Mimi > Mimi's Quotes

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  • #1
    Nicole Krauss
    “Franz Kafka is Dead

    He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. They put their arms around each other, and touched their children's hair. They took off their hats and raised them to the small, sickly man with the ears of a strange animal, sitting in his black velvet suit in the dark tree. Then they turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees , Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. It all caught in the delicate pointed shells of his ears and rolled like pinballs through the great hall of his mind.

    That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice. One child, the smallest, shrieked out in delight and her cry tore through the silence and exploded the ice of a giant oak tree. The world shone.

    They found him frozen on the ground like a bird. It's said that when they put their ears to the shell of his ears, they could hear themselves.”
    Nicole Krauss, The History of Love

  • #2
    Voltaire
    “O che sciagura d'essere senza coglioni”
    Voltaire, Candide

  • #3
    Franz Kafka
    “Every revolution evaporates and leaves behind only the slime of a new bureaucracy.”
    Franz Kafka

  • #4
    Franz Kafka
    “Perhaps there is another kind of writing, I only know this one, in the night, when anxiety does not let me sleep, I only know this one. And what is devilish in it seems to me quite clear. It is the vanity and the craving for enjoyment, which is forever whirring around oneself or even around someone else...and enjoying it. The wish that a naive person sometimes has: "I would like to die and watch others crying over me," is what such a writer constantly experiences: he dies (or he does not live) and continually cries over himself”
    Franz Kafka

  • #5
    Michel Faber
    “One of Lucy's admirers took to her, apparently."

    "Took to her?" echoes William, his own feelings for Sugar causing him to construe the phrase benignly.

    "Yes," said Bodley "With her own riding crop."

    "Beat her very severely."

    "Particularly about the face and mouth."

    "I understand all the fight's gone out of her now."

    "Well, as you can imagine," he says. "Madam Georgina doesn't have high hopes. Even if she's willing to wait, there will be scars."

    Ashwell, eyes downcast, is picking at the lint on his trousers. "Poor girl," he laments.

    "Yes," smirks Bodley. "How are the fighty maulen.”
    Michel Faber, The Crimson Petal and the White

  • #6
    Franz Kafka
    “2 November. This morning, for the first time in a long time, the joy again of imagining a knife twisted in my heart.”
    Franz Kafka, Diaries, 1910-1923

  • #7
    Anaïs Nin
    “I do not want to be the leader. I refuse to be the leader. I want to live darkly and richly in my femaleness. I want a man lying over me, always over me. His will, his pleasure, his desire, his life, his work, his sexuality the touchstone, the command, my pivot. I don’t mind working, holding my ground intellectually, artistically; but as a woman, oh, God, as a woman I want to be dominated. I don’t mind being told to stand on my own feet, not to cling, be all that I am capable of doing, but I am going to be pursued, fucked, possessed by the will of a male at his time, his bidding.”
    Anaïs Nin

  • #8
    Kurt Vonnegut Jr.
    “The universe is a big place, perhaps the biggest.”
    Kurt Vonnegut

  • #9
    Kurt Vonnegut Jr.
    “Live by the harmless untruths that make you brave and kind and healthy and happy.”
    Kurt Vonnegut Jr., Cat’s Cradle
    tags: arts

  • #10
    Kurt Vonnegut Jr.
    “And what is literature, Rabo," he said, "but an insider's newsletter about affairs relating to molecules, of no importance to anything in the universe but a few molecules who have the disease called 'thought'.”
    Kurt Vonnegut, Bluebeard

  • #11
    Rainbow Rowell
    “She smelled like gardenias. Plus something muskier, gardenias with carnal knowledge.”
    Rainbow Rowell, Attachments

  • #12
    Jenny Offill
    “A few nights later, I secretly hope that I might be a genius. Why else can no amount of sleeping pills fell my brain? But in the morning my daughter asks me what a cloud is and I cannot say.”
    Jenny Offill, Dept. of Speculation

  • #13
    Jenny Offill
    “That night on TV, I saw the tattoo I wished my life had warranted. If you have not known suffering, love me. A Russian murderer beat me to it.”
    Jenny Offill, Dept. of Speculation

  • #14
    Junot Díaz
    “...our whole country, which you never think of until it’s gone, which you never love until you’re no longer there.”
    Junot Díaz, This Is How You Lose Her

  • #15
    Gustavo Faverón Patriau
    “It's not that I refuse to look at the world around me, but that I refuse to pretend it's anymore important than everything else, you know what I mean? The moments from the past or from the future, the unreal scenes from tales, dreams, the projects we push aside each day that exist in the doubt we stop having in order to live--they're all worlds as true as this one, and I neither abandon or degrade them. So, I suppose that if I live in so many spaces at once, being absent from this one from time to time should be excusable, don't you think?”
    Gustavo Faverón Patriau



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