A Visit from the Goon Squad
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Chapter 5: "You (Plural)"
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" Nice to be. With you girls", he says fighting to breathe.
Clutching our hands, as if we might flee. But we don't. We look at the pool and we listen to the birds.
"Another minute," he says. "Thank you girls. One more. Like this."

Do I think he gets one is different. And too religion/faith-based for me to answer. (Because I'm scared that no one gets redemption.)
Do I think he's "paid" for his mistakes? I think he does pay his dues, in the form of his son's suicide. Although of course, his son paid the majority of those dues.
This was the most painful chapter of the book for me. Her never-ceasing struggle to stay afloat.

What I was really intrigued by in this chapter was the relationship with Rolph and Jocelyn- you kept getting glimpses of it, but not enough to satisfy the curiosity.




What am I missing here? Why are people enjoying this book? I feel like Maureen Stapleton in Woody Allen's movie "Interiors". These are not flawed human beings. They are assholes who cause real harm. Why do you care about them?

COuld Egan have been working in the shadows of things and that the reality was supernatural in a way. Not that it did not happen, but that there were so many ghosts in this chapter that it could not be told in a regular detailed way.

What am I missing here? Why are people enjoying this book? I feel like Maureen Stapl..."
Because we are all assholes in our own ways and just because they seem bigger in the asshole department does not mean that we can't relate to their perversions.





What am I missing here? Why are people enjoying this book? I feel like Maureen Stapl..."
Aren't assholes who cause real harm flawed human beings? I never thought there was a difference between the two, only a difference in the ways we are flawed.

I love Rolph, and i'm devestated by this aspect of the story. Its so interesting that this child who had such life in the previous chapter has such a tragic end. Like other readers, I want to know more about what happened with him and Jocelyn.
I can't stop reading because i feel like with all these story lines you never know what is coming next, who you're going to meet, or how they are going impact this 5 degrees of separation we're seeing in this novel.

I was interested in their relationship too. I was sad when I found out Rolph killed himself.



Reading this chapter made me feel annoyed with Jocelyn. The way she described things, I felt like she was saying she had no idea how her life ended up the way it was, asking rhetorical questions like "How did you get so old". To me that is a stupid question asked by a stupid person. I guess the realness factor of the chapter was good, b/c there really are people in this world like Jocelyn but that doesn't stop me from hating her inability to reflect on her life. What a friggin' idiot.
However, I was not surprised to see Rhea turn out to be a grounded mother of three. In the earlier chapter, when they are teens, all lusting after each other and Rhea was feeling left out, I could see in her the type of girl who is there to have fun but knows what counts deep down. She was the one going through a phase, but Jocelyn was the really screwed up one. But when they were teens, it appeared to be the other way around.

His comment about Rhea's daughter just shows how, in spite of his age and infirmity, he really has not changed and thus has not really achieved redemption.
I am really fascinated by this story. I may not love all the characters but I don't think that is the author's intention. These are very flawed yet very human players ... and, as I see it, perhaps the idea is to look at the lives of these imperfect, sometimes downright despicable, individuals and then look at ourselves, evaluate our own faults and then figure out how to go ahead and improve our own lots in life.

I think you're right on here. A frequent refrain in the comments is that people don't like the characters. My question is whether that's important or not? Do you have to like the characters to enjoy a novel? I don't think I need to, but I know other people feel differently. What do you all think?



Anyway, just wanted to say I loved the little flashback about Rolph and Jocelyn lying on the roof of Lou's house waiting for the sun to come up (back when sunlight didn't 'hurt' Jocelyn yet). Just like in Safari, Egan displays an ability to evoke strong emotions with these small jumps in time, either back or forward.

Lindsay, I am curious about how old you are. I'm 52 and nothing like Jocelyn, but I also have moments when I stop and wonder how my life got away from me, where did it go. People I haven't seen in a while look the same in my mind as the last time I saw them. And I often don't realize how old I've gotten :~)
I think Jocelyn lost so much of herself in her excesses that she really doesn't know how her life became such a mess. I was glad she had her time with Rolph. Rhea seems like a lot of us who so desperately wanted to fit in, and it's not until we're older that we start to feel comfortable in our own skin. Then there's Lou - what a slimeball. I feel no pity for him at all. I agree with Patrick and others who think we don't have to like the characters to enjoy the story. Thank goodness or there are many books I might have not finished, or missed.
I'm not sure about Sasha and Benny yet. Still getting a feel for them, the more I learn, the clearer they become.

I don't even necessarily look for characters I "like" in a story. I'm very interested in getting to know people -- what makes them tick, their quirks, their perspectives in life, their philosophies and their developments. Likability isn't so much a factor for me as much as understanding their thought processes behind their actions.


I do not like Lou- not one bit- in fact I hope he dies soon and gets out of this story. Funny in the chapter with Rhea speaking I liked her and did not like Jocelyn. But in this chapter I did not really like Rhea and did get Jocelyn. It is a matter of point of view.




Patrick wrote: "Mimi wrote: "I am really fascinated by this story. I may not love all the characters but I don't think that is the author's intention. These are very flawed yet very human players ... and, as I see..."

I'm young and don't ponder the passage of time, but I feel that after this chapter I have to. I have to ask those questions Jocelyn had for Lou or else I will be stuck with unsatisfactory answers. I feel if I ask myself these now I still have time to maniputlate the outcome to something I can truly live with.
I still feel more of a connection with Rhea because I can still see myself having her life. I do not want Jocelyn's life and I see many of my friends from high school going towards this direction. As for Lou I feel pity for him and can't stand that. Pity is one of the worst feelings in my mind, I would rather hate him than feel bad for him because it makes me feel like I am better than him. I may not do the same things as he does, but I still make mistakes and don't want people to pity me so I shouldn't pity him.
The comment about Rhea's daughter made me laugh actually. I feel that if he didn't make it, it would seem to morbid. His comment helped lighten up the mood for Rhea and Jocelyn and they needed that. I think he did it so that when they remember him they don't remember the shell he was on his deathbed, but the man filled to the brim with life dispite the fact that he was also a disgusting pig.

No sympathy for either Lou or Jocelyn. Lou is a creep, sleeping with a girl not only under aged but young enough to be his own kid. Karma.
Jocelyn crying over spilled milk. It was her own life choices that has gotten here where she is. She had the same twenty years as Rhea, it's not like she was in a coma for those years.


I absolutely love Egan's descriptions - she paints with such visually detailed pictures. And how she moves us through time to see past, present and future with such ease. For some reason, in a few movies, this confuses me, but not in this book. Excellent technique.
No, I don't need to like the characters I'm reading about but I do need to care about them and what happens. Plus, the curiosity factor - LOL, as mentioned in an earlier chapter comment by a witty reader :) - "structural curiosity".

jocelynn will be fine, now that she's seen lou. you can tell it was touch and go before that...i like that she looks at lou and realizes that she let this weak man affect her so much and for no reason.
i like that rhea is a mom and a good one living a normal life in seattle...this would seem like failure to lou but you can tell that he is in awe of her and has always been.
i like that jocelynn recognizes that rhea was really only 'pretending'.
in the end everyone heals...maybe even lou...a little.

What am I missing here? Why are people enjoying this book? I feel like Maureen Stapl..."
It's the same concept as to why people find your comment entertaining. It's because your an asshole and people enjoy conflict.
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"We stand there, quiet. My questions all seem wrong: How did you get so old? Was it all at once, in a day, or did you peter out bit by bit? When did you stop having parties? Did everyone else get old too, or was it just you? Are other people still here, hiding in the palm trees or holding their breath underwater? When did you last swim your laps? Do your bones hurt? Did you know this was coming and hide that you knew, or did it ambush you from behind?"
I'm curious how readers feel about Lou Kline. Do you think he has a kind of redemption? Or maybe you felt he never needed one?