Saskia > Saskia's Quotes

“This is how the entire course of a life can be changed: by doing nothing.”
― Ian McEwan, On Chesil Beach

“It is the thought that the least efficient way of of finding either happiness or pleasure is to pursue them. Put in terms of happiness, we can see it like this: To be happy you must quite literally "lose yourself". You must lose yourself in some pursuit; you need to forget your own happiness and find other goals and projects, other objects of concern that might include the welfare of some other people, or the cure of the disease, or simply in the variety of everyday activities with their little successes and setbacks.”
― Simon Blackburn, Mirror, Mirror: The Uses and Abuses of Self-Love

“The only two important things in life are real love and being at peace with yourself.”
― Jonathan Carroll, Sleeping in Flame

“We need, in love, to practice only this: letting each other go. For holding on comes easily; we do not need to learn it.”
― Rainer Maria Rilke, Translations from the Poetry of Rainer Maria Rilke

“Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.”
― Rainer Maria Rilke, Letters to a Young Poet

“Nationalism as a thesis confuses (almost always deliberately) certain legitimate desires with illegitimate ones. People like to run their own affairs, and most people value the culture they were raised in, are proud of its achievements and wish it well; a significant degree of their sense of personal and group identity derives from it. All this is unexceptionable. But nationalists try to persuade their fellows that the existence of other groups and cultures somehow represents a challenge, and sometimes a threat, to what the natives of the home culture value. (From: Toward the Light of Liberty)”
― A.C. Grayling

“If the world is to have a future, it lies in the hands of women. At time of this writing nearly half of all women in the Middle East are illiterate; millions in poor countries are shackled to the most basic daily urgencies of finding water and feeding children; the majority of the world's women exist in various forms of bondage to necessity, to poverty, and to men. (2007)”
― A.C. Grayling, Toward the Light of Liberty: The Struggles for Freedom and Rights That Made the Modern Western World

“Perhaps worse still is what liberal societies might do to themselves in the face of this new and different threat [of terrorism]. They begin, by small but dangerous increments, to cease to be as liberal as they once were. They begin to restrict their own hard-won rights and freedoms as a protection against the crminial minority who attempt (and as we thus see, by forcing liberty to commit suidcide, succed in doing) to terrorise society.”
― A.C. Grayling, Toward the Light of Liberty: The Struggles for Freedom and Rights That Made the Modern Western World

“Water is the most versatile of all elements. It isn't afraid to burn in fire or fade into the sky, it doesn't hesitate to shatter against sharp rocks in rainfall or drown into the dark shroud of the earth. It exists beyond all eginnings and ends. On the surface nothing will shift, but deep in underground silence, water will hide and with soft fingers coax a new channel for itself, until stone gives in and slowly settles around the secret space.
Death is water's close companion, and neither of them can be separated from us, for we are made of the versatilitiy of water and the closeness of death. Water doesn't belong to us, be we belong to water: when it has passed through our fingers and pores and bodies, nothing separates us from earth.”
― Emmi Itäranta, Memory of Water

“WORTH IT?

It is no credit to our phase of civilization if it is fear rather than ambition that drives most of those who bankrupt themselves on the vanities, or who end up under the surgeon's knife. It is the fear of falling short, of being inadequate in the eyes of others, including loved ones. [...]
It is unfitting, one might say, improper, treating one's owm body as a tool rather than a part of oneself. [...]
The bottom line is that it dishonors ourselves, for we ought to think better of ourselves than that.”
― Simon Blackburn, Mirror, Mirror: The Uses and Abuses of Self-Love

“[...] like any human practices, those of religions are not exempt from ethical questioning. Rituals and rites in groups change behavior, sometimes for the better, sometimes for the worse. For the madness of crowds is a very close cousin to the fervor or congregations and the martial spirit of armies.”
― Simon Blackburn, Mirror, Mirror: The Uses and Abuses of Self-Love

“There are normal times when it is wholly admirable to be steadfast, resolute, unconflicted, and therefore when integrity is unmistakenly a virtue. The person of integrity knows what to do, and does it. But as we have been exploring, there are also times when certainty and single-mindedness indicate something less admirable: a deafness to voices that should be heard or a blindness to aspects of a situation that need to be considered.”
― Simon Blackburn, Mirror, Mirror: The Uses and Abuses of Self-Love

“My heart is warm with the friends I make,
And better friends I'll not be knowing,
Yet there isn't a train I wouldn't take,
No matter where it's going.”
― Edna St. Vincent Millay, The Selected Poetry

“I heard the bells on Christmas Day
Their old, familiar carols play,
And wild and sweet
The words repeat
Of peace on earth, good-will to men!”
― Henry Wadsworth Longfellow

“Cause nobody's the slightest idea who we are, or who we were, not even we ourselves
- except, that is, in the glimmer of a moment of fair business between strangers, or the nod of knowing and agreement between friends.
Other than these, we go out anonymous into the insect air and all we are is the dust of colour, brief engineerings of wings towards a glint of light on a blade of grass or a leaf in a summer dark.”
― Ali Smith, How to be Both

“That is what literature offers—a language powerful enough to say how it is. It isn't a hiding place. It is a finding place.”
― Jeanette Winterson, Why Be Happy When You Could Be Normal?

“The novel’s not dead, it’s not even seriously injured, but I do think we’re working in the margins, working in the shadows of the novel’s greatness and influence. There’s plenty of impressive talent around, and there’s strong evidence that younger writers are moving into history, finding broader themes. But when we talk about the novel we have to consider the culture in which it operates. Everything in the culture argues against the novel, particularly the novel that tries to be equal to the complexities and excesses of the culture. This is why books such as JR and Harlot’s Ghost and Gravity’s Rainbow and The Public Burning are important—to name just four. They offer many pleasures without making concessions to the middle-range reader, and they absorb and incorporate the culture instead of catering to it. And there’s the work of Robert Stone and Joan Didion, who are both writers of conscience and painstaking workers of the sentence and paragraph. I don’t want to list names because lists are a form of cultural hysteria, but I have to mention Blood Meridian for its beauty and its honor. These books and writers show us that the novel is still spacious enough and brave enough to encompass enormous areas of experience. We have a rich literature. But sometimes it’s a literature too ready to be neutralized, to be incorporated into the ambient noise. This is why we need the writer in opposition, the novelist who writes against power, who writes against the corporation or the state or the whole apparatus of assimilation. We’re all one beat away from becoming elevator music.”
― Don DeLillo

“I realised the amazing power of literature and of the human imagination generally: to make the dead live and to stop the living from dying.”
― Ivan Klima, Love and Garbage

“I have come to see this fear, this sense of my own imperilment by my creations, as not only an inevitable, necessary part of writing fiction but as virtual guarantor, insofar as such a thing is possible, of the power of my work: as a sign that I am on the right track, that I am following the recipe correctly, speaking the proper spells. Literature, like magic, has always been about the handling of secrets, about the pain, the destruction and the marvelous liberation that can result when they are revealed. Telling the truth, when the truth matters most, is almost always a frightening prospect. If a writer doesn’t give away secrets, his own or those of the people he loves; if she doesn’t court disapproval, reproach and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth. The adept handles the rich material, the rank river clay, and diligently intones his alphabetical spells, knowing full well the history of golems: how they break free of their creators, grow to unmanageable size and power, refuse to be controlled. In the same way, the writer shapes his story, flecked like river clay with the grit of experience and rank with the smell of human life, heedless of the danger to himself, eager to show his powers, to celebrate his mastery, to bring into being a little world that, like God’s, is at once terribly imperfect and filled with astonishing life.


Originally published in The Washington Post Book World”
― Michael Chabon

“The fairy tale belongs to the poor...I know of no fairy tale which upholds the tyrant, or takes the part of the strong against the weak. A fascist fairy tale is an absurdity.”
― Erik Christian Haugaard

“If literature truly possesses a mysterious power, I think perhaps it is precisely this: that one can read a book by a writer of a different time, a different country, a different race, a different language, and a different culture and there encounter a sensation that is one's very own.”
― Yu Hua, 十個詞彙裡的中國

“Literature is, to my mind, the great teaching power of the world, the ultimate creator of all values, and it is this, not only in the sacred books whose power everybody acknowledges, but by every movement of imagination in song or story or drama that height of intensity and sincerity has made literature at all. Literature must take the responsibility of its power, and keep all its freedom: it must be like the spirit and like the wind that blows where it listeth; it must claim its right to pierce through every crevice of human nature, and to descrive the relation of the soul and the heart to the facts of life and of law, and to describe that relation as it is, not as we would have it be...”
― William Butler Yeats

“Reading is action. Even though it is often done quietly and alone, reading is a profoundly social activity, and a vigorous and demanding one. There is nothing passive about reading; it requires attention, energy, an act of will. Texts have potential for meaning, implication, response, and result; but the reader must activate them, give them life, and turn them from quiet print into a lively interplay of ideas and feelings. Reading makes things happen, usually in the mind and imagination, but sometimes in the larger world as well, for the process of reading involves not just the consciousness of the self but an awareness of the other -- what is beyond the self. Reading doesn't just happen to you; you have to do it, and it involves decision, reaching out, discovery, awareness. Reading is an act of power, and learning how to get the most out of its possibilities can be an invigorating activity. For all its association with quietness, solitude, and the sedentary life, reading involves -- at its deepest level -- action and interaction.”
― J. Paul Hunter, The Norton Introduction to Literature

“That is what life is like, is it not? When we’re young we think there’s more to come, that this is only the beginning, whereas in fact it’s all there is, and what we have now, and barely even think about, will soon be the only thing we ever had.”
― Karl Ove Knausgård, The Morning Star

“a person only has to step sideways for everything to look different.”
― Karl Ove Knausgård, The Morning Star

“»Es war zu allen Zeiten gefährlich, auf der Welt zu sein. Glücklich ist, wer es einmal geschafft hat.«”
― Katerina Poladjan, Hier sind Löwen

“Your tears will be added to the oceans of salty tears that wash in great waves across our planet. This I know. If you try to live, you can live on well.”
― Lisa See, The Island of Sea Women