Connor Arland > Connor's Quotes

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  • #1
    Gabriel García Márquez
    “A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread.

    "Holy Mother of God!" Úrsula shouted.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #2
    Gabriel García Márquez
    “For a week, almost without speaking,
    they went ahead like sleepwalkers through a universe of grief, lighted only by the tenuous
    reflection of luminous insects, and their lungs were overwhelmed by a suffocating smell of blood.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #3
    Gabriel García Márquez
    “because races condemned to one hundred years of solitude did not have a second opportunity on earth”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #4
    Gabriel García Márquez
    “Amaranta, however, whose hardness of heart frightened her, whose concentrated bitterness made her bitter, suddenly became clear to her in the final analysis as the most tender woman who had ever existed, and she understood with pitying clarity that the unjust tortures to which she had submitted Pietro Crespi had not been dictated by a desire for vengeance, as everyone had thought, nor had the slow martyrdom with which she had frustrated the life of Colonel Gerineldo Márquez been determined by the gall of her bitterness, as everyone had thought, but that both actions had been a mortal struggle between a measureless love and an invincible cowardice, and that the irrational fear that Amaranta had always had of her own tormented heart had triumphed in the end.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #5
    Gabriel García Márquez
    “It's enough for me to be sure that you and I exist at this moment.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #6
    Gabriel García Márquez
    “There is always something left to love.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #7
    Gabriel García Márquez
    “Then he made one last effort to search in his heart for the place where his affection had rotted away, and he could not find it.”
    Gabriel Garcia Marquez, One Hundred Years of Solitude

  • #8
    Gabriel García Márquez
    “...time was not passing...it was turning in a circle...”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #9
    Hunter S. Thompson
    “The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side.”
    Hunter S. Thompson

  • #10
    Lois Lowry
    “The life where nothing was ever unexpected. Or inconvenient. Or unusual. The life without colour, pain or past.”
    Lois Lowry, The Giver

  • #11
    William Shakespeare
    “Be not afeard; the isle is full of noises,
    Sounds, and sweet airs, that give delight and hurt not.
    Sometimes a thousand twangling instruments
    Will hum about mine ears; and sometime voices,
    That, if I then had waked after long sleep,
    Will make me sleep again: and then, in dreaming,
    The clouds methought would open, and show riches
    Ready to drop upon me; that, when I waked,
    I cried to dream again.”
    William Shakespeare, The Tempest

  • #12
    Antoine de Saint-Exupéry
    “And now here is my secret, a very simple secret: It is only with the heart that one can see rightly; what is essential is invisible to the eye.”
    Antoine de Saint-Exupéry, The Little Prince

  • #13
    Antoine de Saint-Exupéry
    “I am looking for friends. What does that mean -- tame?"

    "It is an act too often neglected," said the fox. "It means to establish ties."

    "To establish ties?"

    "Just that," said the fox. "To me, you are still nothing more than a little boy who is just like a hundred thousand other little boys. And I have no need of you. And you, on your part, have no need of me. To you I am nothing more than a fox like a hundred thousand other foxes. But if you tame me, then we shall need each other. To me, you will be unique in all the world. To you, I shall be unique in all the world....”
    Antoine de Saint-Exupéry, The Little Prince

  • #14
    Antoine de Saint-Exupéry
    “Grown-ups never understand anything by themselves, and it is tiresome for children to be always and forever explaining things to them”
    Antoine de Saint-Exupéry, The Little Prince

  • #15
    Antoine de Saint-Exupéry
    “You - you alone will have the stars as no one else has them...In one of the stars I shall be living. In one of them I shall be laughing. And so it will be as if all the stars were laughing, when you look at the sky at night...You - only you - will have stars that can laugh.”
    Antoine de Saint-Exupéry, El Principito

  • #16
    Gabriel García Márquez
    “All human beings have three lives: public, private, and secret.”
    Gabriel García Márquez, Gabriel García Márquez: a Life

  • #17
    Gabriel García Márquez
    “On rainy afternoons, embroidering with a group of friends on the begonia porch, she would lose the thread of the conversation and a tear of nostalgia would salt her palate when she saw the strips of damp earth and the piles of mud that the earthworms had pushed up in the garden. Those secret tastes, defeated in the past by oranges and rhubarb, broke out into an irrepressible urge when she began to weep. She went back to eating earth. The first time she did it almost out of curiosity, sure that the bad taste would be the best cure for the temptation. And, in fact, she could not bear the earth in her mouth. But she persevered, overcome by the growing anxiety, and little by little she was getting back her ancestral appetite, the taste of primary minerals, the unbridled satisfaction of what was the original food. She would put handfuls of earth in her pockets, and ate them in small bits without being seen, with a confused feeling of pleasure and rage, as she instructed her girl friends in the most difficult needlepoint and spoke about other men, who did not deserve the sacrifice of having one eat the whitewash on the walls because of them. The handfuls of earth made the only man who deserved that show of degradation less remote and more certain, as if the ground that he walked on with his fine patent leather boots in another part of the world were transmitting to her the weight and the temperature of his blood in a mineral savor that left a harsh aftertaste in her mouth and a sediment of peace in her heart.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #18
    Gabriel García Márquez
    “In that Macondo forgotten even by the birds, where the dust and the heat had become so strong that it was difficult to breathe, secluded by solitude and love and by the solitude of love in a house where it was almost impossible to sleep because of the noise of the red ants, Aureliano, and Amaranta Úrsula were the only happy beings, and the most happy on the face of the earth.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #19
    Gabriel García Márquez
    “A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.”
    Gabriel Garcí­a Márquez, One Hundred Years of Solitude

  • #20
    Gabriel García Márquez
    “... that the past is one lie, and the memory has no returning, becouse every old spring is beyond retrieve, and even the craziest and most persistent love is just a temporary truth...”
    Gabriel Garcí­a Márquez, One Hundred Years of Solitude

  • #21
    Gabriel García Márquez
    “and that everything written on them was unrepeatable since time immemorial and forever more, because races condemned to one hundred tears of solitude did not have a second opportunity on earth.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #22
    Neil Gaiman
    “How can you be happy in this world? You have a hole in your heart. You have a gateway inside you to lands beyond the world you know. They will call you, as you grow. There can never be a time when you forget them, when you are not, in your heart, questing after something you cannot have, something you cannot even properly imagine, the lack of which will spoil your sleep and your day and your life, until you close your eyes for the final time, until your loved ones give you poison and sell you to anatomy, and even then you will die with a hole inside you, and you will wail and curse at a life ill-lived.”
    Neil Gaiman, The Ocean at the End of the Lane

  • #23
    William Shakespeare
    “If we shadows have offended,
    Think but this, and all is mended,
    That you have but slumbered here
    While these visions did appear.
    And this weak and idle theme,
    No more yielding but a dream,
    Gentles, do not reprehend:
    If you pardon, we will mend:
    And, as I am an honest Puck,
    If we have unearned luck
    Now to 'scape the serpent's tongue,
    We will make amends ere long;
    Else the Puck a liar call;
    So, good night unto you all.
    Give me your hands, if we be friends,
    And Robin shall restore amends.”
    William Shakespeare, A Midsummer Night’s Dream

  • #24
    Paul Monette
    “You need only to have glimpsed it once to know there's a window out of all this black and sleepless night. Then you must use it to hope on. Key to the dream country where all your people are whole again, and the gunboats can't reach you, and the Empire of Hate is rubble. You and your secret dream of freedom are the tidal wave. Keep watch, every night if you have to. As for sleeping, you can sleep when you're dead.”
    Paul Monette, Last Watch of the Night: Essays Too Personal and Otherwise



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