M > M's Quotes

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  • #1
    “Sometimes I scream in the car, driving along lost in the roar of turnpike driving, screaming, letting it out, making the windows vibrate. I need it, it helps me to have a soft belly. It makes me think life is a process of expansion and contraction. It pulsates. There are good things and bad things, but it is always shifting and changing, pulsating. Freedom, an elusive sensation, comes only in sudden spontaneous bursts like the wind that afternoon on the dock, when I was caught between sky and water. It came up suddenly, out of the west when the sun was behind the trees pouring huge sunbeams all over the land.”
    Peter Reich, A Book of Dreams

  • #2
    “Coming home! The moon’s crescent hangs onto the afternoon as if it is going to slip off the day and fall down with all the blinking strawberry blossom stars along the shoulder of this road that takes me home.”
    Peter Reich, A Book of Dreams

  • #3
    Donna Tartt
    “It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
    Donna Tartt, The Secret History

  • #4
    Donna Tartt
    “For if the modern mind is whimsical and discursive, the classical mind is narrow, unhesitating, relentless. It is not a quality of intelligence that one encounters frequently these days. But though I can digress with the best of them, I am nothing in my soul if not obsessive.”
    Donna Tartt, The Secret History

  • #5
    Donna Tartt
    “After all, the appeal to stop being yourself, even for a little while, is very great.”
    Donna Tartt, The Secret History

  • #6
    Donna Tartt
    “Because it is dangerous to ignore the existence of the irrational. The more cultivated a person is, the more intelligent, the more repressed, then the more he needs some method of channeling the primitive impulses he's worked so hard to subdue. Otherwise those powerful old forces will mass and strengthen until they are violent enough to break free, more violent for the delay, often strong enough to sweep the will away entirely.”
    Donna Tartt, The Secret History

  • #7
    Donna Tartt
    “And the nights, bigger than imagining: black and gusty and enormous, disordered and wild with stars.”
    Donna Tartt, The Secret History

  • #8
    Donna Tartt
    “That night I wrote in my journal: "Trees are schizophrenic now and beginning to lose control, enraged with the shock of their fiery new colors. Someone -- was it van Gogh? -- said that orange is the color of insanity. _Beauty is terror._ We want to be devoured by it, to hide ourselves in that fire which refines us.”
    Donna Tartt, The Secret History

  • #9
    Donna Tartt
    “They too, knew this beautiful and harrowing landscape; they'd had the same experience of looking up from their books with fifth-century eyes and finding the world disconcertingly sluggish and alien, as if it were not their home.”
    Donna Tartt, The Secret History

  • #10
    Donna Tartt
    “And I know I said earlier that he was perfect but he wasn’t perfect, far from it; he could be silly and vain and remote and often cruel and still we loved him, in spite of, because.”
    Donna Tartt, The Secret History

  • #11
    Donna Tartt
    “Aristotle says in the Poetics,” said Henry, “that objects such as corpses, painful to view in themselves, can become delightful to contemplate in a work of art.” “And I believe Aristotle is correct. After all, what are the scenes in poetry graven on our memories, the ones that we love the most? Precisely these. The murder of Agamemnon and the wrath of Achilles. Dido on the funeral pyre. The daggers of the traitors and Caesar’s blood—remember how Suetonius describes his body being borne away on the litter, with one arm hanging down?” “Death is the mother of beauty,” said Henry. “And what is beauty?” “Terror.” “Well said,” said Julian. “Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming.” I looked at Camilla, her face bright in the sun, and thought of that line from the Iliad I love so much, about Pallas Athene and the terrible eyes shining. “And if beauty is terror,” said Julian, “then what is desire? We think we have many desires, but in fact we have only one. What is it?” “To live,” said Camilla. “To live forever,” said Bunny, chin cupped in palm. The teakettle began to whistle.”
    Donna Tartt, The Secret History

  • #12
    Donna Tartt
    “It was the most important night of my life,' he said calmly. 'It enabled me to do what I've always wanted most.'
    'Which is?'
    'To live without thinking.”
    Donna Tartt, The Secret History

  • #13
    Donna Tartt
    “White Sky. Trees fading at the skyline, the mountains gone. My hands dangled from the cuffs of my jacket as if they weren’t my own. I never got used to the way the horizon there could just erase itself and leave you marooned, adrift, in an incomplete dreamscape that was like a sketch for the world you knew -the outline of a single tree standing in for a grove, lamp-posts and chimneys floating up out of context before the surrounding canvas was filled in-an amnesia-land, a kind of skewed Heaven where the old landmarks were recognizable but spaced too far apart, and disarranged, and made terrible by the emptiness around them.”
    Donna Tartt, The Secret History

  • #14
    Donna Tartt
    “The idea of living there, of not having to go back ever again to asphalt and shopping malls and modular furniture; of living there with Charles and Camilla and Henry and Francis and maybe even Bunny; of no one marrying or going home or getting a job in a town a thousand miles away or doing any of the traitorous things friends do after college; of everything remaining exactly as it was, that instant - the idea was so truly heavenly that I'm not sure I thought, even then, it could ever really happen, but I like to believe I did.”
    Donna Tartt, The Secret History

  • #15
    Donna Tartt
    “Tulips, I thought, staring at the jumble of letters before me. Had the ancient Greeks known them under a different name, if they’d had tulips at all? The letter psi, in Greek, is shaped like a tulip. All of a sudden, in the dense alphabet forest of the page, little black tulips began to pop up in a quick, random pattern like falling raindrops.”
    Donna Tartt, The Secret History

  • #16
    Donna Tartt
    “When you're worried about something,' said Henry abruptly, 'have you ever tried thinking in a different language?”
    Donna Tartt, The Secret History

  • #17
    Donna Tartt
    “The Roman genius, and perhaps the Roman flaw was an obsession with order. One sees it in their architecture, their literature, their laws—this fierce denial of darkness, unreason, chaos. Easy to see why the Romans, usually so tolerant of foreign religions, persecuted the Christians mercilessly—how absurd to think a common criminal had risen from the dead, how appalling that his followers celebrated him by drinking his blood. The illogic of it frightened them and they did everything they could to crush it. In fact, I think the reason they took such drastic steps was because they were not only frightened but also terribly attracted to it. Pragmatists are often strangely superstitious. For all their logic, who lived in more abject terror of the supernatural than the Romans? The Greeks were different. They had a passion for order and symmetry, much like the Romans, but they knew how foolish it was to deny the unseen world, the old gods. Emotion, darkness, barbarism.”
    Donna Tartt, The Secret History

  • #18
    Donna Tartt
    “What if you had never seen the sea before? What if the only thing you'd ever seen was a child's picture - blue crayon, choppy waves? Would you know the real sea if you only knew the picture? Would you be able to recognize the real thing even if you saw it? You don't know what Dionysus looks like. We're talking about God here. God is serious business.”
    Donna Tartt, The Secret History

  • #19
    Donna Tartt
    “We don't like to admit it," said Julian, "but the idea of losing control is one that fascinates controlled people such as ourselves more than anything. All truly civilized people - the ancients no less than us - have civilized themselves through the willful repression of the old, animal self. Are we, in this room, really very different from the Greeks and the Romans? Obsessed with duty, piety, loyalty, sacrifice? All those things which are to modern tastes so chilling?”
    Donna Tartt, The Secret History

  • #20
    Donna Tartt
    “What is unthinkable is undoable”
    Donna Tartt, The Secret History

  • #21
    Emily Brontë
    “Catherine Earnshaw, may you not rest as long as I am living. You said I killed you--haunt me then. The murdered do haunt their murderers. I believe--I know that ghosts have wandered the earth. Be with me always--take any form--drive me mad. Only do not leave me in this abyss, where I cannot find you! Oh, God! It is unutterable! I cannot live without my life! I cannot live without my soul!”
    Emily Brontë, Wuthering Heights

  • #22
    Emily Brontë
    “I’m wearying to escape into that glorious world, and to be always there: not seeing it dimly through tears, and yearning for it through the walls of an aching heart: but really with it, and in it.”
    Emily Brontë, Wuthering Heights

  • #23
    William Faulkner
    “Read, read, read. Read everything -- trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it.
    Then write. If it's good, you'll find out. If it's not, throw it out of the window.”
    William Faulkner

  • #24
    William Faulkner
    “Always dream and shoot higher than you know you can do. Do not bother just to be better than your contemporaries or predecessors. Try to be better than yourself.”
    William Faulkner

  • #25
    Dante Alighieri
    “I by not doing, not by doing, lost”
    Dante Alighieri, The Divine Comedy: Inferno - Purgatorio - Paradiso

  • #26
    John Milton
    “All is not lost, the unconquerable will, and study of revenge, immortal hate, and the courage never to submit or yield.”
    John Milton, Paradise Lost

  • #27
    John Milton
    “What is dark within me, illumine.”
    John Milton, Paradise Lost

  • #28
    William S. Burroughs
    “Panic is the sudden realization that everything around you is alive.”
    William S. Burroughs, Ghost of Chance

  • #29
    W.B. Yeats
    “I have spread my dreams under your feet.
    Tread softly because you tread on my dreams.”
    W.B. Yeats

  • #30
    W.B. Yeats
    “Life is a long preparation for something that never happens.”
    W.B. Yeats



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