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What I'm Reading - February 2012
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Lynn
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Feb 04, 2012 07:39PM

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I'm a famous physician. Oh dear, I h..."
Love the review, Ruth :)
I guess I should not put everything aside and start reading it immediately, right?

3.5***
In an unnamed Balkan country, a young woman tries to find answers to her grandfather’s death. She knew he was ill, but not why he was in a small town far from home when he died. As she searches for answers she recalls stories he had told her over the years of his own youth, and of the tiger’s wife.
When I was a little girl I was frequently mesmerized by the stories my grandmother and her cousin Maria would tell about our family history. They were full of interesting people, foreign (to me) locations and unexplainable magic. Some of these stories were cautionary tales, meant to teach me important lessons. All were told as factual recollections. This book reminded me of those stories, and I think it is what attracts me to magical realism in literature.
Olbreht’s writing is beautifully evocative. I can feel the bitter winds, relish the warmth of a fire, smell the musky scent of the tiger, and taste the bile of fear. If I have a complaint about the book it was that the constant jumping around in time and place made me lose focus. I appreciate that it made the book read much more like the oral traditional stories I heard as a child, but as an adult reader I would be frustrated when I was caught up in one story only to be yanked back (or forward) to a different tale. As a result I was captivated by certain sections, but not by the book as a whole.




Many thanks!

I had planned to be hip-deep in Gone With the Wind by now, but my name came up on the waiting list for Stephen King's 11 22 63 and down the rabbit hole I went. Dude can write, no question, but sometimes I do wish he would just get on with it, already.


I also want to watch the "Judith Hearne" movie with the incomparable Maggie Smith.

Brian Moore is kind of a funny (not ha-ha) author, I find. I thought
The Lonely Passion of Judith Hearne was good, and I've enjoyed some of his others, but he's rather uneven.
I FINALLY finished A Wild Sheep Chase, God knows what it was about. Continuing with The Chateau and about to begin The Friends of Meager Fortune.


I kept thinking, 'if I were Japanese, this would probably be very deep and meaningful.' I have some
random notes that I didn't even try to put into a review - 'Part heroic quest, part dream quest. Beautiful imagery. Emotionally disconnected hero.'
Maybe one of our fellow readers will spin some meaning
for us out of this loose wool.

I kept thinking, 'if I were Japanese, this would probably be very deep and meaningful.' I have some
random notes th..."
I was very frustrated by the latter half of A Wild Sheep Chase, but years later I learned that it was part of a series of books with the Rat character in it. The story (or st least the quest of the main character) actually continues (and ends) in Dance Dance Dance, which is a much more satisfying novel itself, though you may not wish to give Murakami another chance anytime soon.



Thank you for your take on Brian Moore, Kat.


In this case Wikipedia was wrong. Though never published in America, the novellas Hear the Wind Sing and Pinball, 1973 were translated and published. Geeky fan that I am, I ordered copies of both online. They actually have distinct charms of their own.

Ah, then I'll add Dance, Dance, Dance to my reading list. Thanks!



That book was one of my favorites of 2011 (and I came so close to rejecting it on the bookshelves because I did not think I would like a baseball novel--oh was I wrong).

Thanks, John. It sounds right down my reading alley.

Thank you, Sarah.



I am currently about 2/3 of the way thru Fahrenheit 451 and I've just started Blood Bond


I read 1Q84 a few months ago, how did you find it? :) "bogged" just might be the right word.

I LOVE that book, Kitty!
I'm reading The Moviegoer.

I read 1Q84 a few months ago, how did you find it? :) "bogged" just ..."
I liked it but probably not as good as I expected. It was sooooo long and over detailed to the point that it was a bit distracting from the story. I thought I would never get it finished.

3***
A semi-autobiographical novel of a young girl’s journey from Hong Kong to New York with her mother, and their pursuit of the American dream.
Eleven-year-old Ah-Kim Chang and her mother arrive in Brooklyn in late autumn from Hong Kong. They’ve been sponsored by her mother’s older sister, Aunt Paula, and her husband, Uncle Bob. The original promise is a job for Kimberly’s mother as a nanny to Paula’s two boys, Nelson and Godfrey, and living in the family’s house on Staten Island. But after a week Aunt Paula says that she really needs her sister to help out at the factory, and moves them to an inexpensive apartment in a building owned by her father-in-law. The apartment is lacking windows in the rear, is without any heat, and infested with roaches, mice and rats. Paula does, at least, give them an alternate address to use so that, she explains, Kimberly can attend a better school (but really so that Paula can control their mail and authorities won’t know they are living in an uninhabitable and condemned building). Ma’s job at the factory is piece work and she quickly discovers that the only way to make deadline is for Kim to come to the factory after school and help. Sometimes they do not finish until after midnight. But Kim and her mother pursue their dream – they know that the key is a good education for Kim and she puts all her energy into this.
I was completely caught up in this story at the outset. Kwok uses “phonetic” spellings to highlight Kim’s difficulties with immersion English and how she had to struggle to understand the most basic instructions from her teacher. This was effective at first, but I got tired of it over time. The same was true with her use of Chinese sayings and then “translating” them for the American reader. For Example “Aunt Paula … said, ‘Your hearts have no roots.’ She meant we were ungrateful.”
My main complaint is my disappointment with the last third of the book, especially the epilogue. I was quite engaged in the tale and was telling friends about it and then …. Well, it seems that Kwok ran out of story and the plot descended into a sort of romantic chick lit soap opera. The ending was rather abrupt, followed by an epilogue that one very serious flaw – the time span didn’t add up. Still, I think it was a good effort for a debut novel. I was pulled into the story and interested in the characters. I liked the way Kimberly matured and the strong relationship between mother and daughter.

I'm a fan of THE COOKBOOK COLLECTOR too. I also liked Goodman's INTUITION, which is about integrity or lack thereof among research scientists. The books are quite unalike, but both good.
I am enjoying THE BROTHERS K, which I discovered thanks to this thread. So far, so good. I needed something that could make me smile.

Book on CD performed by Kirsten Potter
4****
The Andreas sisters have a father who is a famous Shakespeare scholar, and so, they are named for great Shakespearean women – Rosalind (called Rose), Bianca (Bean), and Cordelia (Cordy). They’ve grown up in a rather insular college town, where life revolves around the college schedule and everyone knows them as their father’s daughters. And they have always felt that they had a lot to live up to – their parents’ expectations, of course, but also the burden of the great women characters for whom they were named, and their feeling that everyone expects “great things” from each of them. Now they are adults, all back in town to help their mother as she deals with breast cancer. Life has buffeted the sisters and things haven’t turned out quite as they expected, but they seem to cling to the roles they’ve always played and that they feel define them, and this sets up the central tension of the novel.
Brown explores issues of communication, of sibling rivalry, of the dichotomy of seeking independence and yet shouldering responsibility. The sisters have some hard lessons to learn before they can move beyond their disappointments and setbacks, and face the future as true adults.
I really enjoyed this novel. I loved the exploration of family dynamic, was engaged in the story, liked that there was no “magic fix” to their self-created problems. Potter’s performance is just about perfect; giving clear voice to the many characters (I particularly like how she voiced the father and Cordy). I would definitely read another book by Brown, and listen to another audio performed by Potter.



I also just reread Kate Chopin's The Awakening.

I read that when it first came out, and remember it as being a tough read.

I found this book an entertaining read, But about halfway through way through it seemed to me it was just spinning its wheels. Round and round it went, dropping names, cycling us through all the things a with-it young woman could possibly do in the New York world and time she moved in, all the stuff of magazines and romances. I was further bothered that we meet the heroine, Katy Kontent (accent on the last syllable, please) sprung full grown from the brow of Zeus. Almost no back story to help us understand why she is the way she is. She comes out of Brighton Beach Russia. What was her name before that obviously phony one? How come she knows so much about good literature? A pretty good read, but it left me unsatisfied.
Just started State of Wonder.


I LOVE that book, Kitty!
I'm reading The Moviegoer."
How is The Ghostwriter as a book? I'm assuming this is the original of Roman Polanski's really good movie?

I LOVE that book, Kitty!
I'm reading The Moviegoer."
How is The Ghostwriter as a book? I'm assuming th..."
I don't know but the writing is very good. I like the transition from real to fiction. Narrator I haven't figured out quite yet , but I have ideas. It is worth reading I think.
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