The Good Immigrant Quotes

Quotes tagged as "the-good-immigrant" Showing 1-5 of 5
Nikesh Shukla
“Musa Okwonga, the poet, journalist and essayist whose powerful ‘The Ungrateful Country’ closes the book, once said to me that the biggest burden facing people of colour in this country is that society deems us bad immigrants – job-stealers, benefit-scroungers, girlfriend-thieves, refugees – until we cross over in their consciousness, through popular culture, winning races, baking good cakes, being conscientious doctors, to become good immigrants. And we are so tired of that burden." (from "The Good Immigrant" by Nikesh Shukla)”
Nikesh Shukla, The Good Immigrant

“Chimamanda Ngozi Adichie recalls that the stories she wrote as a seven year old in Nigeria were based on the kinds of stories she read, featuring characters who were white and blue eyed, they played in the snow, the ate apples. According to Adichie, this wasn´t just about experimentation or an active imagination, because all I had read were books in which characters were foreign, I had become convinced that books by their very nature had to have foreigners in them and had to be about things with which I could not personally identify.
We learn so many things from reading stories, including the conventions of stories such as good versus evil, confronting our fears and that danger often lurks in the woods. The problem is that, when one of these conventions is that children in stories are white, english and middle class, than you may come to learn that your own life does not qualify as subject material.
Adichie describes this as "The danger of a single story" a danger that extends to stories which, whilst appearing to be diverse, rely on stereotypes and thus limit the imagination”
Darren Chetty, The Good Immigrant

Nikesh Shukla
“There is a dream, a grand idealism, that mixed-race people are the hope for change, the peacekeepers, we are the people with an other understanding, with an invested interest in everyone being treated equally as we have a foot and a loyalty in many camps, with all shades. We are like love bombs planted in the minefield of black and white. It is as if our parents intended to make us, with courage, and on purpose, as vessels of empathy, bridges for the cultural divide and diplomats for diversity and equality." (from "The Good Immigrant" by Nikesh Shukla)”
Nikesh Shukla, The Good Immigrant

Salena Godden
“Human colour is the colour I'm truly interested in, the colour of your humanity. May the size of your heart and the depth of your soul be your currency. welcome aboard my Good Ship. Let us sail to the colourful island of misex identity. You can eat from the cooking pot of mixed culture and bathe in the cool shade of being mixed-race. There is no need for a passport. There are no borders. We are all citizens of the world. Whatever shade you are, bring your light, bring your colour, bring your music and your books, your stories and your histories, and climb aboad. United as a people we are a million majestic colours, together we are a glorious stained-glass window. We are building a cathedral of otherness, brick by brick and book by book. Raise your glass of rum, let's toast to the minorities who are the majority. There's no stopping time, nor the blurring of lines or the blending of shades. With a spirit of hope I leave you now. I drink to our sameness and to our unique differences. This is the twenty-first century and we share this, we live here, in the future. It is a beautiful morning, it is first light on the time of being other, so get out from that shade and feel the warmth of being outside.
You tick: Other.”
Salena Godden

“I see coming back to my village as significant, thanks to my privilege of being able to leave. But also because I can simultaneously cherry-pick my favourite aspects of my culture for anecdotes back home and social media, and keep the private, painful reflective ones for myself. This is what so many second-and-third generation immigrants experience visiting their homeland. We fine-tune the ability to find the nuances funny, deflecting the crushing weight of displacement and dispora drama that becomes part of our everyday.”
Kieran Yates, The Good Immigrant