Typeface Books

Showing 1-20 of 20
Just My Type: A Book About Fonts Just My Type: A Book About Fonts (Hardcover)
by (shelved 2 times as typeface)
avg rating 3.95 — 61,741 ratings — published 2010
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The Anatomy of Type The Anatomy of Type (Hardcover)
by (shelved 1 time as typeface)
avg rating 4.17 — 411 ratings — published 2012
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Thinking with Type: A Critical Guide for Designers, Writers, Editors, and Students Thinking with Type: A Critical Guide for Designers, Writers, Editors, and Students (Paperback)
by (shelved 1 time as typeface)
avg rating 4.12 — 12,580 ratings — published 2004
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The Visual History of Type: A visual survey of 320 typefaces The Visual History of Type: A visual survey of 320 typefaces (Hardcover)
by (shelved 1 time as typeface)
avg rating 4.57 — 68 ratings — published
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My First Book of Fonts: A Garden of Typographical Verse My First Book of Fonts: A Garden of Typographical Verse (Paperback)
by (shelved 1 time as typeface)
avg rating 5.00 — 1 rating — published
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The Anatomy of Type: A Graphic Guide to 100 Typefaces by Stephen Coles (2012-11-13) The Anatomy of Type: A Graphic Guide to 100 Typefaces by Stephen Coles (2012-11-13)
by (shelved 1 time as typeface)
avg rating 5.00 — 1 rating — published
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How to create typefaces, from sketch to screen How to create typefaces, from sketch to screen (Paperback)
by (shelved 1 time as typeface)
avg rating 4.54 — 28 ratings — published 2012
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Never Use Futura Never Use Futura (Kindle Edition)
by (shelved 1 time as typeface)
avg rating 4.14 — 706 ratings — published 2017
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The Stroke: Theory of Writing The Stroke: Theory of Writing (Paperback)
by (shelved 1 time as typeface)
avg rating 4.11 — 168 ratings — published 2006
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Inside Paragraphs: typographic fundamentals Inside Paragraphs: typographic fundamentals (Paperback)
by (shelved 1 time as typeface)
avg rating 4.17 — 143 ratings — published 2012
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The Art of Language Invention: From Horse-Lords to Dark Elves to Sand Worms, the Words Behind World-Building The Art of Language Invention: From Horse-Lords to Dark Elves to Sand Worms, the Words Behind World-Building (Paperback)
by (shelved 1 time as typeface)
avg rating 4.13 — 2,047 ratings — published 2015
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Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1) Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1)
by (shelved 1 time as typeface)
avg rating 3.72 — 216,703 ratings — published 2012
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The Swerve: How the World Became Modern The Swerve: How the World Became Modern (Paperback)
by (shelved 1 time as typeface)
avg rating 3.87 — 35,443 ratings — published 2011
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A Whole New Mind: Why Right-Brainers Will Rule the Future A Whole New Mind: Why Right-Brainers Will Rule the Future (Paperback)
by (shelved 1 time as typeface)
avg rating 3.92 — 29,731 ratings — published 2004
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The Elements of Typographic Style The Elements of Typographic Style (Paperback)
by (shelved 1 time as typeface)
avg rating 4.26 — 9,061 ratings — published 1992
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Make It So: Interaction Design Lessons From Science Fiction Make It So: Interaction Design Lessons From Science Fiction (Paperback)
by (shelved 1 time as typeface)
avg rating 3.86 — 314 ratings — published 2012
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Invisibles: The Power of Anonymous Work in an Age of Relentless Self-Promotion Invisibles: The Power of Anonymous Work in an Age of Relentless Self-Promotion (Hardcover)
by (shelved 1 time as typeface)
avg rating 3.69 — 639 ratings — published 2014
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Detail in Typography Detail in Typography (Paperback)
by (shelved 1 time as typeface)
avg rating 4.34 — 617 ratings — published 2005
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Paul Renner: The Art of Typography Paul Renner: The Art of Typography (Paperback)
by (shelved 1 time as typeface)
avg rating 4.22 — 32 ratings — published 1998
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“Helvetica is good for typographers who do not know what to say.”
Thomas Bohm

Gerard Unger
“One of my colleagues is convinced that having a wide range of types to choose from is a complete waste of time. He swears by two typefaces: Gill (1928) and Frutiger (1975), which he uses for road signs (among other things). (...) [U]ntil 1975, the year in which Adrian Frutiger's eponymous typeface came onto the market, my colleague could only have made half of his selection. It seems to me that this proves the case for continuing to design new typefaces.”
Gerard Unger, While You're Reading

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