Greg > Greg's Quotes

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  • #1
    Catherine Lacey
    “My body felt like tangled rubber bands and dried-out pens and sticky paper clips, like the contents of a drawer where you put the things you don't have anywhere else to put, and I knew that the mind and body are connected, and that my bodily sensations were just messages from my mind, but I just wished there was a box or a drawer or a hole in the ground where I could put all this, all this mind and body stuff that I didn't know what else to do with.”
    Catherine Lacey, Nobody Is Ever Missing

  • #2
    Claire Fuller
    “Dates only make us aware of how numbered our days are, how much closer to death we are for each one we cross off. From now on, Punzel, we're going to live by the sun and the seasons.' He picked me up and spun me around, laughing.'Our days will be endless.”
    Claire Fuller, Our Endless Numbered Days

  • #3
    Catherine Lacey
    “Love is a compromise for only getting to be one person.”
    Catherine Lacey, The Answers

  • #4
    Mary Wollstonecraft Shelley
    “Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it.”
    Mary Shelley, Frankenstein

  • #5
    Sylvia Plath
    “There is something demoralizing about watching two people get more and more crazy about each other, especially when you are the only extra person in the room. It's like watching Paris from an express caboose heading in the opposite direction--every second the city gets smaller and smaller, only you feel it's really you getting smaller and smaller and lonelier and lonelier, rushing away from all those lights and excitement at about a million miles an hour.”
    Sylvia Plath, The Bell Jar

  • #6
    Albert Camus
    “Should I kill myself, or have a cup of coffee?”
    Albert Camus

  • #7
    Albert Camus
    “I opened myself to the gentle indifference of the world.”
    Albert Camus, L'Étranger

  • #8
    Albert Camus
    “What is called a reason for living is also an excellent reason for dying.”
    Albert Camus, The Myth of Sisyphus and Other Essays

  • #9
    Peter Wessel Zapffe
    “A coin is examined, and only after careful deliberation, given to a beggar, whereas a child is flung out into the cosmic brutality without hesitation.”
    Peter Wessel Zapffe, Essays og Epistler

  • #10
    Peter Wessel Zapffe
    “To bear children into this world is like carrying wood to a burning house.”
    Peter Wessel Zapffe

  • #11
    Peter Wessel Zapffe
    “Man is the ultimate tragic being, because he has learned enough about the Earth to realise the Earth would be better off without the presence of humankind.”
    Peter Wessel Zapffe

  • #12
    William Godwin
    “It is absurd to expect the inclinations and wishes of two human beings to coincide, through any long period of time. To oblige them to act and live together is to subject them to some inevitable potion of thwarting, bickering, and unhappiness.”
    William Godwin

  • #13
    Peter Wessel Zapffe
    “The tragedy of a species becoming unfit for life by over-evolving one ability is not confined to humankind. Thus it is thought, for instance, that certain deer in paleontological times succumbed as they acquired overly-heavy horns. The mutations must be considered blind, they work, are thrown forth, without any contact of interest with their environment. In depressive states, the mind may be seen in the image of such an antler, in all its fantastic splendour pinning its bearer to the ground.”
    Peter Wessel Zapffe, Essays

  • #14
    Fernando Pessoa
    “Literature is the most agreeable way of ignoring life.”
    Fernando Pessoa, The Book of Disquiet

  • #15
    Fernando Pessoa
    “I asked for very little from life, and even this little was denied me. A nearby field, a ray of sunlight, a little bit of calm along with a bit of bread, not to feel oppressed by the knowledge that I exist, not to demand anything from others, and not to have others demand anything from me - this was denied me, like the spare change we might deny a beggar not because we're mean-hearted but because we don't feel like unbuttoning our coat.”
    Fernando Pessoa, The Book of Disquiet

  • #16
    Fernando Pessoa
    “The feelings that hurt most, the emotions that sting most, are those that are absurd - The longing for impossible things, precisely because they are impossible; nostalgia for what never was; the desire for what could have been; regret over not being someone else; dissatisfaction with the world’s existence. All these half-tones of the soul’s consciousness create in us a painful landscape, an eternal sunset of what we are.”
    Fernando Pessoa

  • #17
    Fernando Pessoa
    “I suffer from life and from other people. I can’t look at reality face to face. Even the sun discourages and depresses me. Only at night and all alone, withdrawn, forgotten and lost, with no connection to anything real or useful — only then do I find myself and feel comforted.”
    Fernando Pessoa, The Book of Disquiet

  • #18
    Fernando Pessoa
    “When all by myself, I can think of all kinds of clever remarks, quick comebacks to what no one said, and flashes of witty sociability with nobody. But all of this vanishes when I face someone in the flesh: I lose my intelligence, I can no longer speak, and after half an hour I just feel tired. Talking to people makes me feel like sleeping. Only my ghostly and imaginary friends, only the conversations I have in my dreams, are genuinely real and substantial.”
    Fernando Pessoa

  • #19
    Fernando Pessoa
    “We worship perfection because we can't have it; if we had it, we would reject it. Perfection is inhuman, because humanity is imperfect.”
    Fernando Pessoa, The Book of Disquiet

  • #20
    Fernando Pessoa
    “I’ve dreamed a lot. I’m tired now from dreaming but not tired of dreaming. No one tires of dreaming, because to dream is to forget, and forgetting does not weigh on us, it is a dreamless sleep throughout which we remain awake. In dreams I have achieved everything.”
    Fernando Pessoa, The Book of Disquiet

  • #21
    Fernando Pessoa
    “I'm sick of everything, and of the everythingness of everything.”
    Fernando Pessoa, The Book of Disquiet

  • #22
    Fernando Pessoa
    “There are metaphors more real than the people who walk in the street. There are images tucked away in books that live more vividly than many men and women. There are phrases from literary works that have a positively human personality. There are passages from my own writing that chill me with fright, so distinctly do I feel them as people, so sharply outlined do they appear against the walls of my room, at night, in shadows... I've written sentences whose sound, read out loud or silently (impossible to hide their sound), can only be of something that acquired absolute exteriority and a full-fledged soul.”
    Pessoa, Fernando, The Book of Disquiet

  • #23
    Fernando Pessoa
    “To write is to forget. Literature is the most agreeable way of ignoring life. Music soothes, the visual arts exhilarates, the performing arts (such as acting and dance) entertain. Literature, however, retreats from life by turning in into slumber. The other arts make no such retreat— some because they use visible and hence vital formulas, others because they live from human life itself.
    This isn't the case with literature. Literature simulates life. A novel is a story of what never was, a play is a novel without narration. A poem is the expression of ideas or feelings a language no one uses, because no one talks in verse.”
    Fernando Pessoa, The Book of Disquiet

  • #24
    Fernando Pessoa
    “Today, suddenly, I reached an absurd but unerring conclusion. In a moment of enlightenment, I realized that I'm nobody, absolutely nobody. When the lightning flashed, I saw that what I had thought to be a city was in fact a deserted plain and, in the same sinister light that revealed me to myself, there seemed to be no sky above it. I was robbed of any possibility of having existed before the world. If I was ever reincarnated, I must have done so without myself, without a self to reincarnate.
    I am the outskirts of some non-existent town, the long-winded prologue to an unwritten book. I'm nobody, nobody. I don't know how to feel or think or love. I'm a character in a novel as yet unwritten, hovering in the air and undone before I've even existed, amongst the dreams of someone who never quite managed to breathe life into me.
    I'm always thinking, always feeling, but my thoughts lack all reason, my emotions all feeling. I'm falling through a trapdoor, through infinite, infinitous space, in a directionless, empty fall. My soul is a black maelstrom, a great madness spinning about a vacuum, the swirling of a vast ocean around a hole in the void, and in the waters, more like whirlwinds than waters, float images of all I ever saw or heard in the world: houses, faces, books, boxes, snatches of music and fragments of voices, all caught up in a sinister, bottomless whirlpool.
    And I, I myself, am the centre that exists only because the geometry of the abyss demands it; I am the nothing around which all this spins, I exist so that it can spin, I am a centre that exists only because every circle has one. I, I myself, am the well in which the walls have fallen away to leave only viscous slime. I am the centre of everything surrounded by the great nothing.
    And it is as if hell itself were laughing within me but, instead of the human touch of diabolical laughter, there's the mad croak of the dead universe, the circling cadaver of physical space, the end of all worlds drifting blackly in the wind, misshapen, anachronistic, without the God who created it, without God himself who spins in the dark of darks, impossible, unique, everything.
    If only I could think! If only I could feel!”
    Fernando Pessoa, The Book of Disquiet

  • #25
    Fernando Pessoa
    “Freedom is the possibility of isolation. You are free if you can withdraw from people, not having to seek them out for the sake of money, company, love, glory or curiosity, none of which can thrive in silence and solitude. If you can't live alone, you were born a slave. You may have all the splendours of the mind and the soul, in which case you're a noble slave, or an intelligent servant, but you're not free. And you can't hold this up as your own tragedy, for your birth is a tragedy of Fate alone. Hapless you are, however, if life itself so oppresses you that you're forced to become a slave. Hapless you are if, having been born free, with the capacity to be isolated and self-sufficient, poverty should force you to live with others.”
    Fernando Pessoa, The Book of Disquiet

  • #26
    Fernando Pessoa
    “Man shouldn’t be able to see his own face--there’s nothing more sinister. Nature gave him the gift of not being able to see it, and of not being able to stare into his own eyes.

    Only in the water of rivers and ponds could he look at his face. And the very posture he had to assume was symbolic. He had to bend over, stoop down, to commit the ignominy of beholding himself.

    The inventor of the mirror poisoned the human heart.”
    Fernando Pessoa, The Book of Disquiet

  • #27
    Emily Brontë
    “I wish I were a girl again, half-savage and hardy, and free.”
    Emily Brontë, Wuthering Heights

  • #28
    Margaret Atwood
    “​Now I'm awake to the world. I was asleep before. That's how we let it happen. When they slaughtered Congress, we didn't wake up. When they blamed terrorists and suspended the constitution, we didn't wake up then, either. Nothing changes instantaneously. In a gradually heating bathtub, you'd be boiled to death before you knew it.”
    Margaret Atwood

  • #29
    James Joyce
    “I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.”
    James Joyce, Ulysses

  • #30
    Emily Brontë
    “She burned too bright for this world.”
    Emily Bronte, Wuthering Heights



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