Literary Horror discussion
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What Else Are You Reading?

As a poet, O'Brien has won both the T.S Eliot and the Forward prize, something I believe only John Burnside (another fine poet who writes creepy fiction) has done.

You're welcome, Marie-Therese. It's good to come across more interesting books after combing the Jackson single-author collection shortlist every year. (Not that I'm likely to jump on Garden of Eldritch Delights though...)
Just finished "A Cold Spot", which has more than a whiff of M.R. James. O'Brien can write dialog as well. The repartee with the two "witches" taunting the main character is so well executed.
Burnside looks pretty interesting too; just stuck him on my to-read list.

I dipped into John Burnside's Glister. It's distressingly old-fashioned and long-winded, totally not my thing.
While Neel Patel's If You See Me, Don't Say Hi is not Literary Horror material, I do recommend it.
I also finished Anna Kavan's classic Ice. I was really enjoying it up to about a hundred pages, then it seemed to emphasize the (to me) least interesting aspects of the book, and set aside the meta-narrative stuff that I loved. Took me awhile to grind on till the end. Ah well.

https://theweek.com/articles/730483/c...
I've read the collections by Jenny Zhang, Julia Elliot, and Bennett Sims. While not unflawed, they're all interesting and totally worth my time. I plan to check out the other three as well. (Machado's own Her Body and Other Parties is a favorite of mine as well.)
Bill

Finally! Look forward to your impressions.


I just found a copy of this myself and will probably read it soon!

Dorothea Tanning
Grace Pailthorpe and Reuben Mednikoff A Tale of Mother’s Bones
I'm really enjoying
Lesley Arimah, What It Means When a Man Falls from the Sky
Very well-written, with some magic realist elements.
Also finished Amy Parker's Beasts and Children, very worthwhile, but probably of less interest to the group.

Currently reading White Jazz, which is not a horror, but is certainly disturbing at times. .


This looks really interesting and I've bookmarked the link for further reading when I have more time. Thanks, Mimi!

https://www.shirleyjacksonawards.org
I'm pretty happy The Taiga Syndrome won for best novella. Not familiar with the other winners.


I think there are a lot of different awards in the horror genre that some of us follow and use as launching off points for our literary explorations. I generally don't follow any of the major awards for this genre. I'm not sure if my tastes really align with the Shirley Jackson award voters... or maybe they do.
That being said... I might be interested in the Sharma... Taiga Syndrome sounds moderately interesting...
I think I currently have a little over 300 books in my TBR... just trying to make some headway. =)

My delta for this year between incoming books and completed reads has me slightly in the red... which is not good... just means the TBR will keep expanding.

Looks interesting, thanks for the link.

This looks really intriguing, Mimi! I'm bookmarking it so I can read further later. I'm especially keen to read the review of Jeanette Winterson's new book, 'Frankisstein', as I generally like her work very much (hers was one of only three stories I really liked in that recent English Heritage ghost story book-she's a reliably interesting if not perfect writer).


How is Winterson's more recent work? I loved her late 80s/early 90s books (I'm old), and kind of lost touch after. Then checked out a book from 2000 and wasn't so excited.

I just finished, and it's, um... almost worth the time?

Apologies, Bill, for the delay in response-the summer heat is so enervating that I just can't keep up lately!
Anyway, I looked through my reviews and inventory and I guess most of what I've liked by Winterson lately has been essay collections (she's quite a good essayist). I haven't even heard of the book Mimi mentions ('The Daylight Gate') so, apparently, I haven't kept up on her fiction. But 'Frankisstein' was just nominated for the Booker longlist so it must have some merit and I have a soft spot for fresh interpretations of Mary Shelley's tale. (Lori Sheck's A Monster's Notes is one of my favourite books.)

I just finished, and it's, um... almost worth the time?"
Do tell! Like Mimi I thought this sounded intriguing and rather fun.

Warning, there are some spoilers that explain some of my issues, but I have hid them.
Norman is a big problem in this one. One thing that made the original work so well, both the movie and the book, was that we cared about Norman. He was surrounded in his mind by events spiraling out of control and he was doing what he thought was best. He was interesting, and even knowing the twist, his actions remained sympathetic. Here the characters are damn near unlikeable. Norman had aspects of a voyeur in the original, but in the sequel is a flat out rapist with more than a touch of necrophilia added for shock value. All the other characters are assholes, and much like the slasher movies of the 80s, I just sat there waiting for them to be picked off (view spoiler) There’s really no one to root for or sympathize with in this one except for Norman’s doctor and even he comes off having issue from the start (view spoiler)
It also feels like Bloch was planning for the book to go one direction, then realized he needed to pull of something clever to shock the readers. (view spoiler)
There's also many random scenes that just try to make you hate all the Hollywood characters. I'm all for unlikeable characters in horror novels and such, but here he's just trying to push it out malice. Everyone introduced from Hollywood (with the exception of the scriptwriter, because of course the writers are still good guys) are unpleasant, from the sleazy directors, crooked producers and actresses who will do anything to get a shot. One character in the book is there for a grand total of 8 pages, and the only use from a plot point they serve is to answer the phone and say another character isn't home. We still get a vivid scene of her filming a porno, because even as a failed actress, she's going to "live the Hollywood dream."
As I progressed through the book, I found myself liking it less and less. By the time it was over, there was only one thing I feel like I can still praise. It has an almost Scream-like meta quality to it, as Bloch is very aware that people associate the story with the film instead of his book and is playing up on that. Cinematic conventions are there throughout the book, and it’s not hard to imagine the camera angles even as he’s describing how a scene plays out. It also plays with what the slasher genre was becoming and acts of something of a critique against it (something that does seem a touch hypocritical as characters voice how you shouldn’t sympathize with violent characters, when the first book had you trying to do just that).

Oh my! Thanks for this thorough reply to my question, Tim. Sounds like this is best avoided as everything you've detailed would turn me off too.

Also fun, but not up to the Samatar's lofty standards:
Brian Hauser, Memento Mori: The Fathomless Shadows
Silvia Moreno-Garcia, Signal to Noise
Especially enjoyable if you have a soft spot for vintage media.

"The Masque of the Read Death"
"The Pit and the Pendulum"

Gallardo's imagery is intensely poetic and there is a slightly surreal feel to most of her stories but there is also something more old-fashioned and nobler, something that reminds me of classic Spanish literature. Some of her stories showcase a big, sweeping, grand imagination attuned closely to nature-one that seems to me in some ways very specifically South American (the horses, the plains, the soldiers and outlaws who wander the latter in search of the former); others are more intimate and introspective, featuring narrators who are generally all too aware of their flaws and foibles but powerless to change them. Violence is omnipresent but so is beauty and the inscrutable power of nature.
I'm also reading Steven King's Danse Macabre, which is honestly not all that interesting so far. I don't know if I'm finding it dull because I already know most of what King's expounding on or because he's just not an author whose horror I've ever enjoyed, but I'm finding this a slog. I was expecting more discussion of horror literature, I guess, and so far it's been mainly film and radio, neither of which interest me. I'll admit to skimming all of the personal reminiscence stuff-I just don't find King's childhood and youth interesting enough to read about in depth. Your mileage may well vary.

Disappointed.
Here is my review of one the stories:
The Monument
Rosalie Parker
A revenge tale. I'm not big on revenge stories.
Grace and Travis are a couple who is in the process of divorce, because Travis found out that Grace was seeing another man, named Marcus. Marcus and Grace knew each other in school.
Grace and Travis are both on the mortgage, so both live in the house.
Grace meets up with Marcus occasionally in the village. One day in the village, Grace meets two friends from childhood see hasn't seen in years.
Grace's two friends point out that they had made a pact: they were to meet at a spooky monument by a church twenty years from the date of the pact, and that the person who fails to do so would be punished.
The two friends were at the monument at the appointed date, but Grace was not. Grace doesn't remember what's the penalty for missing the meet up.
Grace goes to the spooky monument. Travis arrives and says,
"‘Have you remembered what will happen to you, Grace, after the promise you failed to keep?’...‘I’ve spoken to Tina and Natasha. Shall I remind you what was agreed if you broke your word?’
Travis inflicts violence on Grace.
I disliked the ending of the story.
Rosalie Parker, in her previous short story collection, at times wrote like the reincarnation of Robert Aickman.
Now I read something that's closer to Splatterpunk.
2.5 stars.

https://www.goodreads.com/en/book/sho...
For each one, I rated 4.5 stars. I am really enjoying the book.


I revisited some stories in Ramsey Campbell's Cold Print. A lot of this doesn't date so well, but highlights include "The Inhabitant of the Lake", "Before the Storm", "The Faces at Pine Dunes", and of course the title story.
Daisy Johnson's novel Everything Under was rather disappointing, after her earlier collection Fen. There are certainly interesting ideas (mysterious disappearances, identity confusion, glimpses of fantastic creatures), but I found to be a slow, murky read.
Kenji Nakagami's stories in Snakelust remind me somewhat of my favorite harsh southern writers. Psychological horror, random violence, and some black, black humor.


Hmm, care to elaborate?


A few months ago, I received a message from another GR user, suggesting that book as a monthly read. The user didn't respond when I asked for more information.
Curious, isn't it?

So Robert, what did you think? Should we read this? Why is the tree "windsome"? Does it (umm) break wind? That would be pretty "unique", as claimed by the other GR user who lobbied me to make this a monthly read.

Yeah, it's a real oddity. It never quite seems to settle into any one thing which lessens its power a bit but it is entertaining and, ultimately, even rather disturbing. Well worth reading, I think.

Yeah, it's a real oddity. It never quite ..."
I honestly think the fact that it was so light hearted and silly despite the rather gruesome murders described makes the last section all the more shocking. (view spoiler)

https://www.goodreads.com/review/show...

http://www.thebramstokerawards.com/fr...
As usual, from the names I do recognize, the nominees are all over the place. Reminder: if you're grumpy about the Stoker nominees, do share your more deserving favorites at
https://www.goodreads.com/topic/show/...

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I suspect the reason most people here haven't heard of Sean O'Brien previously is because he's best known as a poet (with at least eight collections of poetry to his name). I had no idea he'd written a short story collection, much less one that could be classified as "horror" or weird fiction/dark fantasy. I definitely need to check this out. Thanks for the rec, Bill!