Q&A with Josh Lanyon discussion
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What else are you reading? (June 2010 - May 2013) *closed*
Reading from the perspective of different authors and their characters in a romance, because it is about people relating to each other, has changed my world view in many ways. I like that about romance. And the happily ever afters. ;-)
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There are some people who just can't read fiction. They can't tolerate "make believe," and while I can't relate to that, I do understand how that kind of brain works.
But the snooty attitude regarding one genre versus another...that's just silly. My made up is better than your made up because my made up is about ancient Greeks or spies or prehistoric people and yours is about murder or space ships or people falling in love.
I know the Martians are having a good laugh at us.
"
There are some people who just can't read fiction. They can't tolerate "make believe," and while I can't relate to that, I do understand how that kind of brain works.
But the snooty attitude regarding one genre versus another...that's just silly. My made up is better than your made up because my made up is about ancient Greeks or spies or prehistoric people and yours is about murder or space ships or people falling in love.
I know the Martians are having a good laugh at us.

I was so disappointed with that article and the subsequent fall-out. It was an opportunity to dip a journalistic toe into a rapidly growing, fascinating industry and community, but it was lost to a mish-mash of other, more deliberately-provocative agenda.
To me, reading and loving fiction is all about the "I don't know (or care) what it's called, but I know what I like" attitude :).

Well said. There have been interesting articles since the "Out" article melodrama that hint at the "romance" tag being a major problem to m/m romance being respected in some people's minds, not just the "m/m" hook.
Will that always be the case? As you say, romance and relationships are integral to everyone, in all walks of life. And so much of the fiction is more than just entertainment, it's excellent quality and also adds value to our perception of life and our attitudes to fellow people. Yet it's still not respected as much as other genres.
And of course, I still hammer on about the unfairness of the "m/m" tag being first on anyone's listing. I still think fiction should be presented as e.g. romance / SF / fantasy / crime etc, and *then* m/m. Putting everything in m/m together means that people *do* think it's all from the same stable as the high-volume erotic romance thread.

Amen.
If one more person tells me I'm "too smart" to write romance, I'm going to slap them silly. I'm proud to be a romance writer. I've worked long and hard to become one. To me, nothing could be more fascinating than exploring character and relationships, the little quirks that make us tick, what pulls us together & drives us apart.
I read other genres, but AFAIC, any book that doesn't at least have a romantic element in it is disingenuous. The real world operates with a steady dose of lust and love in it. I think our storyworlds should reflect that. Books that don't often feel sterile and cold to me.
Could be I'm biased, tho. ;-)
And of course, I still hammer on about the unfairness of the "m/m" tag being first on anyone's listing. I still think fiction should be presented as e.g. romance / SF / fantasy / crime etc, and *then* m/m. Putting everything in m/m together means that people *do* think it's all from the same stable as the high-volume erotic romance thread
Clare, I differ with you -- and some of our other m/m writing colleagues -- on this one. In my opinion, m/m is a romantic subgenre of GLBT fiction. All m/m is gay fiction but not all gay fiction is m/m, if you see what I mean.
M/M is ALWAYS romantic. It is NOT always erotic. There is where the confusion lies. And I think some of it comes from romance publishers themselves who tag all m/m as erotic in a hope of boosting sales. As those of us who write in the genre know, some m/m can be sweet romance. It needn't always have a erotic element.
So what would be different between m/m romance and just a simple gay romance? Those of us who typically kick butt in this genre would describe it as a sensibility, an approach to the storytelling that is generally pretty different from standard gay romance. And part of that difference is that m/m is designed to appeal to romance readers -- meaning readers specifically looking for a romantic story to read.
Gay porn is not m/m -- as most m/m fans will make clear. The emotional content, the story focus, and the language and descriptives -- the sensibility -- is simply not there.
The story can be an adventure story or a mystery or a historical high seas drama, but the main thing going on is going to be the relationship between these two guys (whether it ends happily or not). And the focus and approach to analyzing and detailing that relationship is going to be different than say...Edmund White or Andrew Holleran.
So in my opinion, M/M should always come first in the descriptive of a title. This is the first thing a reader of m/m wishes to know (and the first thing someone who dislikes m/m needs to know).
M/M = romance in the perception of most readers and most publishers. If the story contains gay characters but no romance, then it is simply gay fiction and falls into whatever other sub-genre it fits.
Clare, I differ with you -- and some of our other m/m writing colleagues -- on this one. In my opinion, m/m is a romantic subgenre of GLBT fiction. All m/m is gay fiction but not all gay fiction is m/m, if you see what I mean.
M/M is ALWAYS romantic. It is NOT always erotic. There is where the confusion lies. And I think some of it comes from romance publishers themselves who tag all m/m as erotic in a hope of boosting sales. As those of us who write in the genre know, some m/m can be sweet romance. It needn't always have a erotic element.
So what would be different between m/m romance and just a simple gay romance? Those of us who typically kick butt in this genre would describe it as a sensibility, an approach to the storytelling that is generally pretty different from standard gay romance. And part of that difference is that m/m is designed to appeal to romance readers -- meaning readers specifically looking for a romantic story to read.
Gay porn is not m/m -- as most m/m fans will make clear. The emotional content, the story focus, and the language and descriptives -- the sensibility -- is simply not there.
The story can be an adventure story or a mystery or a historical high seas drama, but the main thing going on is going to be the relationship between these two guys (whether it ends happily or not). And the focus and approach to analyzing and detailing that relationship is going to be different than say...Edmund White or Andrew Holleran.
So in my opinion, M/M should always come first in the descriptive of a title. This is the first thing a reader of m/m wishes to know (and the first thing someone who dislikes m/m needs to know).
M/M = romance in the perception of most readers and most publishers. If the story contains gay characters but no romance, then it is simply gay fiction and falls into whatever other sub-genre it fits.

And yes, I also believe that M/M has become synonymous with erotic. I write them myself so I'm trying not to be hypocritical. But I write them by choice, not because it's the only option open to me. I wonder if the balance will change over time and after more familiarity with M/M, or whether that's just human nature?!
I'm publishing a short at Amber next month that is pure romance, very understated, no explicit sexual action - and a large dose of humour to boot :). I expect to be disappointed with the sales compared to erotic titles - but it was great fun to write!
And yes, I also believe that M/M has become synonymous with erotic. I write them myself so I'm trying not to be hypocritical. But I write them by choice, not because it's the only option open to me. I wonder if the balance will change over time and after more familiarity with M/M, or whether that's just human nature?!
I think a number of m/m writers hope that by distancing themselves from the m/m appellation, they'll gain greater acceptance from the guardians of the gates of GLBT letters. Not going to happen. Regardless of what you call it, if you're writing romance -- especially erotic romance -- you've got to accept that it's a genre that makes a lot of people uncomfortable.
Not because it's sexy (although that does certainly make some people uncomfortable) but because it's emotional.
We're not that comfortable with emotions in our society. We're taught that it's good manners to rein it in. Men don't cry. But women aren't allowed to cry either except in certain proscribed circumstances. And romance is all about emotions. It's essentially an analysis and detailing of emotions. And we tend to think that those who spend that much time giving vent to emotion or focusing on something as "trivial" as romance are sort of sophmoric.
(And, in fairness, some of the m/m stories I've read are painfully sophmoric, but there's also a lot of terrific, powerful, realistic stuff here.)
So I think that focus does make those who don't enjoy that analysis uncomfortable. They get snooty about it. Oh you write romance -- as though you just confessed to not finishing third grade.
I'm publishing a short at Amber next month that is pure romance, very understated, no explicit sexual action - and a large dose of humour to boot :). I expect to be disappointed with the sales compared to erotic titles - but it was great fun to write!
You might be surprised. Yes, there is a certain crowd of m/m readers who are bitterly disappointed if they don't get their mandatory sex scene, but the far larger crowd is actually into the story and emotional content.
I think a number of m/m writers hope that by distancing themselves from the m/m appellation, they'll gain greater acceptance from the guardians of the gates of GLBT letters. Not going to happen. Regardless of what you call it, if you're writing romance -- especially erotic romance -- you've got to accept that it's a genre that makes a lot of people uncomfortable.
Not because it's sexy (although that does certainly make some people uncomfortable) but because it's emotional.
We're not that comfortable with emotions in our society. We're taught that it's good manners to rein it in. Men don't cry. But women aren't allowed to cry either except in certain proscribed circumstances. And romance is all about emotions. It's essentially an analysis and detailing of emotions. And we tend to think that those who spend that much time giving vent to emotion or focusing on something as "trivial" as romance are sort of sophmoric.
(And, in fairness, some of the m/m stories I've read are painfully sophmoric, but there's also a lot of terrific, powerful, realistic stuff here.)
So I think that focus does make those who don't enjoy that analysis uncomfortable. They get snooty about it. Oh you write romance -- as though you just confessed to not finishing third grade.
I'm publishing a short at Amber next month that is pure romance, very understated, no explicit sexual action - and a large dose of humour to boot :). I expect to be disappointed with the sales compared to erotic titles - but it was great fun to write!
You might be surprised. Yes, there is a certain crowd of m/m readers who are bitterly disappointed if they don't get their mandatory sex scene, but the far larger crowd is actually into the story and emotional content.

One, to clarify (just in case), that the reason I talked about this issue in the context of the genre of scifi, not romance, is only because that is where most of my life reading experience is. Hope that didn't come off as either hijacking or snobbing. I think that the experiences are pretty similar for both genres and am not sure that I'm ready to say which is more frowned on. Probably is romance, because (I think), men especially hate talking about emotions or advertising that they can get mushy, and women, well, sometimes I think we hold men up as an ideal so we try to copy that. But that's an entirely different discussion on what it means to be feminist. :)
Unlike many of you, I've never enjoyed romance much. Read one back 25 yrs ago, went, 'meh' and headed back to scifi. ^^ Wasn't snootishness, just that I could never shake the m/f baggage. I love thinking about how people relate though, and romance is an obvious way to do that. Once I discovered m/m, I found that romance became interesting, because there wasn't this assumed social construct that bored me.
Can I give Scifi a plug, btw? It is actually one of the best genres for including romance/sex as side elements, AND it was very quick to explore gender issues in a positive way. Something about the setting gave scifi authors the freedom to do that and they took advantage.
Two, with respect to the topic of classifying m/m within or alone or whatever... I think many of us like to have very clean, very systematic ways of classifying things, trees, branches, where, e.g., fiction branches into mystery, horror, scifi, romance, and maybe then you can talk about hybrids, or further breakdowns (e.g., within romance, m/m, m/f, f/f, the various menage). I include myself in that number by the way -- must be my science training that likes classification neat.
But classification is not neat (as biologists can tell you), I don't think that those schemes reflect the way populations of people clump around very specific ideas. So 'm/m' denotes several things (which Josh explained and understands better than I ever would), some of which are rather nebulous, but whatever it is, m/m has hit a chord for lots and lots of people (women, especially) who 'know it when they see it'. In the same way that 'fantasy' can mean much more than elves and/or wizards, but elves and/or wizards populate the vast majority of fantasy, and we come to equate them. So we have people clotting around elements of fiction that all together strike a chord, and although tree-like classification of fiction can describe those clots in a sense, it isn't the whole story.
I hope that made sense. Might be my geek brain trying to understand systems again. Sorry if that's so. :\ Maybe I should just go hide in my books again.
Oh. Three. Josh, yeah, think I've read most of KAM now, and RSL was my favorite. Just very thoughtful and meaty.

Now I want to find everything I can along those lines. Any rec's would be appreciated.

That's a great visual for trying to balance the classification of a theme/genre against the emotional responses to a "chord" :). I know what you mean - but fail at explaining it any further myself :).
There are new discoveries in archeology all the time, but I think Renault had it about as exact as could be with what information they had available then.
I'd be interested in some recs as well. As a writer, her work is unparalleled in my opinion, but that doesn't mean there can't be lots of other enjoyable stories out there!
I'd be interested in some recs as well. As a writer, her work is unparalleled in my opinion, but that doesn't mean there can't be lots of other enjoyable stories out there!
Octillo wrote: One, to clarify (just in case), that the reason I talked about this issue in the context of the genre of scifi, not romance, is only because that is where most of my life reading experience is. Hope that didn't come off as either hijacking or snobbing.
Certainly not. It's a good parallel.
I think that the experiences are pretty similar for both genres and am not sure that I'm ready to say which is more frowned on. Probably is romance, because (I think), men especially hate talking about emotions or advertising that they can get mushy, and women, well, sometimes I think we hold men up as an ideal so we try to copy that. But that's an entirely different discussion on what it means to be feminist. :)
There are a lot of western societal expectations of what strength is -- crying is mostly perceived as weakness in our culture, but in other cultures not necessarily. And we do place a premium on "strength," although strength can be defined in many ways.
Unlike many of you, I've never enjoyed romance much. Read one back 25 yrs ago, went, 'meh' and headed back to scifi. ^^ Wasn't snootishness, just that I could never shake the m/f baggage. I love thinking about how people relate though, and romance is an obvious way to do that. Once I discovered m/m, I found that romance became interesting, because there wasn't this assumed social construct that bored me.
I think this is true for many, many women who read m/m.
Can I give Scifi a plug, btw? It is actually one of the best genres for including romance/sex as side elements, AND it was very quick to explore gender issues in a positive way. Something about the setting gave scifi authors the freedom to do that and they took advantage.
And this is true of fantasy as well. I agree. It's one of the things I like best about spec fiction. It's one of the few genres where same sex stories can get mainstream acceptance.
But classification is not neat (as biologists can tell you), I don't think that those schemes reflect the way populations of people clump around very specific ideas. So 'm/m' denotes several things (which Josh explained and understands better than I ever would), some of which are rather nebulous, but whatever it is, m/m has hit a chord for lots and lots of people (women, especially) who 'know it when they see it'.
Exactly. Which is why it can be difficult to explain to someone who doesn't get the difference between gay porn and intense erotic romance, for example. "Sensibility" is a hard thing to explain to someone who doesn't share that sensibility. :-D
In the same way that 'fantasy' can mean much more than elves and/or wizards, but elves and/or wizards populate the vast majority of fantasy, and we come to equate them. So we have people clotting around elements of fiction that all together strike a chord, and although tree-like classification of fiction can describe those clots in a sense, it isn't the whole story.
Yes. Right.
I hope that made sense. Might be my geek brain trying to understand systems again. Sorry if that's so. :\ Maybe I should just go hide in my books again.
It makes sense to me.
Oh. Three. Josh, yeah, think I've read most of KAM now, and RSL was my favorite. Just very thoughtful and meaty.
I agree. I feel like there's a lot of KAM in that one.
Certainly not. It's a good parallel.
I think that the experiences are pretty similar for both genres and am not sure that I'm ready to say which is more frowned on. Probably is romance, because (I think), men especially hate talking about emotions or advertising that they can get mushy, and women, well, sometimes I think we hold men up as an ideal so we try to copy that. But that's an entirely different discussion on what it means to be feminist. :)
There are a lot of western societal expectations of what strength is -- crying is mostly perceived as weakness in our culture, but in other cultures not necessarily. And we do place a premium on "strength," although strength can be defined in many ways.
Unlike many of you, I've never enjoyed romance much. Read one back 25 yrs ago, went, 'meh' and headed back to scifi. ^^ Wasn't snootishness, just that I could never shake the m/f baggage. I love thinking about how people relate though, and romance is an obvious way to do that. Once I discovered m/m, I found that romance became interesting, because there wasn't this assumed social construct that bored me.
I think this is true for many, many women who read m/m.
Can I give Scifi a plug, btw? It is actually one of the best genres for including romance/sex as side elements, AND it was very quick to explore gender issues in a positive way. Something about the setting gave scifi authors the freedom to do that and they took advantage.
And this is true of fantasy as well. I agree. It's one of the things I like best about spec fiction. It's one of the few genres where same sex stories can get mainstream acceptance.
But classification is not neat (as biologists can tell you), I don't think that those schemes reflect the way populations of people clump around very specific ideas. So 'm/m' denotes several things (which Josh explained and understands better than I ever would), some of which are rather nebulous, but whatever it is, m/m has hit a chord for lots and lots of people (women, especially) who 'know it when they see it'.
Exactly. Which is why it can be difficult to explain to someone who doesn't get the difference between gay porn and intense erotic romance, for example. "Sensibility" is a hard thing to explain to someone who doesn't share that sensibility. :-D
In the same way that 'fantasy' can mean much more than elves and/or wizards, but elves and/or wizards populate the vast majority of fantasy, and we come to equate them. So we have people clotting around elements of fiction that all together strike a chord, and although tree-like classification of fiction can describe those clots in a sense, it isn't the whole story.
Yes. Right.
I hope that made sense. Might be my geek brain trying to understand systems again. Sorry if that's so. :\ Maybe I should just go hide in my books again.
It makes sense to me.
Oh. Three. Josh, yeah, think I've read most of KAM now, and RSL was my favorite. Just very thoughtful and meaty.
I agree. I feel like there's a lot of KAM in that one.

I've also read Driftwood which was brilliant, it made me laugh and cry and at times feel alomost uncomfortable, the characters are so well drawn and the progression is so real. The scenery is real too which I love.
What to read next???

It hasn't been released yet, but I just had the pleasure of reading Lynne Flewelling's Glimpses." It's a kind of love letter to her fans. She wrote a number of shorts that fill in some of the blanks in her Nightrunner series. The whole thing is illustrated by gorgeous fan art. There's also an excerpt of the next upcoming book in the series. It's really well done.
Aside from that, the one and only fandom I follow has been running a "Big Bang," so I've been reading the stories in that. They're short enough that I can squeeze them in on my lunch break, but long enough too feel like I really got to read something.
And that's it for my reading. Even if I had the time I seem to have the attention span of a flea.
Aside from that, the one and only fandom I follow has been running a "Big Bang," so I've been reading the stories in that. They're short enough that I can squeeze them in on my lunch break, but long enough too feel like I really got to read something.
And that's it for my reading. Even if I had the time I seem to have the attention span of a flea.

It is about a deaf young man forging a relationship with a hearing young man. It is very touching. (and hea)

I first read "The Sound of Your Voice" quite a while ago and enjoyed it very much. It's one I like coming back to every now and then too. :-)
I must find other works by this author when I have the time/money. Have you read any others?


There's one listed here on goodreads Officer Needs Help
I've not read either, but will check them out.


That's what I was thinking. Odd.

http://stopyourekillingme.com
but I have found some good books there and they are listed by genre which is handy.

I started with Mute Witness now, but I think I will first read the next in the AE series and afterwards continue continue with Rick R. Reed.
Glad you enjoyed Fatal Shadows, Arzu. I think maybe some readers steer clear of it because it sounds either over-hyped or like it might be exhausting. It's okay with me!

HELP!!!
If I'm buying direct from publishers rather than Kindle store (which was apparently organized by hopped-up crack monkeys and bite me amazon, I'd rather give the writers the higher % royalties, anyway) what format am I supposed to choose? Will mobipockets work?

Thanks! Looks like it'll only take txt, doc, rtf, htm and pdf. Bleh. I can read it, but it sure won't be pretty.



I emailed a mobi file and it wouldn't take it, but I may have picked a secure mobi file instead of one I converted myself. txt and pdf are no problem, tho. I haven't tried a doc file yet. Mine's K3...I don't get anything back, it just goes straight to my Kindle. When it works, anyway. LOL
I have 600+ bks on my laptop. No sh*t. I don't want to send *all* of them to the Kindle, but...Sheesh. Nightmare.

Dude, I'm so jealous! I still have to download and transfer. :( Ah, well. I do not, however, envy the transfer of 600+ books. Ho-ly crap. Good luck with that!
ETA: Do you know about the Kindle Smut Goodreads group? They might have some tips and such for this kind of thing. They're M/M friendly and crazy about their Kindles. (Since my book has a Kindle mentioned, they said the book had "Kindle porn." Whatever floats your boat, huh?)

Dude, I'm so jealous! I still have to download and transfer. :( Ah, well. I d..."
Yeah, but if I hadn't kept dragging my feet on buying an ereader, I wouldn't have the 600+ book backlog. ;-)
I'll have to look for that group...I am seriously in love with my Kindle. Not in love with buying from the Kindle store, but I loves me some Kindle. (Get your deviant mind out of the gutter, LOL.)
Just sent moulah and applications to both Passionate Ink & Rainbow Romance Writers. More items to tick off my to-do list, hooray! I know you're in RRW, Missy -- what about Passionate Ink? Just wondered how m/m friendly they are, although I already sent the cash so I guess no point in steering now...

Deviant mind? Me? :) Some days, I'd have to step up to get to the gutter. ;)


A Demon Inside or just about anything by Rick.

A Demon Inside or just about anything by Rick."
Thanks! Looks great. It's next on my list.

A Dangerous Thing
One Little Sin
Midnight Moon
Mute Witness

Hmmm, I think I'll read The Hell You Say and the sequels in the series before I continue with the other books.
If you're just looking for a terrific ghost story and it needn't be m/m, I recommend Ammie Come Home by Barbara Michaels. Probably my all time favorite ghost story.
Glad you're enjoying the books, Arzu! The series gets better as it goes along, but you have to have those foundation books.
Arzu wrote: "I just finished A Dangerous Thing and loved it. I really can't understand why I never was interested in reading this series. Mea culpa, mea maxima culpa!!
Hmmm, I think I'll rea..."
Arzu wrote: "I just finished A Dangerous Thing and loved it. I really can't understand why I never was interested in reading this series. Mea culpa, mea maxima culpa!!
Hmmm, I think I'll rea..."

Not m/m, but one of my all-time favorites is The Mirror. I've read it countless times over the years.

Every year around this time, I re-read Tanya Huff's Summon the Keeper. It's more humor than spooky, but it's perfect for Halloween, trust me.

I really enjoyed Clare London's Perfection. It is a little Halloween short available at Torquere Press. I admired Torquere for publishing it as it goes against the 'rules' for m/m romance.
James is a little surprised when co-worker Vic disappears, but he's even more surprised when the man shows up again months later, after securing a supervisory position. He never used to think Vic was hot, but something has changed, something he can't quite put his finger on. When Vic makes a play for him, James is happy to go along, but will Vic turn out to be the perfect man for him?
And after reading that if you want a happier story, check out The Mask by Clare London.
There’s a very mixed reception for Joey and his lively, unruly friends, when they go trick-or-treating on the penthouse floor of the exclusive Royal Apartments. They find themselves the butt of everything from hostility to humor to handfuls of caramels. But at the final door, a horrific masked figure tricks Joey into finding what might just be the best treat of all.
Torquere is having a sale - Just put 'septend2010' in the coupon code box when you check out at Torquere
Books and you'll get 15% off the price of
your order!Sale is on now through Thursday night (September 30) at midnight (est)!

LC I've looked at Tigers and Devils. I will eventually buy it. I should just find the publisher and get it in ebook format since it would be cheaper. I really wish the library carried some m/m.
JPerceval I read Summon the Keeper years ago. Funny book. Have you read the Shadow series by Huff? Tony I think was the main character. That one was creepy and funny. And mainstream m/m.

LC, Tigers and Devils was one of my favorite summer reads. Fortunately, I read it while I was on vacation, so there was nothing to keep me from reading! I'm reading Sean Kennedy's newest book, Wings of Equity right now and it's a good one, too.
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"
I know. Me too!