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Most annoying MCT cliches
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Larry
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Apr 23, 2013 11:23AM

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"It's always the person you least suspect"
Anything where someone is shot in the shoulder or the "bullet just grazed [insert vital organ]"

policed his brass (if used more than once)
gumshoe (in any novel newer than 1945)
the smell of copper (when referring to blood at a crime scene. If its a detective, somewhat ok, but most people have no idea what copper smells like, to compare it to blood in the second place)
(really tired of this one) every woman hops into bed, for no apparent reason. If there's only one woman, she has to sleep with the male detective. If there's more than one, they all have to or at least offer to. I mean, c'mon. Detectives aren't constructed of spanish fly.


policed his brass (if used more than once)
gumshoe (in any novel newer than 1945)
the smell of copper (when referring to blood at a crime scene. If its a detective, somewha..."
John, I agree with all, except "policed his brass" - never heard that one. Maybe I've skimmed over it. And the cliche about always sleeping with the most beautiful woman - and of course the detective is broke, grizzled, ugly, hard-drinker - is my biggest peeve.

"policed his brass" is becoming a relatively new cliche. NCIS uses it a lot, and Lee Child does on a occasion. I'll accept it once in a book, if its said by someone who might know what it means (former military sniper or cop) but after that, its such a jargon-y term it makes me think the writer is just showing off.
As far as sleeping with the beautiful woman... I'm relatively ok if there is some plausible reason for why there is instant chemistry. But there usually isn't. It feels like "I'm the detective, you have a vagina, let's go to the bedroom". I don't know where these detectives are hanging out, but in my world, beautiful women don't just give it away like candy. There has to be something that occurs which leads to an attraction. You can't just announce there's a chemistry and keep going.
IMHO, of course.
John wrote: "Larry wrote: "I'm the detective, you have a vagina, let's go to the bedroom"
Too funny. That should be the tagline to a novel.
Too funny. That should be the tagline to a novel.

Too funny. That should be the tagline to a novel."
I hereby claim it in first use! lol.

Too funny. That should be the tagline to a novel."
Worst porn video title ever.


Yes! I'm pretty sure I have come across this a few times. The blurbs lead the reader astray.

J, you're catching writers in a conundrum: bad guys can't miss as much as they used to; readers hate it when heroes die; which leaves us putting a bullet... where? :)
I had a sidekick who had a chunk of his hip bone blown off and caught flack for that. He had 3 months of rehab just to run again. Please tell me (I'm serious), where should they get shot?
Peace, Seeley

policed his brass (if used more than once)
gumshoe (in any novel newer than 1945)
the smell of copper (when referring to blood at a crime scene. If its a detective, somewha..."
AGREED! Smell of copper is the worst. Even 'metallic' scent. Blood smells like blood and lots of blood stinks like crap.
Peace, Seeley
Seeley wrote: "J. wrote: "Anything where someone is shot in the shoulder or the "bullet just grazed [insert vital organ]""
J, you're catching writers in a conundrum: bad guys can't miss as much as they used to; ..."
Well, it depends on what kind of story one is writing and what their audience consists of, doesn't it? I said that the shoulder thing is a cliche, because it really is and is way overused. They could lose a lung or something and still survive. How about a kneecap?
I think when you have some of the main cast die, it's a bit jarring to the reader and makes them think that it's not just the tertiary characters who can get the axe. Or at least have them maimed in some way. When I read a series and none of the main characters are ever in any real danger, it takes me out of the story and/or I get bored. I think if you want to have a novel that the reader connects with, you have to at some point show there is a reality of someone they have grown to care about getting legitimately hurt if they are constantly in harms way.
I didn't mean to derail the thread :/
J, you're catching writers in a conundrum: bad guys can't miss as much as they used to; ..."
Well, it depends on what kind of story one is writing and what their audience consists of, doesn't it? I said that the shoulder thing is a cliche, because it really is and is way overused. They could lose a lung or something and still survive. How about a kneecap?
I think when you have some of the main cast die, it's a bit jarring to the reader and makes them think that it's not just the tertiary characters who can get the axe. Or at least have them maimed in some way. When I read a series and none of the main characters are ever in any real danger, it takes me out of the story and/or I get bored. I think if you want to have a novel that the reader connects with, you have to at some point show there is a reality of someone they have grown to care about getting legitimately hurt if they are constantly in harms way.
I didn't mean to derail the thread :/

Geraldine wrote: "It was a dark and stormy night...!"
Or worse, I've seen it as a pun "dark and stormy knight." *cringes*
Or worse, I've seen it as a pun "dark and stormy knight." *cringes*

I'm hauntingly beautiful ... or do I have to be dead to haunt people? Maybe I should rethink that :)

LOL -- and they're recovered alcoholics so you feel the loss. "And it was going to be his first sobriety anniversary tomorrow" :)
Peace, Seeley
Seeley wrote: "John wrote: "brand new detectives or almost retired detectives are the Star Trek redshirts of MCT novels."
LOL -- and they're recovered alcoholics so you feel the loss. "And it was going to be his..."
Also, it's usually the last day on the job/force.
LOL -- and they're recovered alcoholics so you feel the loss. "And it was going to be his..."
Also, it's usually the last day on the job/force.
Jenni wrote: "And all that is what supposedly gives the character depth. Why can't a nice diplomatic guy be deep?"
Because nice guys are invisible because they aren't intriguing enough, ask most women under the age of 25...
Because nice guys are invisible because they aren't intriguing enough, ask most women under the age of 25...

LOL -- and they're recovered alcoholics so you feel the loss. "And it was going to be his..."
"I guess I picked a bad day to stop sniffing glue..." Oh wait, that one actually works.
Larry wrote: "Seeley wrote: "John wrote: "brand new detectives or almost retired detectives are the Star Trek redshirts of MCT novels."
LOL -- and they're recovered alcoholics so you feel the loss. "And it was ..."
This reminds me of always hearing "what is he/she on/sniffing/taking?" and the canned laughter that ensues from it. Similarly, "I'll have what SHE'S having!"
A fake orgasm. She's having a fake orgasm, and that's not our special this evening.
LOL -- and they're recovered alcoholics so you feel the loss. "And it was ..."
This reminds me of always hearing "what is he/she on/sniffing/taking?" and the canned laughter that ensues from it. Similarly, "I'll have what SHE'S having!"
A fake orgasm. She's having a fake orgasm, and that's not our special this evening.


And J, "I'll have what she's having" is SO over... :)
When a character has "nothing to lose."

That turning on the radio, tv, or newspaper will always tell the protagonist (or anyone I guess) precisely what they needed to know, on time, without covering any other story. The news report starts with the circumstances at hand, instead of the character having to wait through farm reports, restaurant openings, advice on purchasing a rake, or even, god forbid, news going on somewhere other than the corner where the story is set.
The outrageous odds AGAINST hearing that precious tidbit so conveniently is astronomical. (oooh! odds being astronomical is ALSO a cliche).
I think these amazingly fortuitous news reports are a crutch for not being able to plot without TV ex Machina providing the exposition on the spot.
When a character is described as having a "dark past". In fact, I am so sick of the word "darkness" being thrown around at everything, tbh.

what? if they quit, do they fall off onto the floor, like barbie legs?
Or: won't quit WHAT? walking? being long? getting shaved?
John wrote: ""legs that just won't quit"
what? if they quit, do they fall off onto the floor, like barbie legs?
Or: won't quit WHAT? walking? being long? getting shaved?"
They have great benefits and a comfortable salary, but aren't particularly good at their job so they aren't about to tender their resignation anytime soon. Not until something better comes along...
what? if they quit, do they fall off onto the floor, like barbie legs?
Or: won't quit WHAT? walking? being long? getting shaved?"
They have great benefits and a comfortable salary, but aren't particularly good at their job so they aren't about to tender their resignation anytime soon. Not until something better comes along...

How can is that possible? Unless of course your lashes defy gravity and are resting on your chin!lol


ewwwwwwww!!! I don't blame you Vickilee.


yeah, agreed, that was one of my observations on an earlier page, as well.



um... can't say for sure, but I am confused how giving them an ultimatum like that does anything to improve the situation.

In that way, her character would not be defined by how she does or doesn't gatekeep her genitals. In real life, I seldom see any woman who is defined by her relative promiscuity or lack thereof. She's just Margaret, who happens to have some sort of sex life. Women don't walk up to you and self-identify as sluts or prudes.

John, we don't see it because we're males and tone-deaf about that kind of signal. Within the world of women, subtle moves, certain words, and specific fashions are clues with flashing neon lights.
Peace, Seeley