A Gentleman in Moscow by Amor Towles (Anything Goes BOM); Starts May 12, 2017****REVISIT informal buddy reads starts August 3, 2018

[Mint]

Day 1 Discussion Questions

1. I've encountered the Romanovs as references on some books but I have not dig deeper into its history. I have been interested in all-things Russian and as I paddled through the book, I found my interest to grow. There were russian terms that I became familiar with from reading other books. Though in honesty, I do not he much knowledge on histories regarding the Russian empire.
2. I think the possessions that he chose had a particular value to it that coins could not equal. Those items, must have had a sense of nostalgia in them. If I were to take one thing from my stacks of treasure, it would be a notebook that was time capsule-ed. Then I'd remember all the things that are important and memories that are worth keeping.
3. When he sets a goal, he goes through it. Most of the time, I'd set some goals on reading, like, I should be able to read a hundred pages by the end of the day. But then I end up not copmpleting the task at all. I can very much relate to the struggle when reading something but in my case, it would be on a book that I don't particularly like, though I plow on anyways.
4. I like how he is interactive with the people within the boundaries of the hotel and how optimistic he is despite the limited space he was given to spend his time on. Being practical, I think, is defined by itself. Like maybe doing things without the overuse of the power of imagination, but more on surviving over something.
5. Maybe it was entitled that way because he proves himself a gentleman even without the title. The word "gentleman" to me, sounds solitary and gives the vibe of finding one's self. Count Rostov is appealing, is what I found as I'm reading through. I like how he perceives things.
6. She's an intelligent girl with curiosity brimming all over her. Her curiosity is like her aura and it just keeps on getting stronger. She's a cute little girl! And with her cuteness, I find that she will be an important character in the story.

[Ora]

#21. Up to this point in the book we have seen many references to smell and taste and ingredients of both wine and food, what significance do you think this has on the book? Who do you think the mystery ingredient provider may be?
I’m not sure.
#22. The Count may be exiled, but he has no shortage of funds and it doesn't seem to come solely from his coin stash, why do you think that his money was not impounded by the court when he was placed into exile? What impact would that have had on the story? Do you think he is paying for the room he stays in?
I’m not sure why, unless it was matter of consideration. His whole life would have been changed. He would have had to start working sooner and have a harder life. Yes I think he is paying for it.
#23. What are your thoughts on Nina leaving Sofia with the Count? Would this be the way you would deal with the situation if faced with the same? If you were in a similar position, given the story thus far, would you feel as if you knew Sasha enough to do the same?
My first thought was “why can’t Nina trust family?” After thinking a few minutes I realized the Count is family and she could always rely on him. With childhood memories, I believe some of her happiest were with him and she knew he would care for. I would want to make sure my child was not only safe but also happy and be able to thrive. Yes.
#24. What are your thoughts on the "thimble" game? What do you think is says about Sofia, and what does it show us about the Count?
I loved it. It really shows Sofia’s intelligence and that Count can still learn a thing or two, especially with not underestimating child.
#25. Do you think the count has after had to look after anyone else in his life or has he only ever been looked after? Do you think that the Count is changing more now than ever before in his life? What might be some indications that make you think the way you do?
I think he was always looked after. I found it interesting that he realized he was set in his ways and willing to make adjustments in his life for Sofia. He made adjustments in his room so Sofia would have her own sleeping space and wanting to learn how to care for a child.
#26. What do you think are the ramifications of Sofia's presence? Do you think that we will see Nina again?
I think it has kept the Count young and help keep his mind sharp by having to having to keep up with Sofia. I would hope so by I really doubt it. I think both of her parents are dead.
#27. Do you think anything will happen to the count for going to the hospital? Why do you think that Osip helped him?
No. Not with the way Osip helped him. I think he did it out of friendship.

I listened to the audio. It was a little harder to follow along with the stopping since it did not have chapter 1, 2, etc… along with not wanting to really stop listening to the book. That really surprised me how much I enjoyed the book since I probably would not have picked it up on my own.
I was sad that Nina never came. I have a feeling she knew she wouldn’t and Sophia would be safe and well cared for with Alexander. It seems like after Sophia came into the Count's life he got a spark of happiness back that I don’t think he knew was missing.
I was a little hesitant of what Osip really wanted from the Count. I do like that they became friends over the years and he protected Alexander when he had to take Sophia to the hospital. I also adore his love of Humphrey Bogart. I remember growing up watching a lot of the movies made in the ‘40s and ‘50s with my mom and love all the old actor/actresses. And the narrator does a really good Bogart impression. I am glad that Alexander and Sophia was finally able to break free. I was a little sad when the story ended because I wasn’t ready for it to.

[Wishbear]

I'm late to start due to having to wait my turn at the library but here goes:

Day 1 Discussion Questions
Section: June 5, 1922 - An Assembly pages: 1 - 76

1. Do you have much previous knowledge of Russian history and politics in the early 1900s? How does that affect how you feel at the start of the book?
(Note: Wikipedia states there was a Russian civil war in 1917 followed immediately by a Revolution from 1917 to October 1922 - which is the year our book starts.)

I don’t have a lot of knowledge other than reading Animal Farm and discussing it in class. Also, my maternal grandmother’s family escaped from Russia in 1925 but she never spoke of that.
At the start of the book I thought oh, this could be interesting or very dry. So far, it has been interesting.

2. I got a bit of a "Little Princess" vibe when the count was banished to the attic of the hotel. And there is a great section on saying goodbye to people vs. saying goodbye to possessions. "We carry them from place to place, often at considerable expense and inconvenience;...all the while allowing memories to invest them with greater and greater importance....But, of course, a thing is just a thing." What do you think of the possessions he elected to take with him to the attic? If you were in a similar situation, what is one thing you would for sure take with you?

I would have elected to take all the books as well. I’m not sure about the lamps and the tables but he seems to have put them to good use. I also felt for the bellhops having to carry that desk. THose things are heavy.

3. What do you think about the Count and his reading habits? Specifically - how he is struggling with the Essays and how he likes to tilt back his chair. Can you relate to either or both of those?

I get the struggling with the essays, I would have done the same. Even reading a book I enjoy, I can only read for so long before I need to do something else. I would be scared to tilt my chair but I most enjoy reading stretched out in bed or on a blanket at the beach.

4. The Count has to decide how he will handle his confinement. He thinks of favorite literary characters, and finally decides he will commit to practicalities. What do you think that means, and is there anything he does in this early stage that you particularly admire?

I like how he sticks to his routine. It would be very easy to become depressed with the new circumstances and refuse to get out of bed. But to try to stick as close to your routine and keeping the semblance of normality is probably the best way to deal with the circumstances.

5. Why do you think it is called "A Gentleman in Moscow" instead of "A Count in Moscow"? Just because it sounds better, or do you think there is a reason? Do you find him an appealing character so far?

I don’t know if he is appealing but so far, he has been interesting. I think Gentleman in Moscow is more appealing to the masses. It says that he is a “good guy”. Whereas Count brings to my mind spoiled, cold, entitled, and drives too fast. As that seems to be how they are portrayed in various mediums.

6. Nina (the little girl in yellow) seems to be an important distraction. What is your impression of her so far? Do you think she will be an important character?

I think she is a bored, precocious little girl looking for a friend and because the Count is a gentleman and bored himself that he can’t refuse her overtures for adventure. I’m curious to see how far they go and I wonder if, eventually, he’s going to become responsible for her because something will happen to her father & governess.

[Nancy]

May 16 QUESTIONS
SECTION 1938/An Arrival - Addendum pages 229 - 317

#21. Up to this point in the book we have seen many references to smell and taste and ingredients of both wine and food, what significance do you think this has on the book? Who do you think the mystery ingredient provider may be?

I think Rostov working as a waiter and befriending the chef and many dinner scenes taking place in the dining room all contribute to the many food and wine references in the book.

#22. The Count may be exiled, but he has no shortage of funds and it doesn't seem to come solely from his coin stash, why do you think that his money was not impounded by the court when he was placed into exile? What impact would that have had on the story? Do you think he is paying for the room he stays in?

I'm not sure why his money wasn't impounded! I would think he'd have to pay for his room because why make the hotel lose out on money. But I also think of all his meals that he's eaten too. Does he pay for those? Or does working as a waiter give him room and board. I don't think the reader really knows.

#23. What are your thoughts on Nina leaving Sofia with the Count? Would this be the way you would deal with the situation if faced with the same? If you were in a similar position, given the story thus far, would you feel as if you knew Sasha enough to do the same?

I think she didn't have much other choice. She knew that her daughter would have a place to live and someone always around, since he couldn't leave.

#24. What are your thoughts on the "thimble" game? What do you think is says about Sofia, and what does it show us about the Count?

She is very observant and very clever! The Count is easygoing enough to come up with the game and lose graciously!

#25. Do you think the count has after had to look after anyone else in his life or has he only ever been looked after? Do you think that the Count is changing more now than ever before in his life? What might be some indications that make you think the way you do?

I don't think he's ever had to look after anyone. He had to be prompted that Sofia had to use the bathroom. He's changing and thinking not only of himself anymore.

#26. What do you think are the ramifications of Sofia's presence? Do you think that we will see Nina again?

He has to change his whole schedule around, worry about childcare when working, make changes to his room and figure out how to raise this girl. I read the entire book so know the answer to the second part.

#27. Do you think anything will happen to the count for going to the hospital? Why do you think that Osip helped him?

I already read the entire book so know the answers to these.

[Nancy]

May 17 1950/Adagio.. - Achilles Agonoistes 321 - 394
Discussion Questions

28: Sofia is now seventeen on the edge of adulthood, did you find the Counts reaction when he found Sofia alone with Victor Stepanovich an older man unexpected or natural?

I found it natural but a bit extreme. Every father gets protective of his daughter as they get to be of dating age.

29: Over the years the Count and Richard Vanderwhile develop a friendship do you agree with the narrator of the book that people of similar social standing and upbringing will gravitate towards each other?

Yes, I think because they have more in common with each other.

30: The Count became very upset when he discovered Sofia And Anna had become acquainted without his knowledge. Why do you think he wished to keep his relationship with Anna and his life as Sofia's father separate?

I think it's like when a single parent doesn't introduce a significant other to their children until they know it's serious. I wasn't sure that Anna and his relationship was very serious. It seemed more physical to me.

31: Were you surprised when Richard asked the Count to spy? Do you think this request and the Count turning him down will effect their friendship?

Yes, I was very surprised. Didn't see that coming.

32: What did you make of Mishka's Manuscript on bread? Do you think bread holds a special place in the Russian consciousness after reading the quotes Mishka used?

I found his manuscript interesting. I think bread holds a special place in almost every culture.

33: As we come to the final part of book what do you imagine will become of the Count, Sofia and Anna?

Skipping this one because I know since I finished the book!

[Nancy]

34. Time is a prevalent theme in A Gentleman in Moscow, the writing skillfully depicting the passage of years in the life of a man, as well as a country. How that time is experienced, be it through watching the stars travel across the sky, marking the day with the twice-tolling clock, anxiously watching the second hand of a watch - how time is experienced seems to vary greatly depending on what you are doing with your life and how you are spending your time. Do you agree with the quote "...life does not proceed by leaps and bounds. It unfolds."? Have you experienced time passing differently at different stages of your life?

Yes, time has passed different in different stages of life. I'm finding, like he did that it seems like my kids are getting older so quickly! Meanwhile, I feel like being a teenager and waiting to go off to college and be on my own felt like forever.

35. One thing I didn't expect from this book was the wry humor, especially from the narrator. Little lines like: "The Swiss diplomat, who spoke both Russian and Italian perfectly, exemplified his nation's reputation for neutrality by listening to both men with his mouth shut," reminded me, in tone, of the quiet smiles that underlie Jane Austen's social commentary. What aspects of the book surprised you as you read? What aspects will you take away with you most strongly?

I enjoyed seeing the book unfold over so many years and seeing how Rostov changed and the different people coming in and out of his life.

36. Alexander is always analyzing chains of events, and how one decision or action led to another, then to another, i.e. what events led to him not being there for Helena's death, what events led to him meeting Nina, etc. What do you think Alexander was referring to when he said: "...in the end, it has been the inconveniences that have mattered to me the most." Do you think, throughout his life, he trusted to Fate more often, or grabbed his own destiny in his hands? Or is there one era of his life where he was more one way, and then changed?

I think he trusted Fate up until the end when he decided to leave. That was a big plan which he took on himself.

37. There were gifts of significance throughout the novel: the Count giving Nina the opera glasses to observe the world from afar, Nina giving the Count the skeleton key to the hotel, wrapped in a Matryoshka package. What were some other gifts that stood out to you as you finished the book, material or spiritual?

I think Nina giving the Count the key was the present that stood out the most. And one that proved most handy!

38. He may have had his mustaches snipped, but it seems to me that Alexander remained a Gentleman throughout the story. I loved that he used a dueling pistol to waylay his nemesis, the Bishop, (does that make Alexander the Knight? Or perhaps the Castle?) but wouldn't shoot him because the Bishop wasn't an aristocrat (or, perhaps more importantly to the Count, a gentleman of honor.) What do you see as some of the biggest changes between the Old World Order society (Tsars, noble class, etc.) and New World Order society (apparatchiks, uniformity, etc.) as reflected in the book? What stays the same?

I didn't see much changes, but wasn't very focused on the politics as I was the characters.

39. The change to the country of Russia during the twentieth century: two World Wars, the shift to communism, etc. the idea that one person can have any effect on these epic events seems laughable. Yet, the novel ends with a striking moment of illumination: "But is setting upright the cocktail glass in the aftermath of the commotion, didn't he also exhibit an essential faith that by the smallest of one's actions one can restore some sense of order to the world?" And to bring another cooking metaphor into this, "...the events of an average day are as likely to transform who we are as a pinch of pepper is to transform a stew." What is your take on how single people or seemingly small events caused a chain reaction (there it is again) in the lives of other characters in the book? Do you think any of Alexander's choices were surprising, or were they completely consistent with his definition of a Gentleman?

I think they were consistent of his being a gentleman. At the end with the Bishop I think it was out of desperation to escape. Otherwise, I think he handled himself well.

40. What do you think caused Alexander to plan Sofia's escape? Knowing that he may never see Sofia again, why do you think he stayed in Russia with Anna - is he just a bee who has found his honey? And finally, do you agree with the statement: "One can revisit the past quite pleasantly, as long as one does so expecting nearly every aspect of it to be changed."

I'm not sure what the deciding factor was in planning Sofia's escape. Maybe opportunity, since she would be out of the country.

[CassieV]

May 17 1950/Adagio.. - Achilles Agonoistes 321 - 394
Discussion Questions

28: Sofia is now seventeen on the edge of adulthood, did you find the Counts reaction when he found Sofia alone with Victor Stepanovich an older man unexpected or natural?

Totally natural. He dies what I think any father would do, especially considering the time period.

29: Over the years the Count and Richard Vanderwhile develop a friendship do you agree with the narrator of the book that people of similar social standing and upbringing will gravitate towards each other?

I do. I think it gives you a similar mind-set. I think we still need to reach out to others who may be of different mindsets, but I do think you will always be more comfortable with those who think like you.

30: The Count became very upset when he discovered Sofia And Anna had become acquainted without his knowledge. Why do you think he wished to keep his relationship with Anna and his life as Sofia's father separate?

This was the last 1940s or early 1950s, at that point in time I'm sure it was scandalous for your daughter to be on good terms with your lover.

31: Were you surprised when Richard asked the Count to spy? Do you think this request and the Count turning him down will effect their friendship?

I was. I think I was even more surprised when the Count turned him down. Richard didn't seem to take it badly, so hopefully it won't affect their relationship.

32: What did you make of Mishka's Manuscript on bread? Do you think bread holds a special place in the Russian consciousness after reading the quotes Mishka used?

I thought it was funny that he was thumbing his nose at those who didn't want him to include that bread quote in the other compilation he was doing. I think it holds a special place with the Russians because of the bread and salt thing, but I think also he was showing that it ties one man to another. Bread is ubiquitous.

33: As we come to the final part of book what do you imagine will become of the Count, Sofia and Anna?

Not sure, but I know I'm hoping for a happy ending!

[Maritza]

Day 2 Discussion

7. Unfortunately I have not read any Russian literature so am unable to add to this discussion. It was not a topic that drew my interest.

8. The encounter that stuck with me was the one with the actress (Anna). At first I was unsure if that really happened or if he was recounting a dream. What happened to her after was interesting as she had just only met him but he seemed to have touched something in her that no one else ever had.

9. Anna might make another appearance based on my answer and reflections in question 8. She might come to explore her feelings with the Count.

10. I think that the Count is having a moment of invisibility because of all the years he has spent in the hotel. It might be that all the people have merged into one for now and he just feels lost in the every day going on.

11. I think that was just a sign of the time and that Bishop did not have anything to do with it.

12. I am reading the ebook and did not see any footnotes. Ok I didn't realize I thought they were more descriptive narrative.

13. He is connected thru his past and would never permanently leave.

[Sarah]

I am doing the audio version. Sometimes I feel like I miss things, but there is always another enjoyable and somewhat humurous at times encounter with The Count and some character with a conversation or story that will draw me back. That is what I am enjoying most about this book, the cast of characters we are meeting along the way. I also enjoy getting in the counts head, his inner dialogues with himself and then how he responds outwardly - always polite, always a gentleman.

[Sarah]

7. A Gentleman in Moscow references a lot of famous Russian literature (War and Peace, The Brothers Karamazov, Anna Karenina, etc.) and famous Russian authors (Leo Tolstoy, Fyodor Dostoyevsky, etc.). Have you read any Russian literature/any of the books the author cites? How is this novel similar or different to these works?

I have read Dostoyevsky's Crime and Punishment, and much like this book, is a character study. It is probably the OG of the character study book. So that is a similarity. Both writers I feel are gifted in this regard, really fleshing out a person, getting in their head, relating to or understanding the psychology of their mind or decisions, building a true and genuine voice is defenitely something many a writer miss the mark on, or simply just don't write in a character study way. But I love this type of writing and story.

[Wishbear]

Day 2 Discussion Questions
Section: Archeolgies – 1924: Anonymity, pgs. 77-145
(TW: question 13 addresses attempted suicide)

7. A Gentleman in Moscow references a lot of famous Russian literature (War and Peace, The Brothers Karamazov, Anna Karenina, etc.) and famous Russian authors (Leo Tolstoy, Fyodor Dostoyevsky, etc.). Have you read any Russian literature/any of the books the author cites? How is this novel similar or different to these works?

I have not read any of these works, however, I would like to read Anna Karenina and maybe eventually War and Peace

8. The Count met a large cast of colorful characters in this section. Which encounter, vignette, or flashback was your favorite? Which one struck you the most?

Oh my gosh, the wine labels. I don’t understand wine. I generally don’t like wine. But really? To tear off all the labels? It just left me a little aghast. I think I kind of get where they are coming from but to even think in those terms? Wow.

9. What do you think of Anna Urbanova? Do you think she will reappear in the story later?

I think she will be back at the hotel at some point. I think the whole blouse thing will flare up her anger again as soon as she seems him but then they will have a passionate night.

10. The Count believes Anna has cast a sort of spell on him that is turning him more ghost-like. Is there evidence to support this? The Count vividly describes friendship in the last chapter of this section, Anonymity (on page 134). By his description, do you think the Count has any remaining friends?

I think he does still have some friends but as time passes, they are going to continue to slip away from him

11. The wine cellar seems to be a turning point in the Count’s perspective on his imprisonment. What did you think of his description of the wines? What are your thoughts on the Bishop? Do you think that he really orchestrated this change out of spite, or was it higher officials that brought this to pass?

I think The Bishop started the whole idea. I think he has the ear of a higher official who put the idea into action. I also think The Bishop might become real trouble for The Count as the story unfolds.

12. The narrator has a couple of lively footnotes in these chapters. Do you think the narrative voice is the Count, or someone else? How are the narrator and the Count similar or different? Do you think the Count is as happy or vivacious as the narrator seems to be?

Interesting question. I think the narrator is not the Count. The narrator is definitely more upbeat. Unless the narrator is the Count looking back over his life...hmmm..I just don’t know

13. The chapters in this section foreshadow the Count attempting suicide. We were left on quite a cliffhanger! What do you think has driven him to this point? As we are getting more of a window into his past, do you have any theories as to why the Count returned to Moscow in the first place? How do you like the Count as a protagonist thus far?

I think as his friends move on from him and the longer he stays in the hotel, the more claustrophobic he is getting. Plus, his way of life is rapidly disappearing in Russia. He can’t leave the country...I don’t know why he came back...so what else is there for him to do?

[Maritza]

Day 3 Discussion Questions
May 14 1926/Adieu - Addendum

14. The Count meets an Englishman in the bar and tells him what happened to his sister. What did you think of the story and were you surprised he told it to a stranger in a bar? Do you think he's right to feel responsible and do you think it is influencing his actions and behaviour?

- I thought the story was heartbreaking and something that could have happened to anyone. I am not surprised that he shared as the was men bonding over drinks. I think he shouldn't feel responsible but it is understandable.

15. On the night he decides to end things he involves himself in the discussion in the bar then hesitates at the edge of the roof. Do you think he would really have stepped off if he hadn't been interrupted? Why do you think he changed his mind after tasting the honey?

-I don't know that he really meant to step off but since he had it in his mind for so long I think it was a natural progression for him. I'm not sure why he changed his mind .

16. "when you exile a man into his own country, there is no beginning anew" Do you agree that for a man like the Count his confinement to the hotel is a greater punishment than if he'd been exiled to another country? Would this be the case for everyone as the book suggests? It seemed like the Prince didn't suffer so much being subject to the Minus Six.

-I think that if you are exiled in a place that you know it could be considered a big punishment because you are familiar with things that are close to you and you are denied the ability to just step out anytime you want.

17. I really like Nina as a character and loved the relationship between her and the Count so was surprised when she met him as an adult and was so cold towards him. Why do you think this was? Do you think they'll be reunited and become close again or are they heading in different directions?

-I don't think they will meet again. Since she was little I got the impression that Nina just wanted to leave and explore the world. Their meeting was for the moment but will have a lasting impression on the Count.

18. Anna's fortunes changed dramatically. What did you think about how she dealt with it? Do you believe she has changed? What about her relationship with the Count? Were you surprised? Do you think it is serious and will last or are they just using each other?

-I knew she would be back, that is like someone who wants something that they know they shouldn't want. I think Anna is tougher than we think and is able to adopt to any circumstance that life throws her way. I think that is a forbidden love but they might find themselves together again.

19. The Count is working as head waiter in the restaurant and seems to have formed a real friendship with Andrey and Emile. What are your thoughts on Andrey and Emile and why do you think they get on so well? I absolutely loved the scene with Triumvirate and the bouillabaisse but was a bit confused as to why it was such a secret. Why was it so important to them and why did it cause such a strong emotional reaction?

-Thinking about the times they are living and the situation they find themselves in I am not surprised at their relationship. It is a secret they share among themselves and like a challenge to find all the ingredients that they need.

20. What were your feelings on the meeting between the Count and Osip Ivanovich Glebnikov? He wants the Count to meet with him regularly to help him learn about the English and the French languages and cultures. Why do you think this is and why the Count? Do you think the Count will gain anything from this or is he heading for trouble?

-I think that the Count by his position and carriage, draws the attention of many. I think that Osip may become an ally for him.

[Maritza]

May 16 QUESTIONS
SECTION 1938/An Arrival - Addendum pages 229 - 317

#21. Up to this point in the book we have seen many references to smell and taste and ingredients of both wine and food, what significance do you think this has on the book? Who do you think the mystery ingredient provider may be?

Smell and taste are the way we live our lives. If you think about it smells and taste are how we discover what we like. It is also an experience you can share with strangers and across language barriers. I don't think the provider is important to the story.

#22. The Count may be exiled, but he has no shortage of funds and it doesn't seem to come solely from his coin stash, why do you think that his money was not impounded by the court when he was placed into exile? What impact would that have had on the story? Do you think he is paying for the room he stays in?

They may now have been aware of all his funds as we found out with the desk. This money will always allow him to be a gentleman of means. I don't see how he would be allowed to stay in the hotel without paying.

#23. What are your thoughts on Nina leaving Sofia with the Count? Would this be the way you would deal with the situation if faced with the same? If you were in a similar position, given the story thus far, would you feel as if you knew Sasha enough to do the same?

Nina knows that the Count cannot leave the hotel so her leaving Sophia kind of makes sense as she will always know where to find her. I wondered what happened to her father and why she couldn't stay with him. If I did not have any family I would probably ask him what I should do.

#24. What are your thoughts on the "thimble" game? What do you think is says about Sofia, and what does it show us about the Count?

Sofia is as smart as her mama.

#25. Do you think the count has after had to look after anyone else in his life or has he only ever been looked after? Do you think that the Count is changing more now than ever before in his life? What might be some indications that make you think the way you do?

The count is adopting to her circumstances and his condition in life. I just feel that as he gets older he needs to change to fit his surroundings.

#26. What do you think are the ramifications of Sofia's presence? Do you think that we will see Nina again?

I do not think that we will see Nina again. Sophia will settle the Count a little more.

#27. Do you think anything will happen to the count for going to the hospital? Why do you think that Osip helped him?

No I don't anyone will ever know he left the hotel. Osip likes the Count and has the means to help him.

[Apoorv]

Discussion Questions #1
Section: June 5, 1922 - An Assembly
Pages: 1 - 76

1. Do you have much previous knowledge of Russian history and politics in the early 1900s? How does that affect how you feel at the start of the book? (Note: Wikipedia states there was a Russian civil war in 1917 followed immediately by a Revolution from 1917 to October 1922 - which is the year our book starts.)
I do have a little bit of background knowledge about the Russian revolution and the black period that the country faced during the World War I and the Revolution. I absolutely loved how that fact played brilliantly in the book. I did feel that there could have been a little more about the Count and how the poem came into being just to smoothen out the start, but I was fascinated by the subtle gentlemanly attitude of the words on the page from the get go.

2. I got a bit of a "Little Princess" vibe when the count was banished to the attic of the hotel. And there is a great section on saying goodbye to people vs. saying goodbye to possessions. "We carry them from place to place, often at considerable expense and inconvenience;...all the while allowing memories to invest them with greater and greater importance....But, of course, a thing is just a thing." What do you think of the possessions he elected to take with him to the attic? If you were in a similar situation, what is one thing you would for sure take with you?
That piece about biding adieu to people vs possessions was beautifully crafted. And it is so true. We get tangled with things and it becomes extremely difficult to part ways with them, which really is funny, because they are things afterall. But, such is the human nature. The Count came across as very nonchalant or cavalier through the trial and the judgement, but I liked how this gave us a small peak into the sentimental side of him. Yet, his practical side remained intact when he let go of his possessions given the size of his confinement chambers.

If I was ever put under house arrest similar to the Count, I would carry with me blank papers and many pens, and write down everything that comes through my mind during that stay.

3. What do you think about the Count and his reading habits? Specifically - how he is struggling with the Essays and how he likes to tilt back his chair. Can you relate to either or both of those?
I found that very relatable and funny at the same time. Just like how he had to re-read a few pages to understand what he was reading, I have had to do that many a times, simply because the mind drifts at times, or there are many thoughts crowding your head. Reading really needs the right frame of mind and right mood, or one needs to read the right books that can bring their straying mood back on the right track.

4. The Count has to decide how he will handle his confinement. He thinks of favorite literary characters, and finally decides he will commit to practicalities. What do you think that means, and is there anything he does in this early stage that you particularly admire?
I definitely admire how he took his confinement in its stride instead of sulking about it. He re-arranged and re-decorated his small space to suit his needs, and made sure the quarters were livable. I think that is a very positive sign as to how he looks at this unfortunate arrangement.

5. Why do you think it is called "A Gentleman in Moscow" instead of "A Count in Moscow"? Just because it sounds better, or do you think there is a reason? Do you find him an appealing character so far?
The Count is truly a gentleman. (To top that, I find the language and the narrative equally gentlemanly and posh, which accentuates the narrative quality.) I definitely think the Count is a very peculiar personality and he is much more than just his honorifics and title.

6. Nina (the little girl in yellow) seems to be an important distraction. What is your impression of her so far? Do you think she will be an important character?
I started off getting irritated with his attitude, but then she is grew up on me. She definitely seems to have a bigger role to play in the narrative and the Count's life.

----------------------------------------------------------------
Discussion Questions #2
Section: Archeolgies – 1924: Anonymity,
Pages. 77-145

7. A Gentleman in Moscow references a lot of famous Russian literature (War and Peace, The Brothers Karamazov, Anna Karenina, etc.) and famous Russian authors (Leo Tolstoy, Fyodor Dostoyevsky, etc.). Have you read any Russian literature/any of the books the author cites? How is this novel similar or different to these works?
I had read Fyodor Dostoyevsky's 'The Idiot', many moons ago, but I haven't read a whole lot of the Russian giants, purely because I do think that the literature is very rich and needs a certain amount of patience, time and commitment towards completion. I would want to give these books that, so hopefully I will turn back to these in the near future when I am able to fulfill my commitment towards them.

8. The Count met a large cast of colorful characters in this section. Which encounter, vignette, or flashback was your favorite? Which one struck you the most?
This indeed was interesting. I definitely liked Mishka, and am very curious to see how that relation unfolds, but what I really loved was when the Count got to go to the roof with the handyman and feel the world outside his confined space. I do believe that there is no greater joy than being free and I was glad that the Count got a chance to experience that.

9. What do you think of Anna Urbanova? Do you think she will reappear in the story later?
Anna will definitely return, but I am not her biggest fan purely because she came across as a bit pretentious. Now, I understand that being an actor, that's the job. But she felt snotty and spoilt and it didnt create the greatest impressions on me.

10. The Count believes Anna has cast a sort of spell on him that is turning him more ghost-like. Is there evidence to support this? The Count vividly describes friendship in the last chapter of this section, Anonymity (on page 134). By his description, do you think the Count has any remaining friends?
This is a tricky one. I want to say that the Count does have some friends left, but its hard to say so for sure. Either way, I do think that he will make a lot of friends or acquaintances at the Metropole. Regarding Anna, I think he is just enamored by her. I don't think its quite love yet, but there isnt really any evidence yet to support any of what he thinks about her.

11. The wine cellar seems to be a turning point in the Count’s perspective on his imprisonment. What did you think of his description of the wines? What are your thoughts on the Bishop? Do you think that he really orchestrated this change out of spite, or was it higher officials that brought this to pass?
The Bishop is one cheeky little pain in the butt. He may not necessary have been responsible for the change and I do think this came up from higher up, but he is no Mr. Goody-two-shoes. I don't drink wine or any alcohol for that matter, but it is always fascinating to learn about different things and I absolutely loved the various descriptions of the wines.

12. The narrator has a couple of lively footnotes in these chapters. Do you think the narrative voice is the Count, or someone else? How are the narrator and the Count similar or different? Do you think the Count is as happy or vivacious as the narrator seems to be?
I love footnotes in general. So, I do think that this was a smart play by the author. Having said that though, I am disconnected when I look at this only through the narrators perspective. I dont think or feel that they are in sync together and that sort of throws me off. The narrator is way to happy for what the Count may feel (and given the description of the Count, I am almost certain of his personality) given the situation.

13. The chapters in this section foreshadow the Count attempting suicide. We were left on quite a cliffhanger! What do you think has driven him to this point? As we are getting more of a window into his past, do you have any theories as to why the Count returned to Moscow in the first place? How do you like the Count as a protagonist thus far?
I do like him as a protagonist. He seems to have a level-head on his shoulders and is aware of his surroundings and himself. I have a slight theory about why he would have returned to Moscow, but I am not certain yet. Something major will happen in the future for the Count to even consider suicide, or maybe confinement finally did get the best of him.

[Bety]

Do you have much previous knowledge of Russian history and politics in the early 1900s? How does that affect how you feel at the start of the book?
(Note: Wikipedia states there was a Russian civil war in 1917 followed immediately by a Revolution from 1917 to October 1922 - which is the year our book starts.)

I only really have a vague notion of Russian History from world civ classes. I was a little hesitant about picking this up because I've never really been into Russian History, Historical Fiction, or History in general, so I guess I was pessimistic about it to start. It took me a while to stop feeling like it was going to be stuffy and boring.

2. I got a bit of a "Little Princess" vibe when the count was banished to the attic of the hotel. And there is a great section on saying goodbye to people vs. saying goodbye to possessions. "We carry them from place to place, often at considerable expense and inconvenience;...all the while allowing memories to invest them with greater and greater importance....But, of course, a thing is just a thing." What do you think of the possessions he elected to take with him to the attic? If you were in a similar situation, what is one thing you would for sure take with you?

I didn't really think much of what he decided to take. The clock was significant, but I didn't at first see significance in anything else. I have very little possession-wise that I'm very attached to. I really like my bed and my books, I suppose! No big sentimental objects or family heirlooms though.

3. What do you think about the Count and his reading habits? Specifically - how he is struggling with the Essays and how he likes to tilt back his chair. Can you relate to either or both of those?

It seems just like someone trying to push themselves to get into reading. I rarely double back on my reading because I haven't absorbed enough. If I do, I was either very tired or it was very noisy!

4. The Count has to decide how he will handle his confinement. He thinks of favorite literary characters, and finally decides he will commit to practicalities. What do you think that means, and is there anything he does in this early stage that you particularly admire?

It's a good carry-on sort of attitude. It's interesting because he ends up capable of a somewhat vivid life while confined. I was hoping maybe he would pursue more of a skill or something.

5. Why do you think it is called "A Gentleman in Moscow" instead of "A Count in Moscow"? Just because it sounds better, or do you think there is a reason? Do you find him an appealing character so far?

Rostov doesn't really seem like a Count to me. He is certainly gentlemanly, and that title I think fits him better given his current situation. He doesn't do a lot of things a count would be expected to do. I think Gentleman just gives a more true idea of what the book will be about.

6. Nina (the little girl in yellow) seems to be an important distraction. What is your impression of her so far? Do you think she will be an important character?

I think perhaps she is meant to be his foil? She has an innocence and youth that the Count is just a bit beyond. I think throughout the later parts of the book, her aging also helps us track the passage of time better than Rostov's aging.

[Fajriy]

Day 1 Discussion Questions
Section: June 5, 1922 - An Assembly pages: 1 - 76

1. Do you have much previous knowledge of Russian history and politics in the early 1900s?
I know there was a war. But, I don't know much about it.
How does that affect how you feel at the start of the book?
(Note: Wikipedia states there was a Russian civil war in 1917 followed immediately by a Revolution from 1917 to October 1922 - which is the year our book starts.)
As I don't know what to expect, I just read and let the words take me where they may.

2. I got a bit of a "Little Princess" vibe when the count was banished to the attic of the hotel. And there is a great section on saying goodbye to people vs. saying goodbye to possessions. "We carry them from place to place, often at considerable expense and inconvenience;...all the while allowing memories to invest them with greater and greater importance....But, of course, a thing is just a thing." What do you think of the possessions he elected to take with him to the attic?
He honours his family and I think he also doesn't want to leave behind the life he had.
If you were in a similar situation, what is one thing you would for sure take with you?
Not one thing I think. I'd take the books for sure.

3. What do you think about the Count and his reading habits?
I think he's quite a picker. When he read the book that didn't really interest him, he's quite struggling to read it.
Specifically - how he is struggling with the Essays and how he likes to tilt back his chair. Can you relate to either or both of those?
I think what he does during he reads the Essays is because he wants to pass the time by reading, but the Essays just doesn't interest him enough.

4. The Count has to decide how he will handle his confinement. He thinks of favorite literary characters, and finally decides he will commit to practicalities. What do you think that means, and is there anything he does in this early stage that you particularly admire?
I think that means he'd just do what's necessary, adapt, and won't live his confinement as a punishment.
There's not really something that I admire from him so far. I just like his friendliness to the people around him and how he copes to the circumstance.

5. Why do you think it is called "A Gentleman in Moscow" instead of "A Count in Moscow"? Just because it sounds better, or do you think there is a reason?
It sounds better, yes. But I think there's more to it. Maybe it's because even though he's a Count, he doesn't live as a free man anymore and he need to adapt. So, maybe 'a gentleman' fits better than 'a Count'.
Do you find him an appealing character so far?
Not really. But, he might be. So, I'll just keep reading to find out.

6. Nina (the little girl in yellow) seems to be an important distraction. What is your impression of her so far?
I like her. She's a curious, brave, and clever girl. Even the Count learns something from her.
Do you think she will be an important character?
It doesn't seem so to me.

[Sarah]

At this point in the book I am enjoying the Count's relationship with Sophia as I enjoyed his adventures with Nina. He at least gets to live a little as a parental role. Having a relationship with a child is one of those life's treasures. I am only worried now, hoping he doesn't get in trouble for leaving the hotel to get Sophia to the hospital. Hopefully him trying to help Sophia doesn't turn into some whole hoopla of violating his confinement. If I understand it correctly, THE Count has to stay within the confines of the hotel?

[Halli]

I started this book two days ago and so far I'm pleasantly surprised. I was expecting to hate it, and while it's a little slower paced than books I usually read, I'm actually really enjoying it. Thankfully I needed to read this book for 2 different challenges, or I probably would have given up before I even gave it a chance.

[Sarah]

Day 1 Discussion Questions
Section: June 5, 1922 - An Assembly pages: 1 - 76

1. Do you have much previous knowledge of Russian history and politics in the early 1900s? How does that affect how you feel at the start of the book?
(Note: Wikipedia states there was a Russian civil war in 1917 followed immediately by a Revolution from 1917 to October 1922 - which is the year our book starts.)

I have always loved history, so I knew the background, if not the exact details of the Revolution.

2. I got a bit of a "Little Princess" vibe when the count was banished to the attic of the hotel. And there is a great section on saying goodbye to people vs. saying goodbye to possessions. "We carry them from place to place, often at considerable expense and inconvenience;...all the while allowing memories to invest them with greater and greater importance....But, of course, a thing is just a thing." What do you think of the possessions he elected to take with him to the attic? If you were in a similar situation, what is one thing you would for sure take with you?

I hadn't thought of it, but yes, there is a similarity with A Little Princess.

I can't completely remember the specific possessions he chose (except the very useful desk/bank), but he seemed to have a reason behind every choice.

3. What do you think about the Count and his reading habits? Specifically - how he is struggling with the Essays and how he likes to tilt back his chair. Can you relate to either or both of those?

I can relate to struggling though a book, certainly. I'm usually too stubborn to quit a book when the only thing I have against it is dullness.

4. The Count has to decide how he will handle his confinement. He thinks of favorite literary characters, and finally decides he will commit to practicalities. What do you think that means, and is there anything he does in this early stage that you particularly admire?

I admire his decision not to be sustained by revenge.

5. Why do you think it is called "A Gentleman in Moscow" instead of "A Count in Moscow"? Just because it sounds better, or do you think there is a reason? Do you find him an appealing character so far?

I think it is about recognising the choices made by the Count. He has no choice over whether he retains his title, but he can choose to be a gentleman whatever his circumstances.

6. Nina (the little girl in yellow) seems to be an important distraction. What is your impression of her so far? Do you think she will be an important character?

Yes, I think she will be an important character. I like her so far.

[Fajriy]

Day 2 Discussion Questions
Section: Archeologies – 1924: Anonymity, pgs. 77-145
(TW: question 13 addresses attempted suicide)

7. A Gentleman in Moscow references a lot of famous Russian literature (War and Peace, The Brothers Karamazov, Anna Karenina, etc.) and famous Russian authors (Leo Tolstoy, Fyodor Dostoyevsky, etc.). Have you read any Russian literature/any of the books the author cites?
How is this novel similar or different to these works?
I think I have, but none from the cited works in this novel.

8. The Count met a large cast of colorful characters in this section. Which encounter, vignette, or flashback was your favorite?
My favorite is the beginning of the Advent, especially the flashback of his childhood.
Which one struck you the most?
His encounter with Anna Urbanova. It's just kind of different and something that changes him and makes him aware of his true situation.

9. What do you think of Anna Urbanova?
I don't really like her. She's a rather too proud character.
Do you think she will reappear in the story later?
I think she will, because it seems that she has an unfinished business with the Count.

10. The Count believes Anna has cast a sort of spell on him that is turning him more ghost-like. Is there evidence to support this?
I don't think so. It's just Anna wants to show the Count that she can handle what needs to be because her pride is hurt when the Count says she can't handle her dogs. And it happens that what Anna does makes the Count finally aware of how his life actually is. He lives his confinement as if he's happy, as if he enjoys his time, as if he adapts well, but actually not. Anna shows him how disoriented, lonely, and unprepared of changes he actually is.
The Count vividly describes friendship in the last chapter of this section, Anonymity (on page 134). By his description, do you think the Count has any remaining friends?
I think Mishka is his only friend.

11. The wine cellar seems to be a turning point in the Count’s perspective on his imprisonment. What did you think of his description of the wines?
The way he describes the wines shows that he has strong sense of analysing life. Through examining the wines, he reflects how his life has been, what changes he had experienced, and how that changes made him who he is now.
What are your thoughts on the Bishop? Do you think that he really orchestrated this change out of spite, or was it higher officials that brought this to pass?
Higher officials sound more plausible so far, and I think the Bishop just does his job.

12. The narrator has a couple of lively footnotes in these chapters. Do you think the narrative voice is the Count, or someone else?
I think the narrator is the Count himself as many times their voices seem to merge into one and it's difficult to differ which one is which.
How are the narrator and the Count similar or different?
Both are more similar than different. The difference is only the narrator has more control of emotion than the Count.
Do you think the Count is as happy or vivacious as the narrator seems to be?
I don't think so. He just wants to look happy.

13. The chapters in this section foreshadow the Count attempting suicide. We were left on quite a cliffhanger! What do you think has driven him to this point?
I think it's because of the feeling of ghost-like and loneliness as one by one his friends seem to leave him. He feels like slowly being pushed into the background.
As we are getting more of a window into his past, do you have any theories as to why the Count returned to Moscow in the first place?
Maybe it's he spent most of his past life in Moscow, and with the revolution he hopes Moscow will be a better place to live.
How do you like the Count as a protagonist thus far?
I like him better and his behaviours just shows that he's truly a gentleman.

[Fajriy]

Day 3 Discussion Questions
May 14 1926/Adieu - Addendum

14. The Count meets an Englishman in the bar and tells him what happened to his sister. What did you think of the story and were you surprised he told it to a stranger in a bar?
That's a rather unfortunate story which opens more window to the Count's past. And I think it answers why he wanted to end his life. I think his guilt over his sister that made him act so. The Count is rather lonely and has a few friends to talk to, so, it wasn't so surprising to me.
Do you think he's right to feel responsible and do you think it is influencing his actions and behaviour?
As it is already revealed that he's really close to his sister. So, the feeling of responsibility is normal even though it's something that's beyond his control. And it strongly affects his behaviour when he's alone and feel like talking to his sister. And as I said before, his thoughts of suicide comes from there.

15. On the night he decides to end things he involves himself in the discussion in the bar then hesitates at the edge of the roof. Do you think he would really have stepped off if he hadn't been interrupted?
I think no.
Why do you think he changed his mind after tasting the honey?
Maybe the story of the bee's journey back gives him a hope that his life would get better. I'm not sure.

16. "when you exile a man into his own country, there is no beginning anew" Do you agree that for a man like the Count his confinement to the hotel is a greater punishment than if he'd been exiled to another country?
I agree with that. Because his past memory remains all around him and running from the past is not so easy for him.
Would this be the case for everyone as the book suggests? It seemed like the Prince didn't suffer so much being subject to the Minus Six.
Not really for everyone. It depends on how the person reacts to the situation.

17. I really like Nina as a character and loved the relationship between her and the Count so was surprised when she met him as an adult and was so cold towards him. Why do you think this was?
Things change and so is Nina's life, friends, environment, and her way of thinking. And even though she was nice to the Count, we also saw that Nina sometimes disagree about some things with the Count.
Do you think they'll be reunited and become close again or are they heading in different directions?
I think they're heading in different directions, will be having stories of their own, but it's not impossible that they'll become 'friends' again someday.

18. Anna's fortunes changed dramatically. What did you think about how she dealt with it?
She's a strong willed woman, not easy to bend, I like her about that.
Do you believe she has changed?
It's still somewhat unclear, but I think she hasn't really changed.
What about her relationship with the Count? Were you surprised?
Not really. I kind of expect it.
Do you think it is serious and will last or are they just using each other?
I think it's she who seems to be charmed by the Count. And the Count's just using her.

19. The Count is working as head waiter in the restaurant and seems to have formed a real friendship with Andrey and Emile. What are your thoughts on Andrey and Emile and why do you think they get on so well?
I like Andrey ever since his first appearance on this novel, but Emile ... not so. One reason they get on so well is because I think they love their job and they like to have supportive partners. Another reason is maybe because they find themselves in somehow similar situations, about having few friends and the need of someone to talk to, even though I'm so sure about the latter.
I absolutely loved the scene with Triumvirate and the bouillabaisse but was a bit confused as to why it was such a secret. Why was it so important to them and why did it cause such a strong emotional reaction?
I'm also not sure about this. Maybe it's a secret because they want to avoid the similar incident to 'the wine substitution'. And maybe it's important because it reflects their friendship.

20. What were your feelings on the meeting between the Count and Osip Ivanovich Glebnikov?
It's rather unexpected to me and I think Osip has hidden intention toward the Count and I don't think it's a good one.
He wants the Count to meet with him regularly to help him learn about the English and the French languages and cultures. Why do you think this is and why the Count?
I think learning languages is just an excuse that Osip made. Maybe the Count has something that help him succeed his hidden intention or secret mission, who knows. And I kind of have a feeling that it's related to the Count's poem and the wine accident at his restaurant.
Do you think the Count will gain anything from this or is he heading for trouble?
Maybe he'll know few information valuable to him, but I think he'll also be in trouble at the same time.

[Sarah]

Day 2 Discussion Questions
Section: Archeolgies – 1924: Anonymity, pgs. 77-145
(TW: question 13 addresses attempted suicide)

7. A Gentleman in Moscow references a lot of famous Russian literature (War and Peace, The Brothers Karamazov, Anna Karenina, etc.) and famous Russian authors (Leo Tolstoy, Fyodor Dostoyevsky, etc.). Have you read any Russian literature/any of the books the author cites? How is this novel similar or different to these works?

I've watched Anna Karenina and War and Peace, and I'd like to get around to reading them one day. I recently read my first Dostoyevsky and was surprised at how readable it was.

8. The Count met a large cast of colorful characters in this section. Which encounter, vignette, or flashback was your favorite? Which one struck you the most?

I liked the story of Nikolai.

9. What do you think of Anna Urbanova? Do you think she will reappear in the story later?

She will probably reappear, as she can't forget the Count. I think her diva-ness is a reaction against her poor background.

10. The Count believes Anna has cast a sort of spell on him that is turning him more ghost-like. Is there evidence to support this? The Count vividly describes friendship in the last chapter of this section, Anonymity (on page 134). By his description, do you think the Count has any remaining friends?

I think it more likely that the Count is drawing further into himself as a result of his confinement.

11. The wine cellar seems to be a turning point in the Count’s perspective on his imprisonment. What did you think of his description of the wines? What are your thoughts on the Bishop? Do you think that he really orchestrated this change out of spite, or was it higher officials that brought this to pass?

I think the Bishop was behind the wine labels being removed - and that it would have been all too easy to accomplish.

12. The narrator has a couple of lively footnotes in these chapters. Do you think the narrative voice is the Count, or someone else? How are the narrator and the Count similar or different? Do you think the Count is as happy or vivacious as the narrator seems to be?

I enjoyed the footnotes. The narrator appeared to have a different "voice" to the Count, but I suppose it is possible that it was an older, happier Count supplying the narration.

13. The chapters in this section foreshadow the Count attempting suicide. We were left on quite a cliffhanger! What do you think has driven him to this point? As we are getting more of a window into his past, do you have any theories as to why the Count returned to Moscow in the first place? How do you like the Count as a protagonist thus far?

As others have said, I thought he came back to organise the escape of his grandmother.

[megan]

Ugh! Sorry for being so far behind - I just couldn't get into this until page ~100.
Days 1 & 2

1. Do you have much previous knowledge of Russian history and politics in the early 1900s? How does that affect how you feel at the start of the book?

I do. I read The Romanov Sisters: The Lost Lives of the Daughters of Nicholas and Alexandra a couple years ago. I was well aware of the socioeconomic factors that would likely drive the story.

2. I got a bit of a "Little Princess" vibe when the count was banished to the attic of the hotel. And there is a great section on saying goodbye to people vs. saying goodbye to possessions. "We carry them from place to place, often at considerable expense and inconvenience;...all the while allowing memories to invest them with greater and greater importance....But, of course, a thing is just a thing." What do you think of the possessions he elected to take with him to the attic? If you were in a similar situation, what is one thing you would for sure take with you?

He chose these possessions in order to recreate as much of a scaled down version of his previous life as possible. As much as they are just 'things,' the aristocracy are defined by their 'things' or ability to acquire them. If i had to choose one thing to bring with me it would be my college diploma. i'm not very sentimental.

3. What do you think about the Count and his reading habits? Specifically - how he is struggling with the Essays and how he likes to tilt back his chair. Can you relate to either or both of those?

He's used to novels, not non-fiction. It comes with having the life he was accustomed to. Tilting his chair simply means he likes to relax when reading and out of habit.

4. The Count has to decide how he will handle his confinement. He thinks of favorite literary characters, and finally decides he will commit to practicalities. What do you think that means, and is there anything he does in this early stage that you particularly admire?

Practicalities because he still has to be able to live a semi-normal life. That he sets up such a small room as if it were many is highly admirable.

5. Why do you think it is called "A Gentleman in Moscow" instead of "A Count in Moscow"? Just because it sounds better, or do you think there is a reason? Do you find him an appealing character so far?
The term 'count' would be looked upon badly in the time people in which the story is set. Even if Sasha's title is removed, he is still a gentlemen.

6. Nina (the little girl in yellow) seems to be an important distraction. What is your impression of her so far? Do you think she will be an important character?

She's a wonderfully playful addition and I am glad she becomes a regular.

7. A Gentleman in Moscow references a lot of famous Russian literature (War and Peace, The Brothers Karamazov, Anna Karenina, etc.) and famous Russian authors (Leo Tolstoy, Fyodor Dostoyevsky, etc.). Have you read any Russian literature/any of the books the author cites? How is this novel similar or different to these works?
I've read several. The writing styles of Tolstoy and Dostoyevsky are the typical romantic/dramatic styles of their time period. They make modern literature feel as if it is lacking.

8. The Count met a large cast of colorful characters in this section. Which encounter, vignette, or flashback was your favorite? Which one struck you the most?

I loved the story about the apples and that he could use it to relate to more than one of his acquaintances.

9. What do you think of Anna Urbanova? Do you think she will reappear in the story later?

Purposely aloof. She'll be back.

10. The Count believes Anna has cast a sort of spell on him that is turning him more ghost-like. Is there evidence to support this? The Count vividly describes friendship in the last chapter of this section, Anonymity (on page 134). By his description, do you think the Count has any remaining friends?

Maybe more ghost like because he is no longer the larger than life physical presence in the hotel due to his confinement. It could also be because he has lost most of his friends or they have moved on or stayed behind when Sasha returned home. Russia is changing drastically outside the hotel and the Count is remaining the same. Everyone he once held close has moved on.

11. The wine cellar seems to be a turning point in the Count’s perspective on his imprisonment. What did you think of his description of the wines? What are your thoughts on the Bishop? Do you think that he really orchestrated this change out of spite, or was it higher officials that brought this to pass?

Loved the descriptions of the wines. Not a fan of the Bishop.

12. The narrator has a couple of lively footnotes in these chapters. Do you think the narrative voice is the Count, or someone else? How are the narrator and the Count similar or different? Do you think the Count is as happy or vivacious as the narrator seems to be?
The narrator is someone else. He/she has the advantage of knowing what becomes of the characters and Sasha is just taking it day by day. There has to be more inner turmoil than he lets on.

13. The chapters in this section foreshadow the Count attempting suicide. We were left on quite a cliffhanger! What do you think has driven him to this point? As we are getting more of a window into his past, do you have any theories as to why the Count returned to Moscow in the first place? How do you like the Count as a protagonist thus far?

After all he has been through, it would take something extreme to push the Count to the point of suicide. I think it mentions he returned for family. Maybe his sister? Maybe its a revelation about his sister or someone he loves that drives him to the point of suicide. As a character, the Count is finally gaining some depth.

[Sarah]

Day 3 Discussion Questions
May 14 1926/Adieu - Addendum

14. The Count meets an Englishman in the bar and tells him what happened to his sister. What did you think of the story and were you surprised he told it to a stranger in a bar? Do you think he's right to feel responsible and do you think it is influencing his actions and behaviour?

I wasn't surprised he told the story to a stranger. Whether it's true in real life that it's easier to unburden your secrets to a stranger I don't know, but it is certainly a well-used trope in literature.

I don't think he's right to feel responsible, but of course it is easier to see that when it's someone else's misplaced guilt and not your own.

15. On the night he decides to end things he involves himself in the discussion in the bar then hesitates at the edge of the roof. Do you think he would really have stepped off if he hadn't been interrupted? Why do you think he changed his mind after tasting the honey?

He was very drunk, so who knows? Maybe the honey showed him that there were still things that could surprise and delight him, even in his circumstances.

16. "when you exile a man into his own country, there is no beginning anew" Do you agree that for a man like the Count his confinement to the hotel is a greater punishment than if he'd been exiled to another country? Would this be the case for everyone as the book suggests? It seemed like the Prince didn't suffer so much being subject to the Minus Six.

Yes, for the Count it is a greater punishment than exile.

17. I really like Nina as a character and loved the relationship between her and the Count so was surprised when she met him as an adult and was so cold towards him. Why do you think this was? Do you think they'll be reunited and become close again or are they heading in different directions?

I think Nina will be enlightened to the realities of the Soviet system and lose her current enthusiasm. I'm sure we'll see her again.

18. Anna's fortunes changed dramatically. What did you think about how she dealt with it? Do you believe she has changed? What about her relationship with the Count? Were you surprised? Do you think it is serious and will last or are they just using each other?

I appreciated the fact that characters are allowed to grow and change in the course of the book, rather than remaining static. I think Anna is wiser now, and that there is affection between her and the Count. I don't know if there is any love though.

19. The Count is working as head waiter in the restaurant and seems to have formed a real friendship with Andrey and Emile. What are your thoughts on Andrey and Emile and why do you think they get on so well? I absolutely loved the scene with Triumvirate and the bouillabaisse but was a bit confused as to why it was such a secret. Why was it so important to them and why did it cause such a strong emotional reaction?

I imagine it brought back memories and made them all feel nostalgic.

20. What were your feelings on the meeting between the Count and Osip Ivanovich Glebnikov? He wants the Count to meet with him regularly to help him learn about the English and the French languages and cultures. Why do you think this is and why the Count? Do you think the Count will gain anything from this or is he heading for trouble?

I think that Glebnikov wants to learn from someone who cannot inform on him. This kind of fraternisation and admitting that an aristocrat could teach him anything useful is exactly the kind of thing that would make him vulnerable to purges in later years.

For the Count, it is hard to see if this will help or hinder him. It could go either way, but he is in no position to refuse, and as a gentleman, would not anyway.

[megan]

Day 3 - finally getting good!!!!

14. The Count meets an Englishman in the bar and tells him what happened to his sister. What did you think of the story and were you surprised he told it to a stranger in a bar? Do you think he's right to feel responsible and do you think it is influencing his actions and behaviour?
No, I wasn’t surprised he told the Englishman. It’s as if he needed to get it off his chest one last time before he ends it. He shouldn’t feel responsible for her death at all. Her heartbreak? Yes. Death? No.

15. On the night he decides to end things he involves himself in the discussion in the bar then hesitates at the edge of the roof. Do you think he would really have stepped off if he hadn't been interrupted? Why do you think he changed his mind after tasting the honey?
I think he would have. If he saw the afterlife as a chance to be with the sister he feels he owes so many apologies too. It was the apples. A sign, maybe?

16. "when you exile a man into his own country, there is no beginning anew" Do you agree that for a man like the Count his confinement to the hotel is a greater punishment than if he'd been exiled to another country? Would this be the case for everyone as the book suggests? It seemed like the Prince didn't suffer so much being subject to the Minus Six.
Yes. Especially since he has family and money in Europe. It wouldn’t be the case for everyone – depends on access to funds and ties outside the country.

17. I really like Nina as a character and loved the relationship between her and the Count so was surprised when she met him as an adult and was so cold towards him. Why do you think this was? Do you think they'll be reunited and become close again or are they heading in different directions?
He represents everything she and her friends have committed their lives to eradicating. She’d likely have to answer questions from her friends later on, and seeming cold would make lying easier. I hope she reappears.

18. Anna's fortunes changed dramatically. What did you think about how she dealt with it? Do you believe she has changed? What about her relationship with the Count? Were you surprised? Do you think it is serious and will last or are they just using each other?
Anna’s attempt to regain fame was ingenious. It worked wonderfully. I don’t know if it matters if she changed or not. She is from humble beginnings. I wasn’t surprised to see her return. She was too affected by their first encounter. It’s not serious, it’s mutual need.

19. The Count is working as head waiter in the restaurant and seems to have formed a real friendship with Andrey and Emile. What are your thoughts on Andrey and Emile and why do you think they get on so well? I absolutely loved the scene with Triumvirate and the bouillabaisse but was a bit confused as to why it was such a secret. Why was it so important to them and why did it cause such a strong emotional reaction?
Love that he’s found a purpose with such old friends. The spices must remain a secret because they aren’t typical Russian spices available to everyone, which goes against the principles of communism. Being caught with such contraband could easily mean death. It represents a life once had with people who appreciate the power of food.

20. What were your feelings on the meeting between the Count and Osip Ivanovich Glebnikov? He wants the Count to meet with him regularly to help him learn about the English and the French languages and cultures. Why do you think this is and why the Count? Do you think the Count will gain anything from this or is he heading for trouble?
He worries me. If Sasha teaches him of English and French, Glebnikov will have an advantage over his comrades. I can see Osip taking advantage of the Count to get a heads up, but turning on Sasha in the end.

[Amy the book-bat]

May 16 QUESTIONS
SECTION 1938/An Arrival - Addendum pages 229 - 317

#21. Up to this point in the book we have seen many references to smell and taste and ingredients of both wine and food, what significance do you think this has on the book? Who do you think the mystery ingredient provider may be?
Food is his greatest escape from Moscow. He can travel around the world in a bite of food. I think Anna is supplying part of the ingredients. I wonder if maybe Nina might be sending some of them as well.

#22. The Count may be exiled, but he has no shortage of funds and it doesn't seem to come solely from his coin stash, why do you think that his money was not impounded by the court when he was placed into exile? What impact would that have had on the story? Do you think he is paying for the room he stays in?
Since the coins were hidden in the desk leg, the court may not have known about them. If his money was taken away, he may have gone through with the suicide much earlier because he would have become a burden to society. I think he may be paying a reduced rate for his room and perhaps that is why he is waiting tables?

#23. What are your thoughts on Nina leaving Sofia with the Count? Would this be the way you would deal with the situation if faced with the same? If you were in a similar position, given the story thus far, would you feel as if you knew Sasha enough to do the same?
I think the lack of close family and the fact that she pretty much grew up with the Count are why she thought of him to take care of Sofia. She probably thought that he would be able to teach Sofia some of the same things that hr taught her as a child.

#24. What are your thoughts on the "thimble" game? What do you think is says about Sofia, and what does it show us about the Count?
Sofia is very clever and is good at reasoning out things. I thought the game was a cute way for the two to get to know each other better.

#25. Do you think the count has ever had to look after anyone else in his life or has he only ever been looked after? Do you think that the Count is changing more now than ever before in his life? What might be some indications that make you think the way you do?
I think he tried to look after his sister to some extent, but never as much as he is looking after Sofia. He is certainly changing because children pretty much force you to change.

#26. What do you think are the ramifications of Sofia's presence? Do you think that we will see Nina again?
Sofia forces the Count to look after someone other than himself and he has to learn to make certain concessions to make the relationship work out. Since it has been such a long time, I am wondering if maybe Nina has died or been executed.

#27. Do you think anything will happen to the Count for going to the hospital? Why do you think that Osip helped him?
Osip helped the Count since they have been friends for a long time and the Count helped him a lot. I think the Count will be fine after the hospital because I think Osip will help fix it for him.

May 17 1950/Adagio.. - Achilles Agonoistes 321 - 394
Discussion Questions

28: Sofia is now seventeen on the edge of adulthood, did you find the Count's reaction when he found Sofia alone with Victor Stepanovich, an older man, unexpected or natural?
It is natural for a father to be protective of his daughter.

29: Over the years the Count and Richard Vanderwhile develop a friendship do you agree with the narrator of the book that people of similar social standing and upbringing will gravitate towards each other?
I do agree to a point. It is easier to build a friendship with people who are like yourself because you have so much more in common.

30: The Count became very upset when he discovered Sofia And Anna had become acquainted without his knowledge. Why do you think he wished to keep his relationship with Anna and his life as Sofia's father separate?
He tends to compartmentalize his friendships and so when he discovered that Anna and Sofia had met and become friendly, it bothered him that the separate parts of his life were coming together without his knowledge.

31: Were you surprised when Richard asked the Count to spy? Do you think this request and the Count turning him down will effect their friendship?
I was surprised. I think the Count did the right thing to turn him down.

32: What did you make of Mishka's Manuscript on bread? Do you think bread holds a special place in the Russian consciousness after reading the quotes Mishka used?
Bread has been mentioned several times, so it definitely holds a special place in Russian consciousness.

33: As we come to the final part of book what do you imagine will become of the Count, Sofia and Anna?
I don't know.

MAY 18: Question set 6
Arrivedreci - And Anon, p. 395 - 462

34. Time is a prevalent theme in A Gentleman in Moscow, the writing skillfully depicting the passage of years in the life of a man, as well as a country. How that time is experienced, be it through watching the stars travel across the sky, marking the day with the twice-tolling clock, anxiously watching the second hand of a watch - how time is experienced seems to vary greatly depending on what you are doing with your life and how you are spending your time. Do you agree with the quote "...life does not proceed by leaps and bounds. It unfolds."? Have you experienced time passing differently at different stages of your life?
Time unfolding is a really good description. (Also, for Dr. Who fans, "a big ball of wibbly-wobbly timey-wimey stuff" seems appropriate as well.) Yes, time does seem to pass differently at different stages of life, especially if you have children.

35. One thing I didn't expect from this book was the wry humor, especially from the narrator. Little lines like: "The Swiss diplomat, who spoke both Russian and Italian perfectly, exemplified his nation's reputation for neutrality by listening to both men with his mouth shut," reminded me, in tone, of the quiet smiles that underlie Jane Austen's social commentary. What aspects of the book surprised you as you read? What aspects will you take away with you most strongly
I enjoyed the way the literary references were woven into the fabric of the story.

36. Alexander is always analyzing chains of events, and how one decision or action led to another, then to another, i.e. what events led to him not being there for Helena's death, what events led to him meeting Nina, etc. What do you think Alexander was referring to when he said: "...in the end, it has been the inconveniences that have mattered to me the most." Do you think, throughout his life, he trusted to Fate more often, or grabbed his own destiny in his hands? Or is there one era of his life where he was more one way, and then changed?
The "inconveniences" are the things with the lasting impact because they were the things he had to work for or work out instead of having the leisurely life to do what he pleased.

37. There were gifts of significance throughout the novel: the Count giving Nina the opera glasses to observe the world from afar, Nina giving the Count the skeleton key to the hotel, wrapped in a Matryoshka package. What were some other gifts that stood out to you as you finished the book, material or spiritual?
The saffron for the Bouillabaisse.

38. He may have had his mustaches snipped, but it seems to me that Alexander remained a Gentleman throughout the story. I loved that he used a dueling pistol to waylay his nemesis, the Bishop, (does that make Alexander the Knight? Or perhaps the Castle?) but wouldn't shoot him because the Bishop wasn't an aristocrat (or, perhaps more importantly to the Count, a gentleman of honor.) What do you see as some of the biggest changes between the Old World Order society (Tsars, noble class, etc.) and New World Order society (apparatchiks, uniformity, etc.) as reflected in the book? What stays the same?
The New World Order seemed to be less mannerly and without true gentlemen.

39. The change to the country of Russia during the twentieth century: two World Wars, the shift to communism, etc. the idea that one person can have any effect on these epic events seems laughable. Yet, the novel ends with a striking moment of illumination: "But in setting upright the cocktail glass in the aftermath of the commotion, didn't he also exhibit an essential faith that by the smallest of one's actions one can restore some sense of order to the world?" And to bring another cooking metaphor into this, "...the events of an average day are as likely to transform who we are as a pinch of pepper is to transform a stew." What is your take on how single people or seemingly small events caused a chain reaction (there it is again) in the lives of other characters in the book? Do you think any of Alexander's choices were surprising, or were they completely consistent with his definition of a Gentleman?
I think his definition of gentleman evolved throughout the book. Alexander's life made a big difference in the lives of those around him, even if it was just in the everyday stuff.

40. What do you think caused Alexander to plan Sofia's escape? Knowing that he may never see Sofia again, why do you think he stayed in Russia with Anna - is he just a bee who has found his honey? And finally, do you agree with the statement: "One can revisit the past quite pleasantly, as long as one does so expecting nearly every aspect of it to be changed."
I think Alexander wanted to save Sofia from becoming a part of the Soviet "machine". He wanted her to experience the world and she couldn't do that in Moscow. Russia is the last place the KGB would look for Alexander since the believe he escaped to Finland.
I do agree with the statement. Like Alexander, the home I grew up in no longer exists (the house is now a gravel pit). I can have memories of living there, but nearly every aspect of "home" has changed.

[Brooke]

Day 1 Discussion Questions
Section: June 5, 1922 - An Assembly pages: 1 - 76

1. Do you have much previous knowledge of Russian history and politics in the early 1900s? How does that affect how you feel at the start of the book?
I know a bit from reading other historical fiction surrounding the Romanovs, but I never studied it in school.

2. I got a bit of a "Little Princess" vibe when the count was banished to the attic of the hotel. And there is a great section on saying goodbye to people vs. saying goodbye to possessions. "We carry them from place to place, often at considerable expense and inconvenience;...all the while allowing memories to invest them with greater and greater importance....But, of course, a thing is just a thing." What do you think of the possessions he elected to take with him to the attic? If you were in a similar situation, what is one thing you would for sure take with you?
I never read The Little Princess. But I do think he made wise choices in what he chose to take with him. He wanted comfort and a few memories of Idlehour. I was especially happy when he discovered the other room and made himself a den. I think he might not have made it otherwise.

3. What do you think about the Count and his reading habits? Specifically - how he is struggling with the Essays and how he likes to tilt back his chair. Can you relate to either or both of those?
I can relate with having a specific place/position in which to read. And I appreciate that he kept the largest book, thinking it would keep him occupied. But long, philosophical books of essays such as that would also serve as a leg to my dresser. LOL

4. The Count has to decide how he will handle his confinement. He thinks of favorite literary characters, and finally decides he will commit to practicalities. What do you think that means, and is there anything he does in this early stage that you particularly admire?
I love his general attitude. He is optimistic and appreciative of the staff of the hotel, not treating them as servants.


5. Why do you think it is called "A Gentleman in Moscow" instead of "A Count in Moscow"? Just because it sounds better, or do you think there is a reason? Do you find him an appealing character so far?
I think even though he is technically a Count, it has been made clear that the title doesn't give him any benefits. He is always a gentleman, however, because of his upbringing, manners, and general attitude.

6. Nina (the little girl in yellow) seems to be an important distraction. What is your impression of her so far? Do you think she will be an important character?
I love Nina and have a hard time believing she is 9-years-old. She has such knowledge and vocabulary for that age! I have a sad feeling that she won't be seen much in the rest of the book , though.

[Grace]

Day 1 Discussion Questions
Section: June 5, 1922 - An Assembly pages: 1 - 76

1. Do you have much previous knowledge of Russian history and politics in the early 1900s? How does that affect how you feel at the start of the book?
(Note: Wikipedia states there was a Russian civil war in 1917 followed immediately by a Revolution from 1917 to October 1922 - which is the year our book starts.)

Very little, bits and pieces about the revolution we covered at school and some from an older cousin who studied Russian Language and History at Uni.

2. I got a bit of a "Little Princess" vibe when the count was banished to the attic of the hotel. And there is a great section on saying goodbye to people vs. saying goodbye to possessions. "We carry them from place to place, often at considerable expense and inconvenience;...all the while allowing memories to invest them with greater and greater importance....But, of course, a thing is just a thing." What do you think of the possessions he elected to take with him to the attic? If you were in a similar situation, what is one thing you would for sure take with you?
I hadn't thought of the Little Princess until you mentioned it, he made the choices he needed to get him through. I would definitely take the books.

3. What do you think about the Count and his reading habits? Specifically - how he is struggling with the Essays and how he likes to tilt back his chair. Can you relate to either or both of those?

I used to have a specific reading place but ereaders have made it so much easier to read anywhere. I too would have struggled with the essays. I am a chair rocker, a terrible habit I have unfortunately passed on to my children.

4. The Count has to decide how he will handle his confinement. He thinks of favorite literary characters, and finally decides he will commit to practicalities. What do you think that means, and is there anything he does in this early stage that you particularly admire?

He could lament his situation or deal with it, he is choosing the latter and making the best of it.

5. Why do you think it is called "A Gentleman in Moscow" instead of "A Count in Moscow"? Just because it sounds better, or do you think there is a reason? Do you find him an appealing character so far?

I think the Title is Gentlemen as that is his character, Count is a title that is something that once brought advantages but no longer but being a Gentleman is part of him.

6. Nina (the little girl in yellow) seems to be an important distraction. What is your impression of her so far? Do you think she will be an important character?

I find her interesting and annoying at the same time.

[Amanda A]

Day 1 Discussion Questions
Section: June 5, 1922 - An Assembly pages: 1 - 76

1. Do you have much previous knowledge of Russian history and politics in the early 1900s? How does that affect how you feel at the start of the book?
I did not know much about Russian history before reading this book. I found most of it interesting.

2. I got a bit of a "Little Princess" vibe when the count was banished to the attic of the hotel. And there is a great section on saying goodbye to people vs. saying goodbye to possessions. "We carry them from place to place, often at considerable expense and inconvenience;...all the while allowing memories to invest them with greater and greater importance....But, of course, a thing is just a thing." What do you think of the possessions he elected to take with him to the attic? If you were in a similar situation, what is one thing you would for sure take with you?
I have not read The Little Princess. I did not put much importance in what he took with him. I think he chose wisely for himself. There is not really anything I am so attached to that I would want to take with me.

3. What do you think about the Count and his reading habits? Specifically - how he is struggling with the Essays and how he likes to tilt back his chair. Can you relate to either or both of those?
I think I would struggle with the Essays too just because it would not be my reading material of choice. I can relate to tilting back his chair. I have certain positions I like to sit in when I am reading.

4. The Count has to decide how he will handle his confinement. He thinks of favorite literary characters, and finally decides he will commit to practicalities. What do you think that means, and is there anything he does in this early stage that you particularly admire?
I like his attitude towards his situation and how he is handling himself.

5. Why do you think it is called "A Gentleman in Moscow" instead of "A Count in Moscow"? Just because it sounds better, or do you think there is a reason? Do you find him an appealing character so far?
Being a gentleman is always a part of him and how he conducts himself despite his circumstances. I did find him an appealing character after I got into the story.

6. Nina (the little girl in yellow) seems to be an important distraction. What is your impression of her so far? Do you think she will be an important character?
I like Nina and think she is an interesting little girl.

[Amanda A]

Day 2

7. A Gentleman in Moscow references a lot of famous Russian literature (War and Peace, The Brothers Karamazov, Anna Karenina, etc.) and famous Russian authors (Leo Tolstoy, Fyodor Dostoyevsky, etc.). Have you read any Russian literature/any of the books the author cites? How is this novel similar or different to these works?
I have not read any Russian literature but Anna Karenina has been on my TBR for some time.

8. The Count met a large cast of colorful characters in this section. Which encounter, vignette, or flashback was your favorite? Which one struck you the most? Anna

9. What do you think of Anna Urbanova? Do you think she will reappear in the story later?
I liked Anna and I do think she will reappear later.

10. The Count believes Anna has cast a sort of spell on him that is turning him more ghost-like. Is there evidence to support this? The Count vividly describes friendship in the last chapter of this section, Anonymity (on page 134). By his description, do you think the Count has any remaining friends?
I don't think he has many remaining friends because of his isolation.

11. The wine cellar seems to be a turning point in the Count’s perspective on his imprisonment. What did you think of his description of the wines? What are your thoughts on the Bishop? Do you think that he really orchestrated this change out of spite, or was it higher officials that brought this to pass?
I liked the description of the wines. I do not like the Bishop but I think it was higher officials.

12. The narrator has a couple of lively footnotes in these chapters. Do you think the narrative voice is the Count, or someone else? How are the narrator and the Count similar or different? Do you think the Count is as happy or vivacious as the narrator seems to be?
I think the narrator could be the Count but I don't think the Count is as happy as the narrator seems to be, which makes me doubt it.

13. The chapters in this section foreshadow the Count attempting suicide. We were left on quite a cliffhanger! What do you think has driven him to this point? As we are getting more of a window into his past, do you have any theories as to why the Count returned to Moscow in the first place? How do you like the Count as a protagonist thus far?
I like the Count as a protagonist and I feel sorry for him having to endure his loneliness and isolation.

[Grace]

7. A Gentleman in Moscow references a lot of famous Russian literature (War and Peace, The Brothers Karamazov, Anna Karenina, etc.) and famous Russian authors (Leo Tolstoy, Fyodor Dostoyevsky, etc.). Have you read any Russian literature/any of the books the author cites? How is this novel similar or different to these works?

I have read War and Peace and Anna Karenina by Tolstoy and The Brothers Karamazov Crime and Punishment and The Idiot by Dostoyevsky I find this a much more accessible piece. It captures the feel of the great Russian Novels but not the style and depth.

8. The Count met a large cast of colorful characters in this section. Which encounter, vignette, or flashback was your favorite? Which one struck you the most?

I don't know they all still seemed peripheral to me. None particularly taking your attention away. I did like his encounter with his old friend.

9. What do you think of Anna Urbanova? Do you think she will reappear in the story later?

Anna is interesting, spoilt and a little hard to read.

10. The Count believes Anna has cast a sort of spell on him that is turning him more ghost-like. Is there evidence to support this? The Count vividly describes friendship in the last chapter of this section, Anonymity (on page 134). By his description, do you think the Count has any remaining friends?

I don't think he has true friends left, he is clinging to the memories to keep him going in his isolation.

11. The wine cellar seems to be a turning point in the Count’s perspective on his imprisonment. What did you think of his description of the wines? What are your thoughts on the Bishop? Do you think that he really orchestrated this change out of spite, or was it higher officials that brought this to pass?

I liked reading the descriptions of wines. I found the Bishop very unlikable but felt the decision was made by Higer Officals.

12. The narrator has a couple of lively footnotes in these chapters. Do you think the narrative voice is the Count, or someone else? How are the narrator and the Count similar or different? Do you think the Count is as happy or vivacious as the narrator seems to be?

I swing between thinking it is the count or someone else, leaning more towards someone else.

13. The chapters in this section foreshadow the Count attempting suicide. We were left on quite a cliffhanger! What do you think has driven him to this point? As we are getting more of a window into his past, do you have any theories as to why the Count returned to Moscow in the first place? How do you like the Count as a protagonist thus far?

I think he returned out of some sense of duty. he does feel a connection to Moscow. I I do like the count he has been sympathetically written as someone trying to cope with such an extreme change in circumstances. We see he is a friendly charming man and the isolation must take there toll even if he outwardly tries to hide it.

[Grace]

Day 3 Discussion Questions
May 14 1926/Adieu - Addendum

14. The Count meets an Englishman in the bar and tells him what happened to his sister. What did you think of the story and were you surprised he told it to a stranger in a bar? Do you think he's right to feel responsible and do you think it is influencing his actions and behaviour?

I wasn't surprised by what happened to Helena. I found the Count decision to tell a kind stranger understandable, he needed to talk to someone and he picked someone he felt would listen. We are gathering the info to show the character of the count. I think the more time he has to reflect on the past the more it all influences his behavior.

15. On the night he decides to end things he involves himself in the discussion in the bar then hesitates at the edge of the roof. Do you think he would really have stepped off if he hadn't been interrupted? Why do you think he changed his mind after tasting the honey?

I do think he would have jumped, he had reached that point in his own mind. The Honey was another reminder of his past and of things and people having a purpose.

16. "when you exile a man into his own country, there is no beginning anew" Do you agree that for a man like the Count his confinement to the hotel is a greater punishment than if he'd been exiled to another country? Would this be the case for everyone as the book suggests? It seemed like the Prince didn't suffer so much being subject to the Minus Six.

When exiled somewhere else, you are cut off from the past, you can't go back you can only move forward, start fresh. The count's situation is the reverse, he can't disconnect or really look forward at all He is in a cruel state of stagnation with little more than his memories. We don't really know it the Prince suffered more or less than the Count.

17. I really like Nina as a character and loved the relationship between her and the Count so was surprised when she met him as an adult and was so cold towards him. Why do you think this was? Do you think they'll be reunited and become close again or are they heading in different directions?

I think the dynamic between child and adult is very different. He had time for her when she was a child. Now she is an adult and seen and done more she has less time for him. There is still a connection.

18. Anna's fortunes changed dramatically. What did you think about how she dealt with it? Do you believe she has changed? What about her relationship with the Count? Were you surprised? Do you think it is serious and will last or are they just using each other?

I wasn't surprised by it. From their first encounter it was obvious there is something between them. I thing it is a case of something they both need.

19. The Count is working as head waiter in the restaurant and seems to have formed a real friendship with Andrey and Emile. What are your thoughts on Andrey and Emile and why do you think they get on so well? I absolutely loved the scene with Triumvirate and the bouillabaisse but was a bit confused as to why it was such a secret. Why was it so important to them and why did it cause such a strong emotional reaction?

He is a man need a purpose and his job as a waiter is giving him that. I like his friendship with them, it something he needs. The dinners have to be secret they are treating themselves to expensive luxuries and there wouldn't have been enough to share with everyone. The effort and care but into it shows the friendship is valued.

20. What were your feelings on the meeting between the Count and Osip Ivanovich Glebnikov? He wants the Count to meet with him regularly to help him learn about the English and the French languages and cultures. Why do you think this is and why the Count? Do you think the Count will gain anything from this or is he heading for trouble?

I think Osip's choices of who to help are limited and feels that the count is not in a position to say no to him. It is something that could get the count in trouble.

[Moderators of NBRC, Challenger-in-Chief]

*********THIS BOM IS BEING REVISITED!***********

Start date is August 3, 2018

[Moderators of NBRC, Challenger-in-Chief]

      ~ Buddy Style Reads ~
    Three Ways to Enjoy a Book!

At NRBC we use three styles of buddy reads. These will be indicated in the thread title as “Buddy Read”, “Relaxed Buddy Read” or “Informal Buddy Read”.

A “Buddy Read” has a discussion leader and a reading date is set to start the book. A reading schedule is posted prior to the start date and discussion questions are posted each day regarding that section of the book. More information about these types of reads is below. An example is here, showing a reading schedule here.

A “Relaxed Buddy Read” is similar to our usual “buddy reads” except there are less questions and break points. For example, a book may be split into three sections and those reading the book should pause at the end of the section to answer some discussion questions, make comments, or ask their own questions to other readers. An example is here.

An “Informal Buddy Read” doesn’t have a discussion leader and participants are asked to consider some generic questions when making comments about the book. An example is here.

A “Read and Watch Buddy Read” may be set up as any of the above, but we will also watch the movie or T.V. series - or even go to a play! - and make comparisons, discussing what has been left out or changed as well as the actors and actresses. There is a long debate of what one should do first: read the books or watch the movie? We usually read first, but it isn’t essential. Also, if you would like to join in, but don’t want to watch the movie, show, or play, but only read the books, that is fine, too. An example is here.


MORE UNDER SPOILER
(view spoiler)[

“Buddy Reads” (“BRs”) include:

• A reading schedule which can range from 50, 75, to 100 or so pages a day.

• Discussion questions posted daily by moderators and occasionally group members
   who help one of us out. If you want to be a Discussion Leader, let us know.

• If the book is really long, we'll plan a break day.

• Members do NOT have to answer every question, they are meant to stimulate
   conversations about the books AND allow us to glance back upon them when the
   sequels come out. This helps us to remember what exactly happened in the previous
   book.

• We find the buddy style of reading to be more fun than just posting one or two
   sentences about a book. We feel this is what distinguishes us as being a ‘book club’
   rather than just another GoodReads ‘group.’

• If you can NOT start the book on time, feel free to join in at a later date. They are
   set up to make it easy to do so.

• Moderators are people too, so occasionally we get sick, have to work late at our real
   jobs, or have something that keeps us from writing the questions. Please forgive us;
   we're only human and we don't get any compensation for what we do--not even
   free books!

• Discussions and questions are set up to make you think, analyze, and see things you,
   or even we, may have missed. Feel free to add your own thoughts at any time, if you
   think we've missed something.

• If you've read the book, feel free to let us know what you thought about the book.
   You can do so at the end of the buddy read, or, if you can't wait, add spoiler tags
   before you comment like:

   **************BEWARE! SPOILER FOR THE END OF THE BOOK**************

   Or insert a (view spoiler)[spoiler (hide spoiler)]. If you do NOT know how to do so, just check out our
   GoodReads 101 explanation on how to Insert a Spoiler.

• If you are looking for a reading buddy, post an inquiry in our Buddy read requests thread. Use that thread, if you want to have a repeat read of a BOM
    or buddy read, too.

• Have fun! We always do when more than one person joins in. And we look less silly
   if someone else discusses a book with us. (hide spoiler)]

[Moderators of NBRC, Challenger-in-Chief]

res

[Teri]

I'm running behind on a couple of books that I hope to finish today, so I won't actually start this until tomorrow probably!

[Tammie]

I started this yesterday...it's going to be a slow read for me as I'm doing audio (suplimental to my other reading)...take your time as far as I'm concerned.

[Teri]

Awesome! I have just piled a ton of books up O.0

[Teri]

Just finished the first chapter? page 19
initial thoughts: I have no background knowledge unfortunately, my history is pretty terrible, but I'm excited to move forward, I hope my lack of knowledge doesn't make this a struggle. I love the writing so far as well, I don't think I would have kept it together as well as he did.

[Tammie]

I am reading via audio...I've requested a 'real book' but don't have it yet so my name spelling and recall of details may be poor.

I just finished 'Around and About' Chapter

I'm not up on Russian history either

I don't really understand the concept of confining a person to a hotel. He seems to be watched somewhat, but at the same time able to come/go from his room. 100 sq ft would definitely get old.

His story of the barbershop is on of my favorites so far. The comparison of the barbers craft to ballet is very poetic I think. I like the purposeful writing...it's easy to listen to. I don't read these kinds of books real often, but I do enjoy when I do.

His growing relationship with the child Nina (view spoiler)[ is really adding to his life. In the end I wonder if it doesn't keep him 'sane'. (hide spoiler)]

He's just damaged the (view spoiler)[ the Hotel expanding his quarters...doubling the size, by making a neighboring storage room a 'study'. I find myself wondering how long it will take for anyone to notice. (hide spoiler)]

[Tammie]

Teri--Is the timeframe of this book 1922?

I Googled Russian history for a bit of background and founds lots, but this bit may fit if I have the date right...

Rise of Stalin
Since the October revolution in 1917 the leadership of the Communist party, and thus of the nation, has been unmistakably in the hands of one man. While Trotsky has been an extremely able assistant, the ruthless securing of the revolution has been Lenin's achievement. But the unremitting work load takes its toll. In May 1922 he has a stroke. Not till October does he get back into his office. Just two months later a second stroke paralyzes his right side. He survives, an incapacitated invalid, for another year, dying in January 1924.
Trotsky has long been his obvious successor. But in April 1922, just a month before his first stroke, Lenin introduces a dark horse to the race.
Joseph Stalin, a committed Bolshevik from his early twenties and a passionate supporter of Lenin, has been in the inner circle of the party since the revolution. But the real growth of his power begins in April 1922 when Lenin creates a new post for him - General Secretary of the Communist Party.

[Teri]

I finished Around and About

I liked how he was watching the clock and so relieved when it was noon so he could stop reading that book. that tickled me.
the whole thing in the barber shop surprised me! that guy was kind of crazy.
I am enjoying the little adventures he and Nina take.
It's quite sad to be confined this way. To watch out the window. I think even if you had several rooms, its...sad.

Your history sounds about right to me for the time, and the few mentions of the Bolsheviks and the vast changes from opulence to near destitution. Maybe its not that bad, the explanation of the changes in the restaurant was what struck me the most, though I did enjoy the barbershop.

[Teri]

Okay, finished with Book One, so I'm like at page 108 or something.

(view spoiler)[ That was a heck of a way to leave that first book!!! Jeesh! I hope things change and that is not the way of it. These last few chapters made me rather sad, honestly. Nina is leaving--though the key was a perfect gift!
But between the boy, Nikolai Petrov? being sent away for a picture in a school book, and what fate comes of his teacher...I don't know and I felt so badly for that kid on the date, and I was glad that the Count stepped in. I hope he meets someone else to spend time with in the hotel now that Nina is going to be gone. (hide spoiler)]

[Tammie]

Learning a bit about Russian history is a bit of a perk...I always pictured Russia as unsophisticated...but this gentleman is quite interesting for sure.

Yes the Christmas tradition was quite amusing. Nina really gave him a unique give with the pass key.

I'm not sure where I am 'chapter-wise'...wait until you read the part about the wine bottles...how appalling!

[Teri]

Just finished Book 2, so like page 170 or something
God that was soo good!
The wine thing was crazy
(view spoiler)[ the story about his sister?! I almost died. Good lord, this book has me all over the place, talking about his philosophy being meteorological-the story was brilliant, of course later I was like NOOOO. i was very sad at the beginning of this one, it was just so depressing. And the anna thing was weird. I feel badly that his friend keeps standing him up, too. But the bees! Gah! The bees, that was perfect! (hide spoiler)]

[Tammie]

The bees part with the maintenance guy (view spoiler)[was beautifully written. It's like he's shocked that lilacs are in the notes of this honey. (hide spoiler)] Who thinks to write this stuff...it's really well done.
I've just started the part where he's defending 'mother' Russia to a German and a English in the bar...

[Teri]

Just finished Adjustments, around page 248

(view spoiler)[ I am back to feeling rather sad again. I don't like Anna.
Nina kind of disappointed me when he ran into her in the lobby, but maybe that's not fair. I don't know. It's all crazy now with her leaving Sofia with him. I'm worried that she may not come back for her because of whatever horrible circumstances might befall her. The Triumvirate thing was priceless! The Bishop has a problem, seriously.
(hide spoiler)]

[Teri]

Page 321 finished Book 3
(view spoiler)[ everything is so sad. I was so glad to see Mishka again, I thought we would never hear from him again. I, of course, expected the second Nina dropped Sofia off that that was the end of her...sigh. It's all again getting very sad, I guess it always had been, but the little stories sometimes didn't seem quite so melancholy. I don't know. I know the Count had to be so terrified that Sofia fell. I'm glad Osip helped, even thought their relationship to me is so strange. (hide spoiler)]

[Tammie]

I've come to a stop Teri...ended up reading for a challenge last minute and work is getting in the way of my reading...I'm going to hold off opening your spoilers because I'm near your page 248 right now.

[Tammie]

I'm definitely feeling sad for the grown up Anna...I hope that she doesn't end up doing things hurtful to others or get hurt herself!

Somehow I missed the transition from 'Count/guest under arrest' to now working in the hotel. It makes sense though.

I loved the Triumbirate late night party...that was priceless! The Bishop is kinda twisted scarey. I'm wondering if he isn't a 'spy' or something. I love how the chef scared him with a celery stick...hehe!