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Decline and Fall
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June 2015- Decline and Fall by Evelyn Waugh
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Has anyone found anything by a black British author who grew up in England in our time period? The very little we've found seems to be from people who've later moved to the UK, focusing more on colonialism.
I've previously read Small Island which focused on the second world war period and the couple of years afterwards. This was a great book, but it would be nice to find something written from the period, or if not, maybe something similar to this.


The Lonely Londoners by Sam Selvon
I loved it. The Lonely Londoners is wonderful. Sam Selvon beautifully evokes immigrant life in 1950s London for various characters who have come to London from the West Indies for work and opportunity.
The tale is narrated by kindhearted but homesick Moses Aloetta who introduces us to some marvellous characters: newly arrived Galahad, ladies man Cap, Tolroy whose family have arrived en masse, Five Past, and many many more. The whole book is written in patois and it is this technique that brings it all to life - it flows like the best prose, is beautifully written and even the moribund slang sings. There's not really a story as such, just a flow of vignettes that touch on discrimination, the weather, relationships, friends, family, feuds, humour, fifties London and so on.
A really interesting, enjoyable and important book. Despite being rooted in the 1950s I suspect it contains universal truths for all people who seek a new life in a new and alien place. 4/5
And from the Patrick Hamilton Appreciation Society thread on Sam Selvon...
Val wrote: "Sam Selvon was writing about London in the '50s and '60s and about West Indian immigrants. This is not depicting quite the same London as the earlier novels, but follows on from them. It shares the same finely tuned ear for dialogue, a similar cast of downtrodden characters and the same grimy streets. "

Otto is a modernist architect who believes that the perfect building would be one impossible to live in. His “wheel of life” motif….
It’s like the big wheel at Luna Park… (people are) trying to sit in the wheel, and they keep getting flung off…the nearer you can get to the hub of the wheel the slower it is moving and the easier it is to stay on.. at the very centre there’s a point completely at rest… I’m not sure I am not very near that point myself… Lots of people just enjoy scrambling on and being whisked off and scrambling on again… Then there are others, like Margot, who sit as far out as they can and hold on for dear life and enjoy that. But the whole point about the wheel is you needn’t get on at all… Now you’re a person who was clearly meant to stay in the seats and sit still and if you get bored watch the others.
To what extent is this a critique of the society Waugh moved in during the 1920s and his own ambivalent position? Born middle class and suburban, Waugh was a stranger to both the centre of the wheel and its fast-moving edge. Was he an observer having a laugh at those trying to cling on to the ride, or a scrambler who kept getting flung off? Or something else entirely? How convincing is this model as a way of describing 1920s British society?

The passages that I have read so far, contain people who are not that bright, who are part of institutions that are not that great, falling apart at the seems. The title is very appropriate. Yet, was it ever a great time? For whom? Waugh must be looking back with rose tinted glasses...a bit. : )
Nice touch though that it is a modernist architect making this comment about the wheel of life.

Most don't go up mountains and take, ahem their clothes off. Or live on a hill on there own, chanting. : )

Things just happen to Paul Pennyfeather - he is completely passive, a victim of circumstance. The most static of them all (in Otto's terms). He is at his happiest when in solitary confinement which tells you all you everything about him. But, like many of Waugh's characters, he is a cypher for the broader points.


I’m not sure he’s suggesting things are better or worse - it's simply a critique of English society in the late 1920s. Waugh’s satire is clearly critical of many of the features of the era however this was most likely a result of his own ambivalent position within it. Undeniably middle class and suburban and so a stranger to both the centre of the wheel and its fast-moving edge. He didn’t fit in anywhere - or anywhere he wanted to be.
His disquiet with the modern trends of English society in the late 1920s are clear (and his criticism became even more damning by the time of “A Handful of Dust” in 1934).
I think his genius in Decline and Fall is to make some fairly subtle but scathing criticisms with the confines of a very readable and seemingly humorous, light plot. The tension between seriousness and humour is ultimately what defines this book.
Paul Pennyfeather is an archetype that Waugh would use for many of his later protagonists - the same lack of agency is also a feature of Charles Ryder in Brideshead and Guy Crouchback in Sword of Honour. They initiate nothing and so lack the sympathy that many authors inspire in their readers - coincidence? I think it was a deliberate ploy.
It’s also interesting to reflect on some of the more immoral characters like Margot Betse-Chetwynd, Philbrick and Captain Grimes all grotesque, outrageous and immoral rather than realistic. Or are they? Waugh inflicts numerous indignities on his characters - and perhaps, in his mind, they all get their just desserts?

I've got to the 'sports' bit and Sebastian.
Sebastian's quote,
'But all the time that poor coloured man has a soul same as you have.'
Shakespeare's Shylock says something similar.


EDIT: And you too Jan - even better!


I has a similar experience with Kim, which I got out of the library but just wasn't in the mood for it so took it back. Same applies to The Secret Lives of Somerset Maugham: A Biography - that went back to the library too. I'll skip the discussions this month and be back again in August for The Paying Guests - which I'm very excited about discussing.


This blog tells you a bit more and links to the podcast:
http://www.bbc.co.uk/blogs/radio4/ent...

I noticed there's one on Kipling too, which might have some interesting comments about Kim....

http://www.bbc.co.uk/programmes/b08kzf29"
I've replied to your comment Susan over here on the official BYT "Decline and Fall" book discussion thread - and what a splendid discussion we had too. Bravo BYT.
Perhaps the exciting looking new BBC adaptation will generate a bit more discussion too? We can but hope.
The two clips here look very promising....
http://www.bbc.co.uk/programmes/b08l6...
This is the Radio Times review...
REVIEW
by Alison Graham
There’s a cheeky, knowing addition to Evelyn Waugh’s peerless comic novel. It’s a pig’s head that most certainly did not appear in the book’s opening passage, when innocent theology student Paul Pennyfeather is stripped naked by the louts of Oxford University’s Bollinger Club.
The “Bolly” yobs are an exclusive club of braying, vandalising toffs (sound familiar?) who lead to the hapless Pennyfeather’s downfall. Jack Whitehall is perfectly cast as the wide-eyed, serious young man who is sent down after the unfortunate incident in the quad, and ends up teaching subjects he knows nothing about at a terrible Welsh public school.
The cast is magnificent – Stephen Graham as Philbrick, the sinister butler, Vincent Franklin as the bewigged “Prendy” and Douglas Hodge as the one-legged and quite shameless Captain Grimes. The adaptation is completely faithful, too, as Paul falls headfirst for the lovely Mrs Beste-Chetwynde (“Beast Cheating”) played by Desperate Housewives’ Eva Longoria.
SUMMARY
New series. Jack Whitehall, David Suchet, Eva Longoria, Tim Pigott-Smith and Douglas Hodge lead an all-star cast in James Wood's adaptation of Evelyn Waugh's comic novel. Oxford University divinity student Paul Pennyfeather is wrongly dismissed for indecent exposure, having been made the victim of a prank. He seeks employment at an obscure public school in Wales, where he encounters the glamorous mother of one of the pupils. For Paul it is love at first sight, but little does he know the surprises that lie ahead of him when he agrees to tutor her son over the summer holidays.
http://www.radiotimes.com/tv-programm...
First episode is on 31 March 2017.
Hurrah!

Eva Longoria is like you've never seen her before as she slips into full 1920s costume for the BBC's new Evelyn Waugh period drama is like you've never seen her before as she slips into full 1920s costume for the BBC's new Evelyn Waugh period drama
...based on the photos that accompany this article...
http://www.dailymail.co.uk/tvshowbiz/...
Amazing what a period costume and make up can do eh?

I can't wait to see this...I'm not sure whether casting Jack Whitehall is totally wrong or absolute genius, we'll see on Friday!

http://www.bbc.co.uk/progra..."
Those clips look excellent - can't wait!
...who caught the first episode then?...what did you think?
I thought that Eva Longoria took a great part...still not sure about Jack Whitehall, he always looks like he's about to burst out laughing, which isn't necessarily a bad thing in this case.
My worry is that the gentle humour that you get from these old books doesn't always work on screen. I was pleasantly surprised by this adaptation but I wondered how those who had never read the book took it!
I thought that Eva Longoria took a great part...still not sure about Jack Whitehall, he always looks like he's about to burst out laughing, which isn't necessarily a bad thing in this case.
My worry is that the gentle humour that you get from these old books doesn't always work on screen. I was pleasantly surprised by this adaptation but I wondered how those who had never read the book took it!



Books mentioned in this topic
Decline and Fall (other topics)Decline and Fall (other topics)
Kim (other topics)
The Secret Lives of Somerset Maugham: A Biography (other topics)
The Paying Guests (other topics)
More...
Authors mentioned in this topic
Evelyn Waugh (other topics)Evelyn Waugh (other topics)
Sam Selvon (other topics)
Evelyn Waugh (other topics)
Alienated from Stalinism, Padmore nevertheless remained a socialist and sought new ways to work for African independence from imperial rule. Relocating in France where he had an ally from his Comintern days, Garan Kouyaté, Padmore set to work on a book -- How Britain Rules Africa. With the help of former heiress Nancy Cunard, he found a London agent and, eventually, a publisher (Wishart), which brought the book out in 1936, the year the publisher became Communist publishers Lawrence and Wishart. It was a time when publication of books by black men was rare in the United Kingdom. A Swiss publisher distributed a German translation in Germany.[13]