The Sun Also Rises
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Brett Ashley
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Lillian
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Mar 09, 2015 10:23AM

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Brett Ashley was that type of woman who liked boys. To her they were just the most amazing and fascinating creatures. But behind that the sort of high-expectations, high-maintenance, wont settle for less than perfection, and fine-grained detailed critique which is bound to wind up disappointed ultimately.
If you grow up believing that you can have it all, boys will all bow down to you, and all you have to do is marry the perfect man and everything will be happy ever after, then you are setting yourself up for some major-league depression in your '30s. I knew some Grammar School girls like that in my '20s: Loads of fun, but many of them had severe mental problems in middle-age.
A great and accomplished book to read as a young man. And again as an old man. I believe that Hemmingway developed this theme as he himself matured, through A Farewell To Arms, For Whom The Bell Tolls, and culminating in The Garden of Eden. By the time he got to the end the plusses and minuses of 'the Hemmingway woman' were pretty well drawn, and most of his wives fitted the category too.

As revealed here under the caption "Background," (https://en.wikipedia.org/wiki/The_Sun...), Ashley is based on someone EH knew, Lady Duff Twysdon, who was part of a group who joined the Hemingways in Pamplona one summer for the bullfights and behaved badly. The novel is a roman a clef based on that riotous excursion into decadence. Cohn is based on Harold Loeb, etc.
This excursion to Pamplona is examined in some detail in Paula McClain's historical novel, The Paris Wife.
Duff was recently divorced, and her sexual promiscuity, typically a temporary syndrome, is not uncommon for recent divorcees of either gender.

A good policy. Mine as well, for the initial reading's personal impact. And no two views need be the same.
But I am sometimes later curious at the multitude of ways a book, or parts of it, are interpreted. So in order to understand other views I search for external clues.
For example, Fitzgerald's The Great Gatsby deals with similar themes of forbidden romance and corruption involving Americans during the same period of history, the early 1920s, at a time when the two authors were close friends in the same locale, Paris. Thirty years later Hemingway wrote a memoir that dealt with their Paris relationship and also contained Hemingway's reaction to The Great Gatsby, published a year before TSAR.
Mind-stretching insights invariably come to light when one's curiosity is piqued.
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