Meesh ౨ৎ > Meesh ౨ৎ's Quotes

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  • #1
    Donna Tartt
    “Cubitum eamus?"
    "What?"
    "Nothing.”
    Donna Tartt, The Secret History

  • #2
    Frank Zappa
    “So many books, so little time.”
    Frank Zappa

  • #3
    Joan Didion
    “Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect this shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe their husband is about to return and need his shoes.”
    Joan Didion, The Year of Magical Thinking

  • #4
    William W. Purkey
    “You've gotta dance like there's nobody watching,
    Love like you'll never be hurt,
    Sing like there's nobody listening,
    And live like it's heaven on earth.”
    William W. Purkey

  • #5
    Marcus Tullius Cicero
    “A room without books is like a body without a soul.”
    Marcus Tullius Cicero

  • #6
    Donna Tartt
    “Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.”
    Donna Tartt, The Secret History

  • #7
    Fyodor Dostoevsky
    “Some sleepers have intelligent faces even in sleep, while other faces, even intelligent ones, become very stupid in sleep and therefore ridiculous. I don't know what makes that happen; I only want to say that a laughing man, like a sleeping one, most often knows nothing about his face. A great many people don't know how to laugh at all. However, there's nothing to know here: it's a gift, and it can't be fabricated. It can only be fabricated by re-educating oneself, developing oneself for the better, and overcoming the bad instincts of one's character; then the laughter of such a person might quite possibly change for the better. A man can give himself away completely by his laughter, so that you suddenly learn all of his innermost secrets. Even indisputably intelligent laughter is sometimes repulsive. Laughter calls first of all for sincerity, and where does one find sincerity? Laughter calls for lack of spite, but people most often laugh spitefully. Sincere and unspiteful laughter is mirth. A man's mirth is a feature that gives away the whole man, from head to foot. Someone's character won't be cracked for a long time, then the man bursts out laughing somehow quite sincerely, and his whole character suddenly opens up as if on the flat of your hand. Only a man of the loftiest and happiest development knows how to be mirthful infectiously, that is, irresistibly and goodheartedly. I'm not speaking of his mental development, but of his character, of the whole man. And so, if you want to discern a man and know his soul, you must look, not at how he keeps silent, or how he speaks, or how he weeps, or even how he is stirred by the noblest ideas, but you had better look at him when he laughs. If a man has a good laugh, it means he's a good man. Note at the same time all the nuances: for instance, a man's laughter must in no case seem stupid to you, however merry and simplehearted it may be. The moment you notice the slightest trace of stupidity in someone's laughter, it undoubtedly means that the man is of limited intelligence, though he may do nothing but pour out ideas. Or if his laughter isn't stupid, but the man himself, when he laughs, for some reason suddenly seems ridiculous to you, even just slightly—know, then, that the man has no real sense of dignity, not fully in any case. Or finally, if his laughter is infectious, but for some reason still seems banal to you, know, then, that the man's nature is on the banal side as well, and all the noble and lofty that you noticed in him before is either deliberately affected or unconsciously borrowed, and later on the man is certain to change for the worse, to take up what's 'useful' and throw his noble ideas away without regret, as the errors and infatuations of youth.”
    Fyodor Dostoevsky, The Adolescent

  • #8
    Donna Tartt
    “Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming.”
    Donna Tartt, The Secret History

  • #9
    Donna Tartt
    “Forgive me, for all the things I did but mostly for the ones that I did not.”
    Donna Tartt, The Secret History

  • #10
    Donna Tartt
    “It is is better to know one book intimately than a hundred superficially.”
    Donna Tartt, The Secret History

  • #11
    Donna Tartt
    “I suppose at one time in my life I might have had any number of stories, but now there is no other. This is the only story I will ever be able to tell.”
    Donna Tartt, The Secret History

  • #12
    Donna Tartt
    “But how,” said Charles, who was close to tears, “how can you possibly justify cold-blooded murder?’
    Henry lit a cigarette. “I prefer to think of it,” he had said, “as redistribution of matter.”
    Donna Tartt, The Secret History

  • #13
    Donna Tartt
    “There is nothing wrong with the love of Beauty. But Beauty - unless she is wed to something more meaningful - is always superficial.”
    Donna Tartt, The Secret History

  • #14
    Donna Tartt
    “Are you happy here?" I said at last.
    He considered this for a moment. "Not particularly," he said. "But you're not very happy where you are, either.”
    Donna Tartt, The Secret History

  • #15
    Donna Tartt
    “Death is the mother of beauty,” said Henry. “And what is beauty?” “Terror.”
    Donna Tartt, The Secret History

  • #16
    Donna Tartt
    “We think we have many desires, but in fact we have only one. What is it?” “To live,” said Camilla. “To live forever,”
    Donna Tartt, The Secret History

  • #17
    Donna Tartt
    “Love doesn't conquer everything. And whoever thinks it does is a fool.”
    Donna Tartt, The Secret History

  • #18
    Donna Tartt
    “Does such a thing as "the fatal flaw," that showy dark crack running down the middle of a life, exist outside literature?”
    Donna Tartt, The Secret History

  • #19
    Madeline Miller
    “I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
    Madeline Miller, The Song of Achilles

  • #20
    Madeline Miller
    “And perhaps it is the greater grief, after all, to be left on earth when another is gone.”
    Madeline Miller, The Song of Achilles

  • #21
    Madeline Miller
    “In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.”
    Madeline Miller, The Song of Achilles

  • #22
    Madeline Miller
    “He is half of my soul, as the poets say.”
    Madeline Miller, The Song of Achilles

  • #23
    Madeline Miller
    “When he died, all things soft and beautiful and bright would be buried with him.”
    Madeline Miller, The Song of Achilles

  • #24
    Madeline Miller
    “We reached for each other, and I thought of how many nights I had lain awake loving him in silence.”
    Madeline Miller, The Song of Achilles

  • #25
    Madeline Miller
    “I will never leave him. It will be this, always, for as long as he will let me.”
    Madeline Miller, The Song of Achilles

  • #26
    Madeline Miller
    “We are all there, goddess and mortal and the boy who was both.”
    Madeline Miller, The Song of Achilles

  • #27
    Emily Brontë
    “He's more myself than I am. Whatever our souls are made of, his and mine are the same.”
    Emily Brontë, Wuthering Heights

  • #28
    Emily Brontë
    “If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger.”
    Emily Jane Brontë , Wuthering Heights

  • #29
    Emily Brontë
    “Be with me always - take any form - drive me mad! only do not leave me in this abyss, where I cannot find you! Oh, God! it is unutterable! I can not live without my life! I can not live without my soul!”
    Emily Brontë, Wuthering Heights

  • #30
    Emily Brontë
    “I wish I were a girl again, half-savage and hardy, and free.”
    Emily Brontë, Wuthering Heights



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