving puzzles, I love knowing things, so it's cool to read this genre because I know there will be something I have to solve before the story ends. If it's a murder mystery, then I'm guessing the culprit within the first sentence :)



http://sanchitasarkar.wordpress.com/2...




I think that makes a lot of sense. As I mentioned earlier in the thread, I find the psychological aspect of crime thrillers fascinating. Like you said, it's a way of seeing people at their worst and trying to understand what makes them do the things that they do.
So your comment makes a lot of sense to me!
My expectations from mysteries are as diverse as the tangled web of stories that are written under the magnifying glass of crime today!
My concept of a neat ending flies out the window when I'm trying to decipher a thriller as opposed to a classic Agatha Christie novel.
What they share is the aspect of closure, the understanding of characters, and the motivation behind the crime.
I think mysteries offer readers a chance to explore complicated situations and problems outside the comfort zone of daily existence (many of which we would never feel as comfortable with should we have the misfortune to be intimately involved in a crime).
And of course we can always feel better (or worse) for guessing who actually committed the crime, and experience through words, a glimpse into the world of mystery and detection.
My concept of a neat ending flies out the window when I'm trying to decipher a thriller as opposed to a classic Agatha Christie novel.
What they share is the aspect of closure, the understanding of characters, and the motivation behind the crime.
I think mysteries offer readers a chance to explore complicated situations and problems outside the comfort zone of daily existence (many of which we would never feel as comfortable with should we have the misfortune to be intimately involved in a crime).
And of course we can always feel better (or worse) for guessing who actually committed the crime, and experience through words, a glimpse into the world of mystery and detection.

And just to add to the topic. I just came across this article on the web. And it's fantastic.
http://redpenofdoom.com/2012/04/18/wh...
http://redpenofdoom.com/2012/04/18/wh...




http://redpenofdoom.com/2012/04/18/wh..."
Thanks for this link. I read dozens of thrillers for every romance and I'm a woman, but I love his take on why they're both not just fun but well worth reading.


I agree Sandi. I love being totally immersed in a good plot. I have nothing against 'happy endings' as such, but much prefer a surprising twist. Book plots, like life, i feel, should never be too predictable.
Janis wrote: "Thanks for this link. I read dozens of thrillers for every romance and I'm a woman, but I love his take on why they're both not just fun but well worth reading.
http://redpenofdoom.com/2012/04/18/wh......"
Autumn wrote: "Great article! But, I happen to be a girl who loves a good thriller, and am just now brushing up on the romance books. ;)"
You're welcome Autumn and Janis. Actually I just came across a youtube video recently that was great. Unfortunately, I cannot find it again. When I do, I'll post the link here.
http://redpenofdoom.com/2012/04/18/wh......"
Autumn wrote: "Great article! But, I happen to be a girl who loves a good thriller, and am just now brushing up on the romance books. ;)"
You're welcome Autumn and Janis. Actually I just came across a youtube video recently that was great. Unfortunately, I cannot find it again. When I do, I'll post the link here.



I recommend finding a copy of Raymond Chandler's essay 'The Simple Art of Murder'. Oh, hell. Here's a link:
http://www.en.utexas.edu/amlit/amlitp...
In it he kind of puts down the 'cozy' English version, opting instead for the uncommon things occurring in commonplaces environs that aren't what they seem on the surface. Anyone who enjoys a mystery will get something from the essay.
I'm a big Chandler fan and have tried to capture the spirit of the master in my book 'Deadly Talley'. Not trying to plug it but if you must, have at it.

I used to think everyone experienced reading as i do. Reading a thriller is like watching a movie in my head, rich in colour & detail. When other people have told me over the years they don't experience reading in this visual way, i feel sorry for them & feel so grateful that whatever lottery i won at birth has left me so richly rewarded.

1. Something that at least for a few minutes lets me forget about [my] "real life", and
2. A good example of how to pull off a thriller effectively that will inspire me to do likewise in my writing.
Or to put it another way, I read to enjoy and to learn about writing.

Fantastic observation, Ken. And I must agree that too much detracts from the story.
I like to learn something as well, but I primarily read mysteries for the challenge of beating the author to the answer. Since the author is usually writing from the protagonist's perspective, I prefer that he or she allow me to see all of the clues available to the protagonist. If I feel like the author has withheld a lynchpin clue just to keep the reader from guessing the answer too early, I'm not likely to pick up another of his or her books.
James wrote: "Ken wrote: "When you mention writers that educate like Robin Cook or Tony Hillerman, the education is often used as sleight of hand or distraction. A mental 'ignore the man behind the curtain if yo..."
I've found that truly good authors will make it possible little by little for his/her readers to work through what makes people tick. Not just the bad guys, either. The edgier the story and the characters, the more satisfaction I get out of reading a novel. And I also look to see how time, place, and sociocultural issues add to the characters' actions or beliefs.
I've found that truly good authors will make it possible little by little for his/her readers to work through what makes people tick. Not just the bad guys, either. The edgier the story and the characters, the more satisfaction I get out of reading a novel. And I also look to see how time, place, and sociocultural issues add to the characters' actions or beliefs.

Well said. The search for that kind of writing stretches across all the fiction genres that I enjoy, though I think I pay more attention to it in thrillers. I can't stand cardboard cutouts. The Tenth Circle is a great example of an author delving deep into the bad guy's psyche as the book plays out. Jon Land is also great at including subtle details of conversation and action that give clues to the individual without beating the reader over the head with it.

And I agree that to achieve this effect is VERY difficult for a writer.



Paul wrote: "Ken wrote: "Executive summary: I'll take character over faultless logic and airtight detection."
I resonate with this. Puzzles and logic problems are fun but they aren't why I read mysteries. The ..."
Oh - I feel that all good writing addresses human struggles and desires - it doesn't have to be just crime fiction!
I resonate with this. Puzzles and logic problems are fun but they aren't why I read mysteries. The ..."
Oh - I feel that all good writing addresses human struggles and desires - it doesn't have to be just crime fiction!
Books mentioned in this topic
The Tenth Circle (other topics)The Rhetoric of Death (other topics)
Murder in the Sentier (other topics)
A Death in Vienna (other topics)
Vienna Blood (other topics)
More...
Authors mentioned in this topic
Michael Robotham (other topics)Tana French (other topics)
Dennis Lehane (other topics)
Ken Lang (other topics)
Val McDermid (other topics)